Category: Most Popular Nominated in mulitple categories as well.
Score: 4350
Hearts2Hearts Members:
Carmen 카르멘
Jiwoo 지우
Yuha 유하
Stella 스텔라
Juun 주은
A-na 에이나
Ian 이안
Ye-on 예온
2025 K-POP ROOKIE GROUP HALL OF FAME
Hall of Fame Category: Best R&B Category(2): Best Discography
Group: Close Your Eyes 클로즈 유어 아이즈
Label: UNCORE
Album(s): Eternalt Snowy Summer Blackout
Score: 2898.84
Hall of Fame Category: Best Rap/Hip Hop
Group: AllDay Project 올데이 프로젝트
Label: The Black Label
Album(s): Famous ALLDAY PROJECT
Score: 2102.16
Hall of Fame Category: Best Concept
Group: AHOF 아홉
Label: F&F Entertainment
Album(s): Who We Are The Passage
Score: 1827.75
Hall of Fame Category: Best Choreography
Group: XLOV 엑스러브
Label: 257 Entertainment
Album(s): I'mma Be I One I Will Uxlxve
Score: 1811.89
Hall of Fame Category: Wild Card
Group: KickFlip 킥플립
Label: JYP Entertainment
Album(s): Flip It, Kick It! Kick Out, Flip Now! My First Flip
Score: 1607.58
Hall of Fame Category: Best Visuals
Group: NewBeat 뉴비트
Label: Beat Interactive
Album(s): Raw and Rad Cappuccino(Digital Single) Louder Than Ever
Score: 1195.64
Hall of Fame Category: Best Live Vocals
Group: Kiiras 키라스
Label: LeanBranding
Album(s): Kill Ma Bo$$ Bang Bang! Kiirasmas(Special Digital Single)
Score: 718.08
Hall of Fame Category: Best Ballad
Group: Son E Ji U 손이지유
Label: ArtsroEnt
Album(s): Take My Hand(Digital Single) Korean Dream: Come, O Glorious Light!(Digital Single)
Score: 306.6
2025 K-POP ROOKIE GROUP OF THE YEAR
By unanimous decision amongst K-pop enthusiasts, critics, and the community as a whole, Hearts2Hearts is 2025's K-pop Rookie of the Year. Through my blog's scoring system, they've accumulated the most points with a grand total score of 4,350. Not only have they racked up the most points, but they've been nominated numerous times throughout their K-pop career; in my blog's scoring system, they've done the most "Over-kills" within the past year. The most notable aspect of Hearts2Hearts is their popularity, and the ability to set trends; basically, they are the trend-setters or "IT GIRLS" of the current generation. With that being said, they do have one blockage or hurdle that they have to overcome, which is their label that they are under, SM Entertainment. Although they've managed the best debut of the year, SM Entertainment has not shown much of Hearts2Hearts's true live vocal prowess. This aspect of Hearts2Hearts could be a dealbreaker for most K-pop fans because Hearts2Hearts are supposed to demonstrate what most K-pop fans are expecting: Live Vocals. Hearts2Hearts has shown perfect choreography, stunning visuals, amazing discography, et cetera; however, the only missing portion of their career, so far, is to show their audience that they are capable of a live vocal performance. Usually, a live vocal performance ties the knot in terms of being one of the ultimate K-pop groups within the new era. That being said, this missing aspect of Hearts2Hearts is not a big deal for most people; regardless of live vocal performances, K-pop fans will still love this group, and will be a fan of theirs until the very end. As you come to realize, SM Entertainment does not prioritize live vocals; past artists, such as Wendy(Red Velvet), BaekHyun(Exo), and others have demonstrated top tier live vocals years after their group's debut. I personally believe that Hearts2Hearts share the same live vocal potential such as these past SM artists; however, SM Entertainment has some kind of agenda or ulterior motive with their artists that doesn't involve their actual talent; rather, they like using their artists more as advertisement tools or promotional material to fulfill their quota. If you are a die-hard fan of Hearts2Hearts, then you will have to wait a long period of time before they start releasing more vocal-oriented performances. Besides the lack of vocal performances, you'll notice that their visuals are reminiscent of older groups from another company, such as Starship Entertainment; each member of Hearts2Hearts share similar facial expressions, cosmetic appearances, and fashion as WJSN(Cosmic Girls). This is no way of saying that they are exactly identical or plagiarizing WJSN. Simply, Hearts2Hearts's visuals draw inspiration from WJSN; definitely, you can observe that each member of Hearts2Hearts has the "WJSN face" or "Starship face". Within my blogs, I've already said that Hearts2Hearts have precise execution in dance moves; also, they are completely synchronized to each other's movement, almost like they are one entity, expressing one goal to demonstrate dancing expertise. Synchronized choreography is always a net positive in any K-pop group moving forward. There will be a lot of fans raving about emulating their moves for dance covers, or simply just for fun. Lastly, Hearts2Hearts has a fun discography. So far, they've released an album called "The Chase", a digital single called "Style", and an album called "Focus". Each track of Hearts2Hearts are bops/bangers. You'll have a blast from listening to all their tracks. My predictions of this group are mostly positive; however, like I said before, the lack of live vocals might steer people away from being a fan of Hearts2Hearts. I don't have a crystal ball to predict the future of this group, but I'm fairly convinced they'll always have a successful comeback since they are under the "Big 4" in South Korea. As long as this group utilizes their superpower called "Trend-setting", then we are all in for a treat. From my analysis, I'm only speculating that this group will give K-pop fans nostalgia of past K-pop tracks like tracks produced from Girls' Generation(SNSD), modern hit songs, and experimental hits just like their seniors AESPA. Overall, I see a heart-felt future of K-pop from Hearts2Hearts.
Hall of Fame
Below are the calculations for the total score. In order to get the total score, a group's score is multiplied by their "OVER-KILL COUNT", and the result is then added to the score.
[12/25/2025] Groups placed in the 2025 K-pop Rookie Group Hall of Fame are Close Your Eyes, AllDay Project, AHOF, XLOV, KickFlip, NewBeat, Kiiras, and SonEJiU. It is really straight-forward. These groups had high scores, and were nominated in many categories throughout the seasons. There's no more explanations needed on why they are on the Hall of Fame.
[12/22/2025] In order to reach a finale to the 2025 K-pop Rookie Group Hall of Fame, I had to methodically eliminate groups to reach a conclusion. Foremost, I eliminated groups that had no "Over-Kill Count", which was a piece of cake. Secondly, I scored the nominees, and eliminated groups who weren't nominated, as well as groups that didn't score high enough. Now, the groups within the preliminaries are carefully analyzed, and hand-picked for quality; the groups with the highest score, and most seasonal nominations are the chosen ones for the hall of fame. There could be exceptions depending on more information, but it is fairly straight forward.
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Table Of Contents:
⬗2025 K-idol Rookie Groups(Chronological Order By Debut/Comeback)⬗ Recent(Top) to Old(Bottom)
The reviews that I provide are for entertainment purposes only. I'm not a professional critic, nor do I possess some special license to review content on the internet. Simply, I'm just some random spectator surfing the web, observing music videos, and offering my opinion about them. I do not have any personal connection, affiliation, or relationship with any k-idol, group of k-idols, or company that I review. Overall, my opinion is subjective and is also subjected to change in the future depending on many circumstances. The rating that I bestow unto groups is reflective of my experiences, thoughts, and feelings at the moment of publishing. Generally, you should only take my opinion as a grain of salt and not to be taken as the be all and end all opinion. In other words, please do not get b*tt-hurt or offended because of my unpopular opinions. In the grand scheme of things, my opinion does not play a significant role in determining the success of a k-idol, a group of k-idols, or a company. A review on a defective or unentertaining k-idol group only speeds up the inevitable decline in their merchandise sales; a review saves the consumer their time and money from purchasing a faulty product in the first place. Eventually, a bad product, regardless of whether it is reviewed or not, always results in low sales, high return rates, or no sales at all(it is only a matter of time). Also, a review can help bring awareness to a k-idol group's weaknesses and strengths; a review is mainly served as some sort of reminder or note on what needs to be done to improve future material/content. Although criticism may be harsh or come out as abrasive/negative, it should help prevent a k-idol group from repeating the same mistakes. If applied accurately, criticism should refine a k-idol's abilities. As you know, there are opinions, like mine, that are scattered throughout the internet, offering different perspectives, so it is only wise that you do your own due diligence on all material online. It is best to wear your "investigative thinking cap" at all times when you read online content, especially when the internet is filled with gossip, rumors, speculations, hearsay, false claims, etc. If you are an ultra sensitive person, who is easily triggered or offended, then please look no further and exit my website. My blog is not to please everyone, nor is it intended for everyone.
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QUICK BIOGRAPHY
Group Name: KIIRAS(키라스)
Label: LeanBranding
Members: Ling Ling, Kurumi, Harin, Kylie, Doyeon, Roah
Album: Kill Ma Bo$$(EP)
Debut Date: May 29, 2025
Comeback Album: Bang Bang!
Comeback Date: November 14, 2025
Comeback(2) Special Digital Single: Kiirasmas
Comeback(2) Date: December 8, 2025
Comeback(3)[DUO]: Christmas For You
Comeback(3)[DUO] Date: December 22, 2025
Note: Incomplete information due to deadline.
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Links and Ratings
Music Video: Kiiras - Kill Ma Bo$$ Cinematography Score: .8/1
Narrative/Story Score: .6/1
Acting/Modeling Score: 1/1
Note: Incomplete information due to deadline.
Music Video: Kiiras - Kiirasmas Cinematography Score: .2/1
Narrative/Story Score: .2/1
Acting/Modeling Score: .7/1
Link:Audio Link:Lyrics Link:Unofficial Lyrics 2 Studio Recorded Vocals Score: .95/1
Instrumental Score: .75/1
Lyrics Score: 1/1
Stage Presence Score: 0/1
Facial Expression Score: 0/1
Objective Movement Score: 0/1
Choreography Aesthetics Score: 0/1
Live Choreography Score: 0/1
Live Visual Score: 0/1
Art/Cosmetic/Make-up Score: 0/1
Fashion Score: 0/1
Visual Concept Score: 0/1
Live Vocals Score: 0/1
Live Band Score: 0/1
Discography/Pre-Debut/Pre-releases/Album
Music Video Link:Track 1: Kiirasmas Discography Score: .2/?
Kiiras is taking a risk by debuting with a track that is a mix between dance pop, hip hop, and country; this genre of music caters to a tiny niche within K-pop. Usually, country music isn't popular amongst K-pop fans. It's not that KIIRAS is underrated; KIIRAS is debuting with music that targets a small demographic within K-pop fandoms. As much as I enjoyed their music, I found that the visualization of the concept was poorly executed. After watching their music video, I didn't feel like I was in Texas, Louisiana, Missouri, or anywhere down in the countryside. Here's an example of visuals that helped the audience feel like they're in some western/country movie: Brown Eyed Girls - Kill Bill. After watching "Brown Eyed Girls - Kill Bill", you'll figure out what is on my mind when I speak about country visuals. The western/country theme/concept in Kill Bill was excellently executed like a rusty, old can being shot by an expert straight shooter. Well, at least KIIRAS did a better job at country visuals than PPL - Shoot U. It doesn't take much to produce country visuals. Unfortunately, KIIRAS visuals did not hit the mark. If you think otherwise, then you might need to familiarize yourself with western/country movies like old Clint Eastwood films.
Overall, KIIRAS has the best live vocal performance for Spring 2025. KIIRAS is an above average rookie group in terms of vocal performance; however, they aren't given the bare minimum in displaying proper visuals for a concept. You may want to consult with SAAY, who was the producer for KIIRAS. SAAY definitely trained these girls to be the best in vocals; however, she didn't put the effort in the concept's visuals. It is what it is. Hopefully, KIIRAS has a strong comeback in the future with strong visuals. As a refresher, SAAY, the producer for KIIRAS, was famously known as a member of EvoL. Here's a refresher: EvoL - Get Up.
Comeback
Kiiras's comeback "Bang Bang" has about half of their lyrics in Korean, and the other half in English; it is a "bang" for South Korea, and another "bang" for international fans. Now, the excessive use of "Bang" could be off-putting; it felt like the whole song was a never ending loop with the word "Bang". Personally, I couldn't listen to it anymore after a few hearing sessions; it felt like someone was continuously hitting me over the head with a sledgehammer. With each consecutive hit with a sledgehammer, I would hear the "Bang" sound. Although "Bang Bang!" was a hit for most K-pop fans, the repetitiveness of the chorus is its downfall; audiences who pay attention will notice the lyrical composition of "Bang Bang" as a disaster. I've heard plenty of K-pop songs from the past with a repetitive chorus, which wasn't too aggressive, nor forceful, such as BIGBANG - BANG BANG BANG. BIGBANG's repetitive chorus makes it pleasing to the ear. As for Kiiras's "Bang Bang", the chorus drowns out the whole entire track, and feels like I'm hearing automobiles crashing into a brick wall over and over; "Bang Bang!" provides a marvelous experience for a few listens, but becomes redundant, and annoying when it is being played in a continuous loop.
Now, I didn't say Kiiras was untalented; they are quite the opposite. Kiiras's live vocals are on another level, and as strong as Mamamoo's live vocals; mainly, I'm complimenting each member for demonstrating strong vocals, a feature that is seldomly found in a K-pop rookie group; so far, Kiiras are the leaders of 2025 when it comes to live vocals. I don't think they are here to play around when it comes to vocal prowess. Competitively, rookie groups in 2025 can't go head-to-head with Kiiras; many may argue that every other K-pop rookie group are still using "vocal training wheels" while Kiiras are on expert mode. As time passes, I bet they will dwell into complex, and much more vocally demanding/challenging music like how Mamamoo has done with their career; I simply can't wait until Kiiras start wrecking shop or when South Korea notices them as a driving force in K-pop. Once the tide turns, and the spotlight finally reaches Kiiras on a grand scale, they will shine bright. I hope to see this some day soon.
As of right now, I'm personally not invested in their concepts. Unfortunately, LeanBranding seems to not lift a pinky finger in production or visualizations for Kiiras. As of right now, I'm kind of putting the blame on LeanBranding for not being responsible in putting the extra effort for Kiiras's rookie career; there's so much potential for Kiiras since they already possess the necessary top-tier vocals to get the job done. Since LeanBranding makes the decisions, Kiiras seems to be stuck doing this hip-hop country route, which I'm not really fond of; however, if they enjoy this concept, then they should continue it. Regardless of my criticism, Kiiras should be free to do whatever concept that they are comfortable with. I suppose, there's nothing wrong with jumping on horses, hurling lasso at livestock, and yelling "Yippee ki-yay". Well, I hope I'm not giving Kiiras any ideas of their new comeback or digital single.
Comeback(2)
Kiiras's "Kiirasmas" is quite the enjoyable jingle for the holidays. There's just only one part of the track that Santa Claus thinks is naughty. At the near end of the track, the track seems to do an abrupt, sudden stop, and transitions to this slow sonata, where all the instruments stop playing, except for the sound of a cello, viola, or violin(it is most likely a cello). As well as this sonata, one of the member's vocal tone and melody did not fit into the instrumental's composition. Besides this awkward transitional break of the song, "Kiirasmas" is a Christmas bop. Hopefully, they can remix the unnecessary sonata/break from the track, or remove it entirely since it ruins the entire Christmas spirit of the song.
Comeback(3)[DUO]
Note: Incomplete information due to deadline.
Out of no where, they created another Korean Christmas song, but upbeat and cheerful. It was a duo sung by Roah and Doyeon.
Score Calculation:
Note: Incomplete information due to deadline.
Debut Score: 16.8
Comeback Score: 17.25
Comeback(2) Score: 5.05
Search Accumulation Score:7.6m+11.8m+2.2m+.6m+.4m = 22.6m = 2.26/?
Debut + Comeback + Comeback(2) + Search Accumulation Score = Total Accumulated Score
16.8 + 17.25 + 5.05 + 2.26 = 41.36
Total Accumulated Score: 41.36/19
41.36 Divided By 19 = 2.176842105
2.176842105 Multiplied By 100 = 217.684210526
Final Score: 217.6%
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QUICK BIOGRAPHY
Group Name: ALLDAY PROJECT(올데이 프로젝트)
Label: The Black Label
Members: Annie, Tarzzan, Bailey, Woochan, Youngseo
Album: Famous(Double Title Track: Famous and Wicked)
Debut Date: June 23, 2025
Comeback EP(Extended Play): ALLDAY PROJECT
Comeback EP(Extended Play) Date: December 8, 2025
Discography/Pre-Debut/Pre-releases/Album
Music Video Link:Track 1: Famous Performance Movie Set Link:Track 2: Wicked Discography Score: .4/?
Production/Theme/Concept Score: 1/1
Personal/Subjective Score: 1/1
Comeback
Note: Incomplete information due to deadline.
Music Video: ALLDAY Project - One More Time[Double Title Track]
Music Video: ALLDAY Project - Look At Me[Double Title Track]
Cinematography Score: 1/1
Narrative/Story Score: 1/1
Acting/Modeling Score: 1/1
A choreographer, rapper, model, singer, and chaebol walk into a bar. The bartender says, "That must have hurt". The choreographer, rapper, model, singer, and chaebol respond, "It sure does. We've been hitting these bars all day long." The bartender replies, "Oh, no wonder! You have the black label covering your eyes!".
AllDay Project's line-up reeks of controversy from the start. The Black Label decided to debut a co-ed group, which is unfavorable in the current K-pop industry climate. The reason it is unfavorable because it does not feed into the parasocial relationship dynamic between fans and k-idols. Usually, fans desire their k-idols separate from the opposite sex because it destroys or ruins their parasocial fantasy that they've imagined with them; for starters, fans pretend or imagine that k-idols are their actual girlfriend or boyfriend. It is well known that co-ed groups don't get popular unless they are outstanding performers, such as a co-ed group called "Kard". In the case of AllDay Project, their debut garnered controversy, discussion, debate, and instant popularity.
As usual, Teddy and his group of lyricists at The Black Label is responsible for the musical composition of the double title tracks: "Famous" and "Wicked". This time around, the lyrics were dialed down a notch. Commonly, Teddy produces some sort of "diss track" towards the impoverished, bottom-of-the-barrel, or economically disadvantaged citizens; however, he didn't commit to the usual lyrical spiel of degrading the homeless. Again, it was somewhat dialed down for the success of AllDay Project's debut. Within the vault at The Black label, they must have libraries of "diss tracks" at their disposal; most likely, lyrics at The Black Label must be outdated and collecting dust, written as far back as 2010. I bet they are saving the most insulting tracks for later comebacks. As you already know, Teddy is known for his lyrics that promote materialism, economic status, and other superficial-related topics, such as fast cars and jewelry. The hilarious part of all of this is that The Black Label's audience will quickly, without questions asked, lap up or consume anything that is produced by Teddy. The lyrics are usually meant to indirectly insult their audience's economic status, yet the audience will pull through to every nook and cranny to purchase anything that comes out of The Black Label. That is consumerism for you; a bunch of mindless zombies chasing trends that loses steam as soon as they jump on the bandwagon.
Let's talk about each member of AllDay Project from the least to the most controversial.
Let's first start with Bailey. From choreographer to k-idol, at a young age, Bailey was credited in creating choreography for Taemin, SHINee, Aespa, Taeyang, and Lisa. She made a guest appearance in Jackson Wang's music video "Cruel". With all those accolades, she was endorsed by many top brands such as Nike, Samsung, and et cetera. Bailey is a walking success story unfolding.
Secondly, the next member is Woochan. Since 2017, Woochan was building his professional career portfolio. He started attracting the general public when he participated as a contestant in a rap competition show called "Show Me the Money 6". Although Woochan was ultimately eliminated, he caught everyone's attention by storm. Although Woochan failed in attempting to debut in other groups, such as "Trainee A", he ended up with a successful debut with AllDay Project.
Youngseo was a former pre-debut member of Be:Lift Lab's ILLIT; however, she terminated her contract with Be:Lift right before ILLIT's debut. This is not 100% accurate or true, but rumors say that she didn't "gel", "click", or grow accustomed to ILLIT members. Not only that, but she had "bad feelings" being under HYBE and Be:Lift Lab. Basically, she followed her intuition and decided to leave in order to pursue other projects. As you know, Hybe and their subsidiary labels are going through internal legal conflicts, such as Min Hee-Jin versus HYBE/Be:Lift Lab fiasco. I bet Youngseo saw all the issues happening at HYBE, so she simply backed away from that place, which, in my opinion, was a wise move.
Although some argue that this member is the most controversial, I personally don't think he is at all. All the controversy about this member is over-blown and exaggerated. The model and rapper of AllDay Project, Tarzzan was accused of being a "culture vulture"; his name could roll people's eyes as well since his name describes him as a wild and crazy jungle man. Social media users and forum posters have already shunned Tarzzan for cultural appropriation. His pre-debut social media photographs had shown him wearing his hair in box-braids and corn-rolls, which is historically known to be a crucial part of black culture, as well as Latino culture. Along with wearing another culture's garments as a Halloween costume, he was also accused of using AAVE in insulting ways. Although cultural appropriation is not an illegal activity, it is degrading, insulting, and debasing to other ethnicities, who's ancestors have been enslaved in times of colonialism. Overall, using other country's garments and traditional aesthetics without their permission is known as insensitive. With no ill intention, Tarzzan has publicly stated that he fell in love with Hip Hop culture since he was a child. Is he appropriating or appreciating foreign cultures? It is all debatable. Personally, I don't see anything wrong with it; however, Tarzzan needs to consider that there are people that feel insulted by him for trying to imitate racial stereotypes.
Annie has to be the most controversial member of this group. Annie is the great granddaughter of Lee Byung-chul, the founder of Samsung Group. Also, Annie is the granddaughter of Lee Myung-hee, the chairwoman of Shinsegae group. Annie is also connected to other chaebols, the wealthy 1% of South Korea. If you don't know about Chaebols in South Korea, then I'll briefly touch it here. Most, if not all, of the Gross Domestic Product(GDP) is generated by the Chaebols in South Korea. All the money is funneled through the Chaebols and there is no money circulating that hasn't been touched by the fingertips of the Chaebols. If you are a South Korean citizen, then you are either working under the Chaebol system or a subsidiary of the Chaebol's companies; heck, even money is exchanged in and out from government agencies to the chaebols. If you are a chaebol, then you are pretty much financially set for life. There is a divide or split in opinion about the Chaebols in South Korea. The other half of South Korean citizens praise the Chaebol system because of the prosperity that it has given South Korea; in other words, South Korea would still be in the stone ages if it wasn't for the Chaebol's active entrepreneurship. The Chaebol system changed South Korea to the global economic power house that it is today. As for the other perspective of the Chaebols, South Koreans have claimed that all the corruption, abuse, murders, and economic inequality was caused by Chaebols in the first place. There is differing of opinions about this if you speak to South Koreans. It varies depending on who is benefiting from the Chaebol system in South Korea. It is really a mixed bag of opinions. Anyway, so what does this have to do with Annie? She is the heiress of a Chaebol family and will probably inherit the wealth and hierarchal position. K-netizens and global netizens have named her the true "Nepo-Baby". You may hear the term "Nepo-Baby" being thrown around in K-pop; however, the term is wrongly used, for the most part, towards k-idols, who aren't even wealthy. Simply, the term "Nepo-Baby" was used to either down-play or insult k-idols that have been promoted to higher positions within the industry without earning it. As for Annie Moon, she is an actual "Nepo-Baby". Nepotism has always been an issue throughout time. It has always been debatable whether a family should pass their wealth to their descendants. In this instance, it is basically, the wealth of all South Korea concentrated and transferred to Annie Moon. South Koreans say this is an unfair distribution of wealth, which is understandable. For an example, I'd like to present to you what nepotism looks like within a scenario. Imagine that you are in a horse racetrack with a total of 5 horses. 4 of those horses are initially positioned at the starting line; however, the 5th horse is stationed at the 90% mark at the start of the race, which is a head-start, a few steps near the finish line. Wouldn't you say that the 5th horse is at an unfair advantage and is the undeniable winner of the race? Obviously, the 5th horse will be the victor. Now, think of the 5th horse as Annie, who is the heiress of the Chaebols. Wouldn't you say that inheritance or nepotism is unfair in the economic and monetary system? Imagine trying to compete with someone who is a few steps away from the finishing destination while you are all the way at the start, grinding away through a decade of turmoil just to reach a slither of Annie's economic position. This is what the other half of South Koreans feel about the Chaebol system. Nepotism makes the rich richer and poor poorer. South Korea has accepted this current system. Is it here to stay? I have no clue. Back to Annie. It shocked a ton of netizens that someone of Annie's status/position would debut in a harsh environment, such as the K-pop industry. Annie could be sipping the most expensive tea with her pinky up and living a life of luxury with lavish amenities at her convenience. Rather, she took up the mantle and has taken up to herself to go through the rigorous process and physically demanding work of being an idol. There has to be an ulterior motive behind all this. You see, Chaebols had a bad reputation throughout the decade as cruel overlords and unforgiving taskmasters. Chaebols are seen as these evil villains that you read in comic books and watch in movies. Whenever a chaebol is in town, usually, the masses will escape to safety or be a victim of their wrath. Anyway, by Annie debuting in AllDay Project, it gives the impression that she is on the hustle and grind like any ordinary citizen. Simply, Annie is trying to clean or maintain the tarnished public perception of Chaebols throughout the years. The intended result of Annie debuting is to repair the Chaebol's image, which was growing hideous within political and corporate events. The event that enraged South Koreans and built distrust towards Chaebols was the MV Sewol sinking, which was the responsibility of a Chaebol; the sinking of MV Sewol killed 304 out of 476 passengers.
The strengths and weaknesses of AllDay Project is quite simple to identify. AllDay Project needs to simply stop creating more controversies than the ones that they are currently in; it should be their priority in sticking only to their musical endeavors; however, the industry does thrive in drama because K-pop fans usually surround controversies like flies to a pile of poop. A weakness that I've observed in this group is their lack of vocalists. Youngseo is the maknae and the only vocalist. The lack of vocalists means that their future comebacks will rely heavily on lyrics, rapping, and instrumentals. There will be no vocal prowess, diversity, and versatility unless they overwork Youngseo to the bone, where she does all the vocal heavy-lifting for the entire group. That's harsh treatment to their youngest member of the group. The solution to this mess is to either add two more vocalists to the group. If you take a look at the plethora of South Korean Idol Groups, then you'll notice that the vocalists are also great at rapping. Unfortunately, AllDay Project doesn't have this. I see this as a problem in the future.
Overall, I recommend this group; however, through-out the years, you might end up looking elsewhere because of the lack of vocalists.
Comeback
Note: Incomplete information due to deadline.
"AllDay Project" or "AllDay Controversies"? I assumed that AllDay Project learned their lesson, and stepped away from their controversies. From the day of their debut until their comeback, the controversies only escalated, arguably got worse over-time. Netizens have noticed that Youngseo, the maknae of the group, was being singled out by her own group; the fan base and audience of AllDay Project are concerned that Youngseo is being mistreated within the group. Although all the concerns of Youngseo are simply gossip/rumors, I can see how fans have become worried. Particularly, the facial expression of Youngseo during an interview could be read as someone that did not enjoy the response or criticism from her group mates. From my perspectives, all of these talks of mistreatment look like a carefully woven narrative or story to split the group apart. Are the anti-fans working over-time to give AllDay Project a bad reputation? Obviously, it is starting to look like there are jealous folks in the audience trying to take control of the general sentiment of AllDay Project. With that being said, everyone should really be careful in distinguishing facts from lies, especially in an industry rife with liars.
Secondly, we've seen those social media posts accusing AllDay Project's Woochan as a homophobe. Let's make this clear. From what he spoke of, Woochan isn't expressing hatred of the LGBTQ community. Woochan is clarifying that he is not gay. That's about it. Every K-idol doesn't have to pretend to be gay to cater to their fan's sexual preferences. It is strange that K-idols are now homophobic for declaring how they truly are. There seems to be no end in fans harassing K-idols for being straight.
I think everyone heard Tarzzan's controversial lyrics in his rapping on social media. Many who viewed his rapping called him a misogynist and a racist. I'm not defending Tarzzan, but that's the way he raps; people seem to skip the nuance, and simply wants Tarzzan to be canceled because his past, and current history of culturally appropriating Black and Latino cultures. To be honest, I couldn't care less about all of this since it is obvious that he is simply "farming" views with his controversies. Like I said before on my previous blog, there are people who take his words to heart, and Tarzzan might have to either apologize to those people that he insulted or face future backlash as this continues. It is obvious that Tarzzan is "farming" views from ultra sensitive people.
Last, but not least, Annie has been accused of buying awards for AllDay Project. The K-pop audience is pretty much calling AllDay Project as "All Paid Project". I've seen some K-netizens call ADP as "Annie's Dad Paid". If you look at recent K-pop award shows, then you would have noticed that AllDay Project has won prestigious awards across the board. The K-pop community is highly suspicious of this because there were many groups from South Korea that could have easily won these awards. Instead, we have a rookie group, who is barely a year old, winning these top awards. So, it is understandable that netizens, and music spectators called this whole award show as rigged or bought out by the "Nepo Baby" Annie Moon. To be quite honest, I'm actually okay with this. You may think that I'm siding with bad behavior and nepotism; however, please me hear out. This actually shows corruption from the ground and up in award shows. Fraudulent award shows will eventually be noticed from the crowd, and their paying consumer base will stop supporting shows that are rigged. As these fraudulent award shows ratings start plummeting, the producers will now be forced to create legitimate and authentic judging/voting systems that are actually fair. When the K-pop audience start to see the "cracks" on the wall, then they will start opting out of supporting these award shows. As the K-pop audience remove their support, the monetary flow is no longer heading towards the producers of the show; this is when CEO's and producers start shaking in their boots. Overall, I'm okay with rigged award shows because people will start waking up to the unfairness.
Anyway, besides all the controversies that are brought to us by AllDay Project, they've produced a mighty fine album called "AllDay Project". The entire album is modern, and feels like each track are club hits/bangers. I wouldn't be surprised if these tracks are played in upcoming New Year's Eve parties across the world. I appreciate that AllDay Project doesn't have a single track that feels "cookie cutter" or a duplication of other westerner's albums. Although their album deviates from the average K-pop album, they've kept their Korean roots by keeping the Korean lyrics. I've noticed a lot of new Korean rookie groups either leaving out Korean lyrics entirely. If AllDay Project decided to remove Korean lyrics altogether, then it technically wouldn't be called K-pop anymore. Well, as for the rapping, Annie does have exceptional skills; she really lets you know that she's all business with her attitude and precise rapping. People seem to over-look Annie as a full-fledged rapper, but she's obviously been refining her skills. Youngseo's vocals are simply gorgeous; many have said that if she debuted with ILLIT, then it would have helped ILLIT ten-fold. Honestly, if Youngseo wasn't in AllDay Project, then it would dramatically affect the entire vibe of it. In other words, AllDay Project would suffer a great loss without Youngseo's vocals. Bailey is massively improving in her vocals, but I think she still needs to go practice in karaoke bars to match Youngseo's vocals. Woochan showed his vocal skills in their pre-release "One More Time"; it wasn't bad for someone who trains more in rapping than vocals. From my analysis, the entire AllDay Project team needs to visit the nearest karaoke bar to hone their vocal skills. That should be what they need to do "AllDay". If they decide to neglect their practice in singing, then my advice is for them to add 2 more vocalists to the group, so that Youngseo doesn't have to do all the vocal heavy-lifting. Basically, I still hold firm about this advice because there will be new South Korean rookies in the upcoming years that have rapping and vocal skills, who may outcompete or diminish AllDay Project. Evidently, there's always been new rookies taking the mantle while older groups just get swept under the rug.
Has anyone noticed the visuals for AllDay Project? Their fashion worn throughout their comeback showcases were all down-right clean, elegant, and expensive. By the looks of things, all their clothing looked like it cost six figures. They might have the best visuals for autumn 2025.
Like I said in my previous blog for AllDay Project, overall, I recommend this group. Now, I expect this group to potentially go a lot higher in terms of popularity; however, the controversies might actually be their down-fall if they become too scandalous. Like I said before, the K-pop community loves drama, so I wouldn't be surprised if their next controversy will just fuel their next comeback. It should be obvious by now that they are "farming" or "baiting" their fan base, K-pop community, and music enthusiast's attention with outrageous controversies. The question is: what is the next controversy?
Score Calculation:
Note: Incomplete information due to deadline.
Debut Score: 19.15
Comeback Score: 18.75
Search Accumulation Score:52.2m+27.8m+24.9m+25m+16.7m = 146.6m = 14.66/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
19.15 + 18.75 + 14.66 = 52.56
Total Accumulated Score: 52.56/19
52.56 Divided By 19 = 2.766315789
2.766315789 Multiplied By 100 = 276.631578947
Final Score: 276.6%
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QUICK BIOGRAPHY
Group Name: IN A MINUTE(인어미닛)
Label: Jwin Entertainment
Members: Juntae, Jaejun, Hyunyeop
Album: Unboxing: What You Wanted
Debut Date: March 15, 2025
English Debut: Monthly MINUTE Vol.1(Digital Single)
English Debut Date: June 12, 2025
Comeback[Solo]: Monthly Minute Vol.2(Digital Single)
Comeback Date: July 21, 2025
Comeback(2)(EP): BGM : How We Rise - Play
Comeback(2)(EP) Date: August 25, 2025
Comeback(3): Monthly MINUTE Vol.3(Digital Single)
Comeback(3) Date: September 26, 2025
Comeback(4)[Solo]: Monthly MINUTE Vol.4
Comeback(4) Date: October 28, 2025
Comeback(5)[Solo]: Monthly Minute Vol. 5
Comeback(5) Date: November 30, 2025
Comeback(6): Monthly Minute Vol. 6
Comeback(6) Date: December 24, 2025
Note: Incomplete information due to deadline.
Live Clip Link: In A Minute - Credit Note: Incomplete information due to deadline.
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My Blog
"IN A MINUTE" definitely has a great title track called "What You Want". Unfortunately, they didn't release a music video; however, they do have special live clips floating on the internet. If you are able to have the patience of a sloth, then you'll be able to find their showcases on the internet, which are buried deep within the rubble of YouTube. Mind you, I had to ask netizens to show me their showcases since I couldn't find them. Most netizens did not know that this group existed. Currently, "IN A MINUTE" is promoting in the Philippines. I'm guessing that their debut wasn't well received in South Korea or that their debut didn't reach the right demographic for them to go viral. If you didn't know, Philippines has a growing Korean population. As well as Koreans residing in the Philippines, there is a huge portion of Filipinos who are active consumers of K-pop. From time to time, you'll hear big names performing in the Philippines, such as 2NE1, IU, Taeyeon, Enhypen, NewJeans, and the list goes on. "IN A MINUTE" did a wise choice of trying to promote in other countries when South Korea pretty much ignored them. It is what it is. Sometimes, South Korea doesn't reciprocate towards newly developing rookie groups, so groups like "IN A MINUTE" have to venture outside of South Korea to start a fan base. I'm not entirely certain of the percentage or amount of fans, but Kiss of Life(KIOF) has a huge fan base in America, so it was wise of them to promote their older material outside the confines of South Korea.
The obvious problem with a banger title track is probably because they are starting from a company called "Jwin Entertainment". Have you not heard of them? Honestly, I haven't either. It is because "Jwin Entertainment" is a brand-new agency, a company that started in 2021. In other words, a "nugu" group created by a "nugu" company. From rumors that I have heard, they are also producing a new girl group; I only hope and pray that they promote these girls properly. "IN A MINUTE" desperately needs good promotion, but their debut barely scratched the surface in the public's perception and the positive sentiment surrounding the group has died down since the public gives their attention to either newly upcoming comebacks or other debuts.
As much as I loved their music, their entire promotional cycle was poor, meaning it didn't get any exposure. From my examination, "IN A MINUTE" has an incomplete debut; their debut lacked any sort of planned schedules, promotional content, music video, dance practice footage, et cetera. They also have the "nugu" sticker stamped on them, so it is a "double whammy" of misfortune. For anyone who is reading this, their two track album should be added on your playlist; please support groups that create great music, but are unknown. Overall, I did give this group a low score; however, I do recommend music listeners to add their music to their playlist. "In a minute" of hearing their debut, you'll have the time of your life.
English Debut
"IN A MINUTE" did an English comeback/debut. It was a really great track; however, the promotion for this group was just like it was previously, non-existent. They did announce that they will be releasing a track every month called "Monthly MINUTE"; the next one will be volume 2.
I was going to give them an "Over-kill" for this track; however, I do not consider "Tell Me Why" as a comeback. Rather, I consider it as an "English Debut" after their "Korean Debut".
If they release another English comeback, then I don't really mind. I'll be patiently waiting for their next comeback. Every track that "In A Minute" has produced is definitely a "must-add" to your playlist. "Tell Me Why" is definitely a "slapper"!
Comeback[Solo]
IN A MINUTE's Juntae did an outstanding solo track called "Last Letter", which is part of their "Monthly Minute". Within my blog, I do not review solo music; it is not added to their scoring since it is not a group comeback. Regardless of it not being scored in my blog, I found Juntae's solo release to be quite satisfying!
Comeback(2)
For the past year, I've been waiting for "IN A MINUTE" to finally start promoting in more music shows. The long wait is finally over. Jwin Entertainment finally let "In A Minute" loose and their comeback was definitely one of my favorites. To be quite honest, "In A Minute" feels like the underdog of all the K-pop rookie groups. They've been quietly releasing music and not causing a ruckus; however, this time around, they started making a bit more noise than usual. I'm happy that they've managed to do public appearances and promotional-related content on the internet. Within the past year, I was worried that this group would stay unknown; however, I think this comeback had people turn their head to finally notice and focus on the underdogs of the K-pop industry. Although they are still unknown, I think South Koreans are taking notes on "In A Minute".
The choreography of "In A Minute" does look lackluster; unfortunately, I think it is mainly because the group only has 3 members, which makes the whole presentation a tad bit devoid of interesting moments. It would help their visualizations if they had back-up dancers; the empty spaces around and between each member leaves a boring impression. Within those empty spaces, there could be back-up dancers or even stage props just to make their showcases more lively.
I never realized that "In A Minute" had strong vocals; with only 3 members, they are making other k-idol groups run in panic to the nearest karaoke bar to practice their vocals. It is a treat to finally hear their live vocals; it was a long wait since their debut. Is it about time to remove the "nugu" sticker from "In A Minute"? It's a possibility. Nevertheless, they've proven that they have the vocal chops and prowess, which measures beyond what certain veteran k-idol groups have done so far. Often, I find that less popular groups have a ton of talented skills, which is overlooked by the majority of the K-pop audience.
Anyway, I've always loved underdog stories, where unknown artists diligently work towards their dream to be k-idols. "In A Minute" will be releasing more music in the future with their "Monthly Minute". Truly, I can't wait. All their songs have been unknown or under-rated bangers. Confusingly, I've been wondering whether K-netizens are purposefully ignoring this group; "In A Minute" has been constantly releasing blazingly great tracks since their debut. Isn't it obvious that we should blame Jwin Entertainment for not promoting this group enough? It is satisfying that Jwin Entertainment has finally started promoting "In A Minute". It is better late than never I guess. Anyway, it will only take a minute or less to enjoy "In A Minute"!
Comeback(3)[English]
"In A Minute" released their English "Monthly Minute Vol. 3" called "Gravity". It's an enjoyable R&B track! I highly recommend it! Definitely, "In A Minute" are the underdogs of K-pop industry!
Comeback(4)[Solo]
"In A Minute" released their Korean "Monthly Minute Vol. 4" called "Love Recycle", which is Hyunyeop's solo. The song is upbeat and a fun listen!
Comeback(5)[Solo]
"In A Minute" released their Korean "Monthly Minute Vol. 5" called "Burnin'", which is Jaejun's solo. "Burnin'" is an alternative rock jam! It's quite enjoyable for those that are into K-Rock!
Comeback(6)
"In A Minute released their Korean "Monthly Minute Vol. 6" called "Credit", which is sung with all the members. It is a comeback track to wrap their 2025 debut to a close. Due to the deadline that I set for my blog, I won't be reviewing this comeback. I wish that they did this last month, so that I can increase their score. It is what it is. "In A Minute" is the best underdogs of the K-pop industry for 2025. I wish them the best of luck moving forward!
Note: Incomplete information due to deadline.
Score Calculation:
Note: Incomplete information due to deadline.
Debut Score: 9.2
English Debut Score: 0
Comeback Score: 0
Comeback(2) Score: 15.315
Comeback(3) Score: 0
Comeback(4) Score: 0
Comeback(5) Score: 0
Search Accumulation Score: 1.1M+.16M+.08M+.03M+.02M=1.39M=.139/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
9.2 + 0 + 0 + 15.315 + 0 + 0 + 0 + .139 = 24.654
Total Accumulated Score: 24.654/19
24.654 Divided By 19 = 1.297578947
1.297578947 Multiplied By 100 = 129.757894737
Final Score: 129.7%
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QUICK BIOGRAPHY
Group Name: NOWZ(나우즈)
Former Name: NOWADAYS (나우어데이즈)
Debut Date(as NOWADAYS): April 2, 2024
Label: Cube Entertainment
Members: Hyeonbin, Yoon, Yeonwoo, Jinhyuk, Siyun
Album: Ignition
Rebranded Debut Date(as NOWZ): July 9, 2025
Comeback Album: Play Ball
Comeback Date: November 26, 2025
Cube Entertainment's "Nowadays" rebranded as "NOWZ". As you probably already know, Cube Entertainment's "(G)-IDLE" also rebranded; the rebranded name of "(G)-IDLE" is now "i-dle". There's always a reason to rebrand, but did "Nowadays" need to rebrand? Personally, I thought "Nowadays" was a quite unique yet awkward name. A rebranding of their two active groups is a questionable move done by Cube Entertainment because rebranding is usually a sign that either the direction or conceptualization of the group has made a drastic turn or their brand is either losing steam or popularity amongst the masses. Whatever the reason is, I know that Cube Entertainment always has a trick under their sleeve like negative promotional content and controversial video teasers. Anyway, "Nowz" did a mighty fine rebranded debut with live vocals, elegant choreography, and appealing visuals; in other words, "Nowz" is the full package! Everything that they've done so far has been masterfully done; however, their title track "Everglow" has me wondering if it was a poorly created track. The lyrics of the song are quite touching and relatable to those in hard-times; personally, I love the lyrics. The song structure is quite poorly constructed because of the sudden rock elements in it. Don't get me wrong though, I love a mix of different genres of music; however, in this case, it didn't mesh well together. Their track "Everglow" feels like a sudden thunderstorm during a beautiful day playing and picnicking at a park; the sudden rock elements of the song felt like it interrupted the pace of the music instead of celebrating it; the rock portion disrupted its memorable core element, which is the "touching" lyricism(as I previously said). Besides the unfavorable instrumental found in "Nowz" music, I'm overall impressed with the progress of "Nowz". They've come a long way from their 2024 debut until their 2025 rebranded debut. "Nowz" has attained a ton of experience throughout their second year in the K-pop industry, and we can expect high quality content from them moving forward. Do you know what time it is? The time is "Nowz".
Comeback
For the past 2 years, I've considered "NOWZ" as a top tier group; this includes their time when they were originally called "Nowadays". Their comeback album "Play Ball" is mainly a baseball themed album with 3 tracks: an EDM track, an old-school hip-hop track, and a R&B/ballad track. Particularly, the general message of their title track "HomeRun" is to never give up; it is a simple, but powerful message that they are giving their audience, and fan base. Overall, I have no real complaints about their comeback; mostly, NOWZ did a solid return to close the year of 2025.
Let's talk about Cube Entertainment. Everyone, including the mail-man and garbage man, knows i-dle is carrying Cube Entertainment, almost to the point of them reaching "Big Four" status; however, i-dle can't do all the heavy-lifting, carrying their company on their shoulders alone. PENTAGON, LIGHTSUM, and NOWZ needs to take the reign, steer their company to the next level. As of right now, PENTAGON, LIGHTSUM, and NOWZ are living in the shadow of i-dle's success; i-dle has always dominated the charts at each comeback ever since their debut. If you take a look at Cube Entertainment's track record/history, then you'll notice that many of the best Korean artists were born out of this company. I might have unrealistic expectations, and high standards about Cube Entertainment; however, I envisioned them to be much more with their current artists. It has occurred to me that there is still a possibility for Cube Entertainment's resurgence as the best K-pop company; with their current artists, Cube Entertainment could climb back to their once known, and former glory. Again, I could be delusional, but I do have hope; even if it is a miniscule amount of hope, I see that glimmer of hope to become brighter in the future. Worst case scenario, there's also the possibility that the company slows down to crawl or a snail's pace, and finally kicks the bucket altogether. I hope this isn't the case. The question is: Will Cube Entertainment eventually attain their original position as the next "Big Four", or will it stagnate to a point of obscurity? I truly don't know.
Score Calculation:
Debut Score: 19.55
Comeback Score: 19.35
Search Accumulation Score:11.7m+10.6m+7.1m+6.4m+3.8m = 39.6m = 3.96/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
19.55 + 19.35 + 3.96 = 42.86
Total Accumulated Score: 42.86/19
42.86 Divided By 19 = 2.255789474
2.255789474 Multiplied By 100 = 225.578947368
Final Score: 225.5%
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QUICK BIOGRAPHY
Group Name: BE BOYS(비보이즈)
Label: OAK Company
Members: Goo Hyun, Min Joon, Yun Seo, Hak Seong, Takuma, Won Cheon
Album: Be:1
Debut Date: June 18, 2025
Comeback Digital Single: Earth and Moon
Comeback Date: November 25, 2025
There's always a first to anything! Hak Seong is the first ever North Korean defector to debut in a boy group; the group he debuted in is called "Be Boys". Hak Seong defected back in 2017; it must have been tough to go through the DMZ(Danger Mine Zone) unscathed, especially with his body's limbs intact; usually, people don't make it out of there alive. I wonder how many cruel adversaries and harrowing obstacles, or if any, that he had to face. In every oppressive regime, like the regime in North Korea, there's always citizens who want to flee towards freedom. Empathetic South Koreans are tirelessly looking for any loophole, secret area/passage, or a hidden convoy to rescue North Koreans. Although North Korea is known for their inhumane acts, leaving North Korea for South Korea is sort of like jumping out of the frying pan and into the lion's den. As much as North Korea is an awful place, South Korea is a hyper-competitive arena, especially within the entertainment industry. Hak Seong escaped the torture chamber of North Korea and is now in a ruthless K-pop industry, which is a better and improved situation. Nevertheless, it could have been worse if he got caught getting out of there; I heard defectors, who get caught, end up never seeing the light of day or executed in broad daylight to show North Korean citizens an example of someone who has disobeyed the dictator's rules.
Another member of "Be Boys" that will capture your heart is Takuma, a Japanese singer. For the past month or so, I found Takuma to be the most animated person who I've ever seen in the K-pop industry for 2025. He reminds me of an old cartoon character from the 90s named Bonkers. The facial expressions, movement, and stage presence of Takuma is impressive; every action that he initiates caught my attention right away because of how he over-exaggerates each move. He's definitely someone to look out for in the future. Hopefully, Takuma gets a lot more exposure. The best name that you can give Takuma is the mascot for Be Boys.
Anyway, the whole group is fabulous, but the other members, besides the ones that I have mentioned, might need more screen-time. I think they're talented, but they need their skills highlighted or spot-lighted in the next comeback.
"I'm So Sorry But I Love You" has a similar cadence or delivery as Seventeen - Mansae. It does sound like a Seventeen track; however, the guitar in the track makes their debut funky. To be blunt, it is a funky version of Seventeen's Mansae without the same chorus. It is quite the banger just like "Mansae".
Overall, "Be Boys" do have potential; however, I think their debut was incomplete. A lot of their video content doesn't show enough of their skills; there are fan cams on specific members, but not the group as a whole. There is still a lot of room to improve entertainment-wise. With that being said, boys will "Be Boys". We'll have to see what they have in store for us in future comebacks.
UPDATE(7/30/2025): The fandom name of Be Boys is "Beaver". Although "Beaver" is probably a harmless name in East Asia, in other parts of the world, this word is used as slang to describe a part of a female's anatomy. I'm not entirely certain if Be Boys realize that their fandom name could be problematic in the future, especially calling their fans "Beaver" could be insulting in a way. Anyway, hopefully, they contemplate about their fandom name before outright choosing it.
Comeback
Be Boys has returned with a digital single called "Earth and Moon". Basically, it is just a regular pop dance track with charming lyrics about love. The entire comeback was lackluster; however, it is impressive that a "nugu" company is able to pump out a quality comeback after Be Boy's debut. Obviously, Be Boys are doing their best under their circumstances. Heck, if you take a look at their dance practice video, you'll notice that their dance studio looks dirty with globs of dust flying around; also, it does look decrepit, and looks like it is about to collapse from a regular blow from the wind; the holes and cracks on the walls, and ceiling makes it look like a safety hazard. OAK company looks like they are doing their best to stay afloat against all odds.
Group Name: IDID(아이딧)
Label: Starship Entertainment
Members: Jang Yong Hoon, Kim Min Jae, Park Won Bin, Chu Yoo Chan, Park Seong Hyeon, Baek Jun Hyuk, Jeong Se Min
ALBUM(EP): I Did It
Debut Date: September 15, 2025
Comeback Digital Single: Push Back
Comeback Date: November 20, 2025
IDID was created through a survival show called "Debut's Plan", which had controversies; however, all the controversies have been addressed and remedied at the last minute. Often, contestants' past history of wrong-doing is publicly exposed; usually, producers, casts, and judges overlook past the troublesome history of contestants until there is a public uproar; in particular, for "Debut's Plan", the track record, rumors, and history attributed to certain contestants were publicly exposed during the survival show to the audience, which instantly caused a protest and boycott. Overall, there wasn't a thorough screening process in order to filter out "bad actors" or "SUS contestants". Who ever is in charge of these survival shows has to stop procrastinating on actually figuring out whether the contestants are qualified and have no shady/suspicious/questionable history. In my blog, I won't specifically address the controversies that happened in "Debut's Plan". There are endless amounts of articles out there on the web and social media that you can read; heck, there are also videos on the net that you can watch to investigate the controversies.
Starship Entertainment is obviously chillin' and having fun in creating these rookie groups! First, they released their new female rookie group KiiiKiii with a style that's fun and natural/off grid. With their new male rookie group, IDID, they are basically doing the exact same styling as KiiiKiii. The best way to describe KiiiKiii and IDID is that of a mullet; "business in the front and party in the back" is a phrase that describes what a mullet is as well as these two new rookie k-idol groups. Another way of describing them is that they are serious, yet unserious. Is Starship Entertainment going through some kind of midlife crisis, where they are creating these fun, chill, and relaxing rookie groups while living vicariously through them? To be honest, I'm all for this! However, it doesn't hurt to be a bit more serious some of the time and compete against other rookie k-idol groups for clout and such.
For the most part, IDID's discography is meant to be played for the summer! It is quite funny that they released their EP on September 15, which is a time of the year when it starts to get colder; in certain places, it is already snowing. If you are listening to their album in the autumn, then you're going to have to save it for next year because it gives off warm/bright vibes; unless, you are the type of person that listens to summer songs in the autumn. I immensely enjoyed every track! You'll feel like you're in summer vacation or on a tropical island while you are listening to each track of IDID.
IDID's choreography for their title track "Chan-ran" and their pre-release "Step It Up" were performed professionally with a lot of enthusiasm; you can tell IDID is enjoying themselves while executing each move. I don't know how many times that I will say this, but it was a fun vibe!
Anyway, IDID and KiiiKiii are for the K-pop fans that just want to listen to fun tracks without over-thinking about what they are listening to. In other words, it is for casual listeners on a hot summer day. Overall, IDID is an under-rated gem and one of the most entertaining rookie groups at the end of summer 2025. Did I mention that it was "fun"?
Comeback
Have you heard of the phrase "dress to impress"? Well, IDID is dressing to repel. The new generation of K-pop groups seems to not care about expensive, and over-the-top fashion standards like the older generations; Starship Entertainment is trying out this new/experimental fashion trend of normal, every day, or average casual clothing; it sort of caters to the regular citizen. As much as I accept this fashion direction, Starship Entertainment is trying to blend their K-idols with their "regular" audience, or citizen. "We are just like you" seems like IDID's general motto for their comeback. I'm starting to see their general concept that they are trying to portray. Basically, IDID wants to relate, or place themselves in the shoes of their fan base. To play as Devil's Advocate, I could also predict that their concept could be ignored, or even insulted because of how lazy it is perceived to be. The general concept may actually backfire, and repel those who are invested into wild, extravagant, and expensive fashion. The vibe I'm getting from IDID is that they are presenting themselves like they are the "People's K-pop group", who can understand your normal/everyday issues. They'd want you to think them as "normal" or "average", disregarding the aspect of being superior or inferior. Starship Entertainment seems to be doing this "relatability" concept to their female K-idol group "KiiiKiii" as well. I wonder how far they will go with such a "cheap" concept. "Cheap" may sound disparaging, or even insulting; however, this best describes IDID's visualizations for their comeback. Overall, I think there is an ulterior motive of Starship Entertainment in giving their groups this type of styling. To be frank, I don't necessarily know Starship Entertainment's end goal with their creation of "off grid", or all natural, K-pop groups. Is Starship Entertainment in their non-conformist phase? All their previous groups like Sistar, IVE, and Monsta X were full of posh, and glamour; you'd think that IDID and KiiiKiii were entirely from another K-pop entertainment label.
My overall impression of IDID's comeback is that it is average at most. To be accurate, the styling looks cheap, and run-down, almost looking like a neighborhood mechanic with oil smudge stains all over their clothing, and face. Starship Entertainment is sacrificing their visual superiority, and substituting it with relatability. Is this really a clever move in a fast-paced, competitive market, such as the K-pop industry? We'll have to wait, and see the general sentiment from the audience, and K-pop community. IDID presented us with such a great debut; however, their comeback seems to take twenty steps back in terms of quality. You might "push back" because it is a mediocre comeback.
Score Calculation:
Debut Score: 16.15
Comeback Score: 11.1
Search Accumulation Score:3.3m+3.2m+2.7m+3.3m+.9m = 13.4m = 1.34/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
16.15 + 11.1 + 1.34 = 28.59
Total Accumulated Score: 28.59/19
28.59 Divided By 19 = 1.504736842
1.504736842 Multiplied By 100 = 150.473684211
Final Score: 150.4%
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QUICK BIOGRAPHY
Group Name: Baby DONT Cry(베이비 돈 크라이)
Label: P NATION
Members: Yihyun, Kumi, Mia, Beni
Album: F Girl
Debut Date: June 23, 2025
Comeback Digital Single: I Dont Care
Comeback Date: November 19, 2025
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Links and Ratings
Music Video: Baby DONT Cry - F Girl Cinematography Score: 1/1
Narrative/Story Score: .7/1
Acting/Modeling Score: 1/1
Discography/Pre-Debut/Pre-releases/Album
Music Video Link:Track 1: I Dont Care Discography Score: .2/?
Production/Theme/Concept Score: 1/1
Personal/Subjective Score: 1/1
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My Blog
While PSY was doing his Gangnam Style dance, he had a bright idea. Since PSY debuted a boy group called TNX back in 2022, he decided to debut a girl group called "Baby DONT Cry" in 2025. PSY's label "P NATION" had signed many well-known soloists and trainees; some of them stayed and some of them left. The only missing piece to "P NATION" was a girl group and "Baby DONT Cry" put the last piece into the incomplete puzzle; hopefully, there will be more groups in the future.
The most notable member of "Baby DONT Cry" is Jo Yi-hyun, who was known as "Little IU" because of how closely she resembled the singer IU. If you remember the show "We Kid", then you'll remember her outstanding 2016 performance: We Kid Contestant Jo Yi Hyun. A lot of K-netizens praised her for her performance at such a young age; also, they had high expectations for her moving forward into stardom. With that being said, the rest of the members are fantastic as well; they aren't as well known, but they've shown what it takes to be great performers.
It is already known that the "baby rock" or "teen crush" music of "Baby DONT Cry" was produced by i-dle's Soyeon. Netizens do find it worrisome that Soyeon is always on the grind, producing songs while, simultaneously, maintaining her own group i-dle. Not to be a harbinger for unfortunate news, but at the rate that Soyeon is going, she might end up burning out quick because of the amount of work-load that she's putting herself under; however, I think her passion for music comes naturally, as well as being a leader in the K-pop industry. Regardless of what I said, I'm glad she's producing hits for a female rookie group. To be honest, I'm not a fan of lyrics, where members announce their names within the track; however, it does help with member recognition, especially if the members are difficult to remember. It's unnecessary if you ask me. You may even say that "Baby DONT Cry" is i-dle 2.0 because they fit Soyeon's style like a hermit crab to a seashell. The question that many people are wondering is if Soyeon will be the main producer for this group; if this is the case, then we'll be hearing similar songs to i-dle, which may be a positive to i-dle's fan base. Some fans do have concerns that "Baby DONT Cry" are simply getting the "left-over scraps", "i-dle reject tracks", or "junk tracks" of i-dle, which can be an issue in the future. The failed tracks of i-dle are then thrown away into Baby DONT Cry's discography. This situation is sort of like preparing a meal. After most of the meal has been finished, the left-over parts or "crumbs" are then given to the lower class of people. I hope Soyeon isn't just giving "Baby DONT Cry" her worse or failed tracks. This is a valid concern within the K-pop community.
Overall, I loved Baby DONT Cry's debut. This rookie group has it all in terms of K-pop idol performance: singing, dancing, and modeling. So far, one of my gripes would be fashioning these girls with inappropriate clothing. We've already seen P Nation artists with questionable clothing, as well as questionable choreography. P Nation needs to consider "age-appropriate clothing" since we live in the internet/social media age. Netizens can cancel groups simply because they wore "distasteful" clothing. Personally, I do not mind any type of clothing; however, there are ultra sensitive netizens that will go out of their way to cancel anyone who is not fitting fashion standards.
"Baby DONT Cry" when you see this group. Hopefully, instead of crying, you'll enjoy their debut for the start of summer!
Comeback
For some odd reason, I was expecting this comeback track to sound like 2NE1 - I Don't Care. Does the "P" in "P Nation" stand for perfect or professional? Baby DONT Cry's comeback "I Dont Care" is such a bop! Surprisingly, the concept has a meaningful message of sovereignty, which many K-pop fans have over-looked. It is about walking on your own path without caring about what other people say about you; regardless of what people say, you are still going to initiate your actions whether people hate or love you. Unfortunately, most people won't understand this concept because it is a foreign, or even an alien idea to being true to yourself amidst being antagonized. Anyway, Baby DONT Cry is one of the groups paving the way in K-pop; the members are young, and inexperienced; however, they will most likely impress you as they mature into the K-pop industry. As of right now, K-netizens don't take children seriously until they have reached a certain age; once Baby DONT Cry is on the cross-hairs of the K-pop community, and established a foot-hold in the public's perception, then the momentum will carry them to higher highs. Although Baby DONT Cry are still young rookies, I see their potential skyrocketing in the future. The "Baby Rock" genre fits this group quite well, but I bet they can venture to other genres as well.
Baby DONT Cry is beyond talented with their live vocal performance, including a live demonstration of their choreography. Although their comeback "I Dont Care" is not a vocally demanding track, I find it impressive that Baby DONT Cry can simultaneously sing and dance without any noticeable errors. Like I said, the "P" in "P Nation" stands for perfect or professional; these kids must know what they are doing since they haven't broken a sweat at all. With tears of joy, you will loudly cry out of happiness for "Baby DONT Cry" regardless if they don't want you to cry.
I forgot to add that Yihyun's performance was outstanding when she sang "F Girl"; also, she covered "Whatever You Do", "Love Condition", and "Kiss Me". Here's the video: Leemujin Service - Baby DONT Cry's Yihyun. There are rumors that Baby DONT Cry will be the main hostess for major K-pop shows.
Score Calculation:
Debut Score: 18.85
Comeback Score: 19.2
Search Accumulation Score:28.9m+14.8m+6.7m+1.4m+1.2m = 53m = 5.3/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
18.85 + 19.2 + 5.3 = 43.35
Total Accumulated Score: 43.35/19
43.35 Divided By 19 = 2.281578947
2.281578947 Multiplied By 100 = 228.157894737
Final Score: 228.1%
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QUICK BIOGRAPHY
Group Name: CLOSE YOUR EYES(클로즈 유어 아이즈)
Label: UNCORE
Members: Jeon Min Wook, Ma Jing Xiang, Jang Yeo Jun, Kim Sung Min, Song Seung Ho, Kenshin, Seo Kyoung Bae
Album: Eternalt
Debut Date: April 2, 2025
Comeback(Mini-album): Snowy Summer
Comeback Date: July 9, 2025
Comeback(2) Mini-album: Blackout
Comeback(2) Date: November 11, 2025
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Links and Ratings
Music Video: Close Your Eyes - All My Poetry Cinematography Score: 1/1
Narrative/Story Score: 1/1
Acting/Modeling Score: 1/1
Link:Audio Link:Instrumental Link:Lyrics Studio Recorded Vocals Score: 1/1
Instrumental Score: 1/1
Lyrics Score: 1/1
Link:MNET MCountdown Showcase Link:Dance Practice Stage Presence Score: 1/1
Facial Expression Score: 1/1
Objective Movement Score: .9/1
Choreography Aesthetics Score: .9/1
Live Choreography Score: .9/1
Live Visual Score: .9/1
Music Video: Close Your Eyes - X[Double Title Track]
Music Video: Close Your Eyes - Sob(English)[Double Title Track]
Cinematography Score: 1/1
Narrative/Story Score: 1/1
Acting/Modeling Score: 1/1
I'm at a loss for words! Honestly, I can't find the words to explain "Close Your Eyes". Foremost, they are obviously K-pop princes of R&B; it feels like it has been forever since we had an "all out" R&B K-pop group. Each member's vocals can soothe, pacify, and ease you to sleep; when you go to their concerts, bring your pajamas because you'll happily sleep and "Close Your Eyes".
Let's talk about their album: "Eternalt". Firstly, I never thought I would immensely enjoy a full R&B discography, each track has the ability to relieve you of your stress, and I'm not exaggerating. There is light rapping in certain songs, but it doesn't interrupt the smooth flow or structure of the composition. The secret recipe for most R&B is harmony; the members of "Close Your Eyes" are harmoniously in sync with each other. The transition from one member's vocals to the next member's vocals connects and meshes together like puzzle pieces flawlessly snapping together. You won't notice the transition between the member's vocals because it is super spotless. If you were a bird and "Close Your Eyes" were glass windows, then you will simply slam into the glass windows because of how clean the windows are. "Close Your Eyes" has clean vocal transitioning between members that it feels like you are seamlessly listening to only one singer. Another word that describes "Close Your Eyes" is unity; the ad-libs complement the main vocal lines so well that the blended outcome is crisp, as well as conciliates the louder parts of the instruments.
I forgot to mention that my favorite track from "Eternalt" is "To The Woods". "To The Woods" is on repeat on my playlist forever; it sounds like 1990s-2010s R&B. My least favorite track from the album is "stay4good"; honestly, there's some strange animal and instrument sounds in that track that it makes me laugh uncontrollably. Trust me, you'll laugh at those tiny animal sounds in the background. Personally, I'm not a fan of sounds of the amazon rainforest, especially when a monkey or bird squawks randomly in certain parts of the song. It definitely sounds like a monkey or bird throwing up or vomiting.
Choreography for R&B may be tricky. Dance moves shouldn't be too rushed or too precise for R&B because it ruins the immersion. "Close Your Eyes" matches their choreographed moves with their R&B songs extremely well. So far, most of their choreography is satisfactory; however, one part of their choreography could be a "hit or miss" for some. One of the members, Kenshin, had attempted an "index finger dance". This "index finger dance" could be a disaster if done improperly. Honestly, I think Kenshin did the "index finger dance" well; however, I know a few veteran dancers that could find Kenshin's execution of the "index finger dance" as hilarious or ridiculous. If you haven't seen Close Your Eyes's choreography, then you may not know what I'm talking about when I say "index finger dance". It is basically Kenshin just frantically pointing his index finger in random, yet sequential order. Kenshin's "index finger dance" could be a "hit or miss" with veteran dancers.
"Close Your Eyes" did a live vocal performance in front of a live audience. Their live vocals did sound identical to their studio recorded vocals. The crazy part of all of this is that these boys are rookies, yet they are able to confidently sing with conviction.
Overall, "Close Your Eyes" is a top tier group. They have the whole package when it comes to R&B superiority.
In ancient esoteric writings, there are passages that state that when you "Close Your Eyes", the true reality appears. When you open your eyes, the illusion is in full display. "Close Your Eyes" might be unto something. In order to find the truth, you must "Close Your Eyes"!
Update(5/8/2025): Since Jeon Min Wook is still under PocketDol Studio, he is apparently forced to be excluded from certain activities with Close Your Eyes. This is concerning because his promotional activities can be hindered by an agency outside Uncore. Hopefully, Jeon Min Wook can leave PocketDol Studio as soon as possible, so that he can continue with his new journey with Close Your Eyes. Every time I speak to netizens about K-pop, often I hear bad news about PocketDol Studios. The news that I always hear is mostly controversial topics about mistreatment or some type of poor management decisions, where PocketDol Studios initiates unnecessary meddling activities towards certain members of the groups under them. Certain netizens are saying that there is actual abuse going on under PocketDol Studios, but no one can prove it. Some of the gossip that I hear is that the members can't speak up because they will get blackmailed or worse.
Comeback
You won't close your eyes when "Close Your Eyes" does a comeback. "Snowy Summer", "Paint Candy", "You", and "Bubble Tea" are instantly on my playlist! "Close Your Eyes" have been on a winning streak with each track offering a soothing R&B sound, as well as rap verses. Not only does "Close Your Eyes" offer a fantastic discography, this rookie k-idol group also does an excellent job at live vocals. Definitely, when I close my eyes, I'll be dreaming of these handsome k-idols. Of course, it may be too early to judge on whether they are 2025 K-POP Rookie Group of the Year; however, I'm pretty certain that they are contenders!
"Snowy Summer" gives off almost the same visual presentation as SHINee's - Married to the Music; however, I'd say it is a more modern and calm R&B version of "Married to the Music". With that being said, "Close Your Eyes" are good actors within their music video; each member of "Close Your Eyes" look comfortable in portraying their role and, from my perspective, they've totally nailed their part as believable characters within the story that they are displaying. By the way, the music video was hilarious; however, as a spoiler, one of the members gets squished, which may anger certain biased fans!
As of right now, "Close Your Eyes" dancing felt reminiscent of BTS and SHINee; as well as having great stage presence, each member hits each move of their choreography with conviction. Although their music is mainly composed of R&B hits, "Close Your Eyes" have shown top-tier dancing. Imagine if this group actually started dwelling into the Hip Hop, EDM, Rap, Boy Crush, and other genres. "Close Your Eyes" can probably do well in venturing within the realms of fast-paced music with advanced and vocally-demanding performances. I may be asking too much from a rookie boy group, but the signs and indications are there for them to be under the world-wide spotlight. It is too early to say, but I think "Close Your Eyes" has what it takes to be a prominent and significant part of the K-pop Industry; heck, I would say that they can reach a world-wide audience. Besides my speculations of the potential future of "Close Your Eyes", I can confidently say that they are one of the strongest groups in the fifth generation. All this group needs is exposure to global/world-wide stages, such as KCON, Lollapalooza, or Coachella. I'm fairly certain that they'll get praise and admiration on the world stage. Again, I think my imagination of "Close Your Eyes" is growing too wild because I can see huge potential from this group that no one has envisioned yet. Anyway, I hope everyone enjoyed their comeback "Snowy Summer"!
Comeback(2)
The R&B princes are back! I thought "Close Your Eyes" was going to take a breather from their comeback mini-album "Snowy Summer"; however, they fiercely came back in autumn with their second comeback album "Blackout". The best way to describe "Blackout" is like a lightning flash amidst a darker, and cloudy sky; this new album is not like lightning that frightens those around, but a lightning that surprises, and amazes with beautiful lighting amongst dreary sky. Particularly, this new album "Blackout" has a double title track: "SOB" and "X". "SOB" was an English pre-release track before "X". Although I enjoyed the music video for "SOB", I have mixed feelings about the obvious auto-tune used in some parts of the vocals. As well as the disruptive auto-tune, there's a lot of mispronounced English in "SOB". Despite the auto-tune and English mispronunciations, I enjoyed "Sob" as a step closer for "Close Your Eyes" to reach international fans and Hip-Hop enthusiasts. "Sob" is more of a hip-hop dance track than a demonstration of rap/lyrical prowess. The performance video of "sob" definitely has the same grayscale effects as 4Minute - Crazy. Definitely, "Sob" has a strong choreography, and "Close Your Eyes" executed it quite well. Also, it is crazy that they have "Mega Crew" as their back-up dancers; "Mega Crew" did a fantastic job, and they amplified the choreography by filling the dead space or empty canvas with more movement.
Now, their second title track "X" is such a banger! The music video of "X" might startle fans because the members are shown disappearing or vanishing from existence; it is almost like how Thanos(Marvel Comics) uses his power from his infinity gauntlets to vaporize half of the population on earth. The visuals of "X" tells a whole different story than its lyrics; there are all sorts of messages hidden within the video to decipher; however, it is open to interpretation. I think there are multiple meanings that can be derived from it. Anyway, let's talk about what stood out in the vocal department of "Close Your Eyes". Ma Jing Xiang's bass vocals totally rocked the track with his "X X X" and "to the max" lyrics(back vocals). His bass vocals gave "X" the extra boost that it needed for a grand hit song. I don't think anyone notices Ma Jing Xiang's bass vocals at all, and how his bass vocals contributed to completing their fabulous sound of the track. He has that special bass vocals, "MC" voice, and professional rapper voice. Each member of "Close Your Eyes" have that soothing R&B vocals, harmonizing with one another. Anyway, "X" is on repeat on my K-pop playlist forever; it's that good folks.
The entire "Blackout" album is stacked with hits: "X", "Sob", "Chic", "2.0", and "Who's Dat?". You may dislike "Sob" for the autotune and English mispronunciation; however, I guarantee you'll love the rest of the album. I'm fairly convinced that this group will create a lot of enjoyable hit songs in the future; so far, they've proven it this past year with these 3 successful albums: "Eternalt", "Snowy Summer", and "Blackout". Although "Close Your Eyes" is not under the "Big Four" entertainment companies in South Korea, these rookies should not be underestimated. Since they debuted this year, we are only witnessing their rookie/beginning phase; as "Close Your Eyes" improves over time, their advanced stages of their career should be beyond imagination and full of inspiring comebacks. Anyway, a unique group like "Close Your Eyes" comes once in a lifetime. Let's not squander a brilliantly well put together group. Please show your love and support for "Close Your Eyes". "Close Your Eyes" to open your heart for fascinating music from this top tier rookie group!
Amidst the growing negative sentiment around Chinese tourism in South Korea, an all-Chinese boy group, "Am8ic", did a Korean debut in South Korea. Am8ic's concept is dark fantasy, which may spook the K-pop and international audience. The eerie visuals may astound your eyes or frighten you, depending on if you are familiar with this genre. In comparison, there were gruesome visuals displayed in a music video made by a girl group called "Dreamcatcher", who primarily presented a horror concept; however, AM8IC has a more creepy, psychological horror aspect that surrounds their concept, and this could revive a rare niche within K-pop, and gather a certain demographic back into the K-pop scene.
Let's talk about AM8IC's album "Lukoie". Foremost, they present their first track "Paracosm", which is a short orchestral track made to introduce their album; if you haven't seen their "Paracosm" film yet, then please check it out within my link section of my blog. Basically, the main idea within "Paracosm" is to introduce the audience with a biblical verse; although I'm not religious, it may captivate the audience into looking into the bible for wisdom. It is somewhat strange for K-pop to dwell into religious content; however, there's always room for such things since K-pop has a diverse amount of songs that have religious content, such as Gain - Paradise Lost. The funny part about their track "Buzzin'" is that it is basically a pseudo Ghost-Buster theme; not only that, but the sound is a 1980s groove or retro-funk, which is sonically amazing! I enjoyed "Buzzin'" the most, and I bet that it will be stuck in your head for a long time. The next enjoyable track is "Black Moon", which sounds bossa nova or acoustic in the beginning, but it picks up with intense sounds from drums and electric guitar. "Escher" is their EDM track of their album; however, it has trap elements in the track itself. If you are looking for an enjoyable dance song to boogie to or a track for your "Random Play Dance" playlist, then "Escher" has to be it. As for their "Link Up" title track, it is an upbeat dance song with a focus on vocals, and some rap; their title track is mainly to demonstrate AM8IC's versatility as a K-pop group and to show their Dark Fantasy concept. Lastly, their hip-hop track and their album's title is "Lukoie". In my opinion, "Lukoie" is their weakest track because the structure or composition of the track dwell in randomness; however, it has nice instrumental bridges or transitions. When I say that Lukoie dwells in "randomness", I'm talking about a bunch of songs glued together in one song; it sounds like they put 4 different songs in one song. I know there will be a lot of fans of "Lukoie"; however, personally, it is hard to focus on the song because it feels like it is going in different directions audibly. Anyway, the whole album is banger!
Overall, AM8IC is nearly the whole package when it comes to a K-pop group. The fact that they debuted at a time when most K-pop fans are focused on award ceremonies may hinder this group from being seen from regular K-pop fans. It is unfortunate that a top tier group debuts at the end of the year. So far, they have the potential to become a force in K-pop; however, the timing of their debut is not impeccable. By the way, please ignore all the racists that are saying AM8IC isn't K-pop; obviously, each member is Chinese. This does not take out the fact that their entire album is in Korean lyrics. As long as the lyrics are in Korean, then it is certified K-pop.
If you are looking for a mutual connection to a promising group, then AM8IC provides the link. What are you waiting for? "Link Up" with AM8IC now!
Score Calculation:
Debut Score: 18.525
Search Accumulation Score:674k+298k+114k+60k+59k = 1205k = 1.2m = .12/?
Debut + Search Accumulation Score = Total Accumulated Score
18.525 + .12 = 18.645
Total Accumulated Score: 18.645/19
18.645 Divided By 19 = 0.981315789
0.981315789 Multiplied By 100 = 98.131578947
Final Score: 98.1%
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QUICK BIOGRAPHY
Group Name: NEWBEAT(뉴비트)
Label: Beat Interactive
Members: Park Minseok, Hong Minsung, Jeon Yeoyeojeong, Choi Seohyun, Kim Taeyang, Jo Yunhu, Kim Riwoo
Album: Raw and Rad
Debut Date: March 24, 2025
Comeback Digital Single[RELEASE FOR FANS]: Cappuccino
Comeback Date: August 5, 2025
English Debut: Louder Than Ever
English Debut Date: November 6, 2025
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Links and Ratings
Music Video: NEWBEAT - FLIP THE COIN Cinematography Score: 1/1
Narrative/Story Score: 1/1
Acting/Modeling Score: 1/1
Link:Audio Link:Instrumental Link:Lyrics Studio Recorded Vocals Score: 1/1
Instrumental Score: 1/1
Lyrics Score: 1/1
Link:M2 MNET Debut Showcase Link:Dance Practice Stage Presence Score: 1/1
Facial Expression Score: 1/1
Objective Movement Score: 1/1
Choreography Aesthetics Score: 1/1
Live Choreography Score: 1/1
Live Visual Score: 1/1
You already know the score that I gave NewBeat! I 100% recommend this k-idol group! I have no doubts at all. Anyway, before we dive into all the positives of this group, let's talk about one negative aspect of this group. You may be wondering what it is since I gave them one of the highest scores in Winter 2025, as well as giving them the most "Over-kill" count. That one aspect is obviously popularity. Within my examination and analysis, NewBeat only reached a 3.4 million search accumulation score. That is a low and unimpressive popularity score; a low popularity score means that they aren't recognized as much as other rookie groups. Although NewBeat shows outstanding talent, they aren't gaining popularity, which is mainly dictated by luck, fan base response, and audience/viewer sentiment. I hope NewBeat can break through the popularity barrier, or they won't be globally recognized at all. They need to at least break through the 10 million search accumulation score to at least make a dent at a local level. The global barrier is around 20 million; hopefully, they can reach this mark as well since they are a high tier group.
Let's now talk about what makes this group awesome! Well, let me bring your attention to their vocal prowess. NewBeat exceeded my expectations in all live vocal marks; they're top tier with no major mistakes. A rookie group with no major mistakes in live vocals should be recognized as an accomplishment. Usually, you'll find rookie groups not confident enough to do live vocals, but here is NewBeat just stepping in the spotlight and serving everyone a vocal delight!
Secondly, this group doesn't shy away from doing difficult dance moves. Within their "Flip The Coin" showcases, they've flawlessly executed all their moves with accuracy, rhythm, and precision. Not only that, but they've also incorporated break-dance or b-boy moves that are not easily executed by regular dancers without breaking an arm or leg. Although the choreography isn't dance-friendly for beginners or novices; for the most part, the dance moves are fun. They do have other showcases for other tracks from their album that display beginner-friendly choreography, so it isn't exclusively catered to advanced or veteran dancers.
Another aspect that caught my eye is their fashion choices. Everyone in social media noticed their "one horn" accessory on their forehead; it's quite the attention grabber, but each member exquisitely rocked the "one horn" look. Also, I'm loving their urban, grungy look with baggy clothing; not many k-idols can make baggy clothing look great, but NewBeat pulled it off without any harsh criticism. In other showcases, they've worn more formal wear such as school uniforms and "preppy" types of clothing; I found that they can naturally go down this route as well, but their Hip Hop style is a lot stronger. With that being said, their cosmetics only amplify their handsome looks. Actually, they don't really need the cosmetics, but it truly accentuates and magnifies their facial features incredibly well. Give their stylist a raise!
There's really no need to explain their music video. The cinematography, acting, visuals, et cetera were all interesting and high budget.
I did rate their discography the best for winter 2025. Their album "Raw and Rad" has a huge amount of tracks with each track being of high quality; in my opinion, "Raw and Rad" is above K-pop and Korean Hip Hop standards. Personally, I loved their "Hiccups" track and music video the most because of the hiccup sounds; the hiccup sounds are super funky. However, the rest of the tracks can be set on repeat on anyone's playlist, especially "Jello". Definitely, "Jello" is a new track in my exercise playlist.
Before I go any further, I forgot to mention NewBeat's label: Beat Interactive. Although Beat Interactive is not part of or anywhere close to "BIG 4" entertainment companies, Beat Interactive is on a slightly higher tier above "nugu" companies. A.C.E, another boy group, was previously introduced by Beat Interactive back in 2017; however, A.C.E did not renew their contract with Beat Interactive in 2025. Both A.C.E and Beat Interactive mutually split apart from each other. A.C.E actually had a successful run from their debut and released a good amount of albums with Beat Interactive; however, the connection between A.C.E and Beat Interactive ended in good terms. After A.C.E left Beat Interactive, Beat Interactive's new project is now NewBeat, which is looking impressive in Beat Interative's track record.
NewBeat feels like the mix between the younger versions of "Block B" and "Got 7". They can go the high energetic "Block B" hip hop route or the "Got 7" vocal route with hip hop elements; however, it is best for NewBeat to pave their own path with a new creative direction. So far, I'm enjoying their entire debut.
Anyway, NewBeat is definitely making it in my K-pop Rookie Hall of Fame for 2025! They are also a high contender for 2025 K-pop ROOKIE GROUP of the Year. As I said previously, the only main concern is their popularity. I hope this rookie group is able to break the threshold, so they can gain more exposure in the local or global music market, reaching out to members of the K-pop community and music enthusiasts world-wide.
If you don't like your old beats, then choose the new beats with NewBeat!
Comeback
NewBeat released a digital single called "Cappuccino". It's somewhat of a comeback, but it was specifically released for their fans. Since I did attend KCON LA 2025, I must say that "NewBeat" are awesome performers for rookies; at the end of their performance for "Cappuccino", "NewBeat" decided to strip and throw their shirts off to the crowd. Yes, you heard that correctly. "NewBeat" was shirtless. As a shocked spectator, I looked around me and the attendees were shocked as well. A shirtless "NewBeat" caused the crowd to release more heat than usual, which formed condensation around the lenses of my eyeglasses; as a result, two layers of condensation surrounding my eyeglasses obstructed the view of the "MNET STAGE"; I could have sworn that the members looked a bit embarrassed taking their shirts off like that. As much as I appreciate fan service, this kind of looked like a desperate plea for attention. You see, "NewBeat" are top performers; however, they aren't popular amongst the K-pop community, nor are they recognized by the general masses just yet. "NewBeat" totally needs a viral hit to break out of their unpopular status.
Was "Cappuccino" a hit? Not really. It was fairly mediocre. "Cappuccino" was described as a "gift" or a special performance for fans. From my analysis of the song structure, it sounds like 3 to 4 separate tracks shortened and glued together, which made a disjointed sounding track; it is creative; however, the disjointedness is apparent throughout their track; the best way to describe "Cappuccino" is like placing an arm where the leg should be and a leg where the head should be. You'll notice these sudden changes or awkward shift of sounds when you listen to "Cappuccino". I don't think the track is for everyone, but I can understand the direction "NewBeat" is going. Simply, they are trying out an unorthodox or experimental hip-hop sound, which sounds like it was rushed and put together to reach some deadline. The fans of NewBeat must be happy with their return; however, I can sense that the fans may want more. Anyway, we are witnessing one of the best upcoming groups, so it is expected to get a bit of a downgraded or average track/digital single. If you take a look at every k-idol group's discography, then you'll find that every k-idol group has an average track. I expect "NewBeat" to recover from this in future comebacks.
[RUMOR]: NewBeat is releasing a comeback album on the second half of the year.
English Debut
NewBeat released their first English mini-album called "Louder Than Ever". There are Korean lyrics in their English album; however, it is about 1% of the total amount while 99% of the lyrics are all in English. I recommend NewBeat to everyone! It is a great album! In my blog, I have mention multiple times that I do not score English Albums, so I will keep my word. Although I would love to make this album an exception since it is that good, I'd have to keep my word and exclude this album from being scored. Again, this is NewBeat's era. Hopefully, they'll reach international fans with this mini-album.
Score Calculation:
Debut Score: 20.55
Comeback Score: 11.05
Search Accumulation Score: 1.2M+1M+.7M+.62M+.51M= 4.03M= .403/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
20.55 + 11.05 + .403 = 32.003
Total Accumulated Score: 32.003/19
32.003 Divided By 19 = 1.684368421
1.684368421 Multiplied By 100 = 168.436842105
Final Score: 168.4%
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QUICK BIOGRAPHY
Group Name: XLOV(엑스러브)
Label: 257 Entertainment
Members: Haru, Hyun, Rui, Wumuti
Album: I'mma Be
Debut Date: January 7, 2025
Comeback: I One
Comeback Date: June 13, 2025
Compilation Album: I Will
Compilation Album Release Date: October 15, 2025
Comeback(2) Mini-Album: Uxlxve
Comeback(2) Date: November 5, 2025
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Links and Ratings
Music Video: XLOV - I'mma Be Cinematography Score: 1/1
Narrative/Story Score: 1/1
Acting/Modeling Score: 1/1
Link:Audio Link:Instrumental Link:Lyrics Studio Recorded Vocals Score: 1/1
Instrumental Score: 1/1
Lyrics Score: 1/1
Link:Show! MusicCore Showcase Link:Dance Practice Stage Presence Score: 1/1
Facial Expression Score: 1/1
Objective Movement Score: 1/1
Choreography Aesthetics Score: 1/1
Live Choreography Score: 1/1
Live Visual Score: 1/1
XLOV consists of former Boys Planet contestants, except for Hyun. Hyun's mysterious appearance in XLOV turned everyone's head in surprise. A member that I've always thought highly of is Wumuti, who is also part of a group called "WaterFire". By the way, if you did not know, I picked "WaterFire" as a monster rookie ballad group of 2024. I hope Wumuti is still in works with WaterFire, but that's really up to him.
The vocals of XLOV reminds me of a 90s era rock band called "Muse", which may be prehistoric for most K-pop fans. "Muse" had dark, yet sexy vocals just like XLOV. I wonder if XLOV will dwell deeper into this type of style of music. XLOV's vocals are alluring, yet eerie; the tempo may give off a dirty vibe, almost seductive to a point of enveloping their audience in a trance; however, the trance that it was building is interrupted with a "silly silly" lyrical verse that kills or breaks the immersion/vibe of the song. The entire song feels like it is split into two because of the anti-drop chant, which is jarring for first-time listeners. Although the "silly silly" verse and anti-drop chant was the weakest part of the song, it is saved by Hyun's vocals, which is in the bridge of the song. The chorus of the song may sound non-melodic, but it grows on you after a few listens. For first time listeners, the sultry talk-singing might make you sweat bullets, so take off your sweater.
Like I said before, the song sounds dark; it gives off a feeling of uncertainty. The dark atmosphere is mainly created by the iconic instrumental.
The genderless concept of the music video is artistic and dramatic. Everything in the video has objects that represent androgyny, hermaphroditism, and a subcategory called "cunty". Its purpose is to show an overlap between genders or a melding of both genders, which is displayed in the chess visuals. The chessboard shows both white and black, which represents both genders. This genderless concept is also showing another concept called "non-duality". Within the music video, you will find "exit" signs above the doors. The door with the "exit" signage is opened by the members by the end of the music video, which represents XLOV leaving the dualistic arena or gendered arena. If you look deeper into the concept, then you'll notice that the setting is placed in a classroom(school), where genders are taught to students. Prejudice is learned or indoctrinated into the young at an early age. We are either labeled a male or a female within the process of participating in school. XLOV is basically saying to ditch the genders and "exit" that game. The concept that they are trying to portray may fly over most people's head, but it is right there for everyone to decipher themselves. The point of the visual concept is to help you out of a "black and white" mentality and show you an "exit" out of that dualistic trap. XLOV brilliantly executed their concept in such an easy-to-understand way. I bet no one will ever look beyond what they see on the surface level. With that being said, we are indoctrinated into dividing humans by our reproductive organs. Biologically, there can only be two genders: female or male. It is true in the realm of materiality. The genderless concept is more of a spiritual concept than a biological concept. The biology of humans is split into two genders while the genderless concept is merging them both together. What are we after we pass away? Do we keep our gender after we lose our mortal coil? Is our genders transferred to heaven or hell? The genderless concept deals more of spiritual ideas, as well as religious ones. With furrowed eyebrows, an evangelical Christian must be angrily rolling out of their bed at this moment and typing away on their keyboard or phone screen to XLOV's comment section stating that there are only two genders. Although this is true in our material realm, there is no certain fact that we keep our gender after our passing. We could very well be an immortal consciousness, formless with no physical body, as well as a being without any sort of recognizable gender in the after-life.
Everyone is wondering about the member who executed that flexible, back-breaking move in their choreography. That's RUI(stage name)! Chen Kuan-jui is his birth name. Everyone's jaw dropped as soon as he did that move. You'll probably faint if you saw that in person. I bet that I would. Anyway, their performance shows their excellency and professionalism; who ever choreographed the whole performance should have a round of applause. The sensual nature of each move that they make is smooth and sly, almost satisfying as slathering strawberry jam on toasted bread. Not only is their choreography on point, but they've displayed stage presence and facial expressions that will make everyone scream in joy. They definitely have one of the best choreography so far in 2025. I love every bit of it!
Overall, XLOV started their rookie debut at a great start. Is XLOV's audience/fan base the missing piece to a completed love connection or is the audience/fan base the reason for an incomplete love in the first place? Please support XLOV to find out!
Comeback
Whoa! XLOV really out-did their debut with their comeback! It's everything that you'd want from XLOV, but it is amplified above and beyond! XLOV's choreography is definitely a "master-class" in quality. With that being said, I wonder if their future comebacks will keep exceeding at this rate because it might spark a new movement or revolution within the K-pop industry. This new movement could create a "genderless" K-pop subcategory that may gain steam if it is accepted by the public. The only problem is that South Korea is mostly leaning in the conservative side within the political/cultural spectrum; it may be difficult for South Koreans to accept XLOV as a driving force in the K-pop industry unless South Korea ends up leaning towards the liberal side of the spectrum. I personally don't know what the future holds in South Korea. Will it stay the same or change over-time? Who really knows?
Compilation Album
"I Will" is an exclusive compilation album as a vinyl, which was released on Oct. 15, 2025. "I'mma Be" and "I One" are the albums that are compiled into "I Will"; it also has an unreleased song called "Kiss and Say Goodbye".
Comeback(2)
XLOV's second comeback album "Uxlxve" took the "cunty" sub-genre into another level, the sound definitely is out of this world in terms of sensuality. It may have a slight tinge or dash of sexuality embedded into lyrics because of the whisper rap. Often, whisper rap is associated with sexual experiences because it simply simulates a lover talking to their lover's ear. This sensuality and tinge of sexuality is expressed throughout the album, and you'll prominently recognize this from the sound of each track and their showcases. I recommend K-pop fans to check out this album because each track explores the genderless concept. If you aren't into the "LGBTQ-esque" concept, then it may turn you off because this whole album is smothered or fully immerses itself in that section of music. There were only few outspoken artists that explored into genderless concepts like RuPaul and many others. In our current society, this concept may be frowned on or rejected because most people are leaning on the conservative side. Anyway, it doesn't really matter if XLOV's albums reaches a world-wide scale; they've already started a whole new music movement or a musical landmark in South Korea and K-pop.
Let's briefly talk about each track. Rizz may be difficult to listen to at first because of their repetitive chorus; however, you'll start singing along without realizing it; it is a song that grows on you after a few listens. It's that catchy. As for their sub-title track "Biii:-p", it is hyper-pop, which is rarely explored in K-pop nowadays. I know. I know. Hyper-pop was over-rated in the past, but this particular track is enjoyable and a must-hear. "Kiss and Say Goodbye" is a sentimental ballad, which has sensual vocals, and a gentle instrumental that heightens in volume to give the track a dramatic effect. "Scent" is simply sensual in its purest form and the lyrics are tantalizing with the "make it make scent, it made scent". The next track is "Drip Drip", which is an alternative R&B track(a mix with Hip Hop); the vocals, guitar, hand-claps, and background effects are mesmerizing. "Dirty Baby" is somewhat a trap instrumental with R&B vocals; it's not my favorite from the album; however, it's nice as a filler track. Overall, each track of XLOV has been an enjoyable experience.
XLOV's choreography is eye-catching and difficult. I could already imagine cover dancers with their jaw dropping to the floor. At the beginning of their choreography, each member does the splits. I'm laughing at all the male cover dancers right now because they are probably considering in buying health insurance. I can already hear about torn ligaments and pulled muscles from attempting XLOV's choreography for Rizz. Sorry, for my demented and sadistic thoughts, but I feel that the cover dancers are in a hilarious predicament of hurting themselves with XLOV's difficult moves. Another notable part of their choreography is obviously their finger dancing. XLOV has been consistent with many creative and difficult dance moves, which are all a lot of fun to do as well.
As I said before, XLOV's visuals are conforming to the genderless concept. It may also be described as unisex styling for males or females. XLOV is radiantly confident with their flamboyant styling; without a doubt, their style will grab everyone's attention. It has been said by K-netizens and international fans that Wumuti and Rui look identical to ARTMS's Kim Lip and Heejin; this is because when you put wigs on Wumuti and Rui, their femininity is amplified ten-fold. XLOV intensifies their drag-queen visuals at each comeback, and may even confuse or spark curiosity amongst non-LGBTQ K-pop fans. Although we've only seen some costumes and wigs from XLOV, I believe that they can go in a more controversially creative direction, beyond their current visuals, if they are given the resources to.
Anyway, I totally recommend XLOV's album "Uxlxve"; however, I know that there are communities that are totally against this movement. Bigotry within all communities do still happen, and we have to be aware that not everyone is on the same boat in terms of LGBTQ. The genderless concept is still an unknown and adopted by a niche or small community. XLOV is leading this new musical movement that may change the K-pop industry moving forward. Remember, these are rookies starting with a controversial concept at the start; they received a positive reception from most K-pop fans; however, the question is will the world accept a concept that goes against their narratives and beliefs? We'll have to wait and see.
By the way, XLOV was accused of queer-baiting and their company 257 Entertainment was known to be strict in denying XLOV fans from expressing their LGBTQ pride accessories, such as flags. To be honest, it is strange that 257 Entertainment would prohibit this when their group XLOV is leading the LGBTQ movement in K-pop. This is a bit hypocritical; however, I understand that they are a new company trying to enforce certain rules to keep order. What side is 257 Entertainment taking? They should choose a side, and be transparent about it to XLOV's fan base. The "optics" just looks bad, especially when their consumer base is that of the LGBTQ. It is like biting the hand that feeds you if you ask me. As for the queer-baiting, XLOV's concept caters to LGBTQ; basically, it is the only known, full-fledged, representation for the LGBTQ community in South Korea, which is fairly rare. This is the movement that their group started as their debut in South Korea, so it is odd that people would say that they are baiting when their whole entire concept is based on "genderless".
Group Name: AHOF(아홉) a.k.a. All-Time Hall Of Famer
Label: F&F Entertainment
Members: Steven, Jeongwoo, Woongki, Shuaibo, Han, JL, Juwon, Chihen, Daisuke
Album: Who We Are
Debut Date: July 1, 2025
Comeback Mini-Album: The Passage
Comeback Date: November 4, 2025
AHOF, also known as "All-Time Hall of Famer", is the most over-hyped k-idol boy group of summer 2025. One of the members of AHOF, JL, was the most voted on social media polls and websites; I'm not talking about thousands of votes, but millions of votes. South Koreans and Filipino fans really showed their love and support for JL, who is the Filipino member of the group. The rest of the members also gained a ton of votes as well; each member scored a lot higher than a ton of veteran k-idols and k-idol rookies. AHOF is one of those rookie groups who garnered a ton of support and admiration right at debut. Was this over-hype though? Quite possibly.
AHOF has that "boy next door" or "teen crush" look that many teenagers fawn over. If South Korean teenagers had tails, then they would be rapidly wagging their tail to AHOF. Everything about AHOF, from their choreography to their visuals, are beautiful and attractive. They almost have the full package; however, netizens were waiting for an actual live vocal performance from them, which has never surfaced yet. Although there wasn't a live vocal performance just yet, they have shown a "Show Champion Encore Stage", which is as close as it gets to a live vocal performance. However, netizens don't really consider that as a vocal showcase to demonstrate their skill/talent; rather, an encore stage is meant as a form of gratitude towards their fans for their support. A vocal performance would really tie the knot in terms of being one of the best groups of the year.
Remember, the same company that brought us UNIS, a top-tier female rookie group of 2024, is also responsible for bringing us AHOF, so we should expect high quality content from this group moving forward. Honestly, I don't have any major complaints about AHOF. All we have to do is wait and see if they are truly the "All-time Hall of Famer" that they claim they are. Will they hit a home-run, knocking it out of the ballpark, or will they strike out?
Comeback
In order to understand AHOF's comeback music video, the audience needs to familiarize their selves with the old children's novel Pinocchio. If you haven't read or watched what Pinocchio is, then all the information or context will fly over your head. You'll be entirely clueless on what's going on. Basically, the story of Pinocchio is a simple one. Geppetto carved a doll, which is named Pinocchio. After the doll's creation, Pinocchio becomes sentient. Although Pinocchio is sentient, it desires to become a real boy. That's generally the story without spoiling it.
When I heard that their title track was "Pinocchio", I imagined each member with wooden bodies and long wooden noses; however, we didn't get that for AHOF's comeback music video. Instead, we had a brief glimpse of Pinocchio, himself, at the introduction; after that, Pinocchio just vanishes from the story altogether. Anyway, the music video wasn't as I expected. Although I was expecting some kind of Disney-related story, I'm satisfied with their hidden multi-faceted message behind their emotional ballad. This song has a deep message of being truthful or fake around others. In any type of interactions amongst others, most individuals want to give others the impression that everything in our lives are perfect by smiling at them; this is simply a way to not hurt them with the truth, which is that everything is not fine. Often, people disguise their pain with a smile, so that the people around them are not hurt with what they truly feel; in other words, usually, people hide their true feelings, so that they don't burden others with their problems. Lies that we tell ourselves and others is simply a mechanism to keep our lives peaceful and to have stable relationships; now, telling others the truth will only disrupt their illusion of comfort. Like Pinocchio, people tell lies because they are afraid of losing the connection to people who they care about. When you are honest with someone, it results in two reactions; consequently, the person that you give your honest feelings to either stays or leaves. The act of telling someone the honest truth actually reveals people's true colors; honesty shows whether a relationship/friendship is a real/true or fake connection. A true connection to others can only be achieved with honesty; if there is no honesty, then there is no true connection. I'm awestruck about AHOF's message of honesty, self-acceptance, and truth.
With closer inspection, you'll find a ton of symbolism scattered within their music video. My interpretation of the symbolism may seem off to you or totally wrong, which is understandable; my perspective is not common or accepted by everyone, so it is best to figure it out for yourself on whether my interpretations make any sense. Well, here's my interpretation. Foremost, in the music video's introduction, we are presented with one of the members with a magical bow and arrow. The member is seen aiming his magical bow towards the moon; after pulling the bowstring, the magical arrow effortlessly travels towards the moon. The magical arrow collides with the moon, which sent flying debris towards earth. The catastrophe made it appear like it was snowing on earth. The magic arrow symbolizes the lie, the opposite of the truth; the debris flying all around represents the catastrophe or damage done to everyone because of the told lie. It is almost like a connection has been broken or severed by the lie(magic arrow). The best symbolic representation of connection is the moon because it is a celestial body or phenomenon that each of us are under, a common connection that most of us have witnessed ourselves. The general idea of this scene is to describe what happens when someone lies, just like how Pinocchio lied.
The birds flying in the sky represent the members of AHOF. The birds flying together in a "V" formation also represents unity or the universally shared feelings of everyone; in other words, you are not alone like the birds flying together. The members happily running through the grassy field represents a courageousness towards a "real connection", where they are not afraid of being honest. This scene is a juxtaposition between Pinocchio and AHOF, where AHOF's expression of honesty frees them, which allows a true connection with others; as for Pinocchio, the lies that he had said only denied his connection with others, which results in Pinocchio growing his long nose; this long nose is an indication of dishonesty, which in turn creates a fake connection with others. The general idea of this entire scene is about honesty and connection.
There are many more symbolism found in this music video like the members of AHOF reaching for the fruit of knowledge and the "behind the scenes" views of AHOF getting ready for their recordings. I do have a lot more to say; however, I'll probably be writing a hundred-page essay on this. I'll just stop here.
Anyway, AHOF's comeback is one of the best in autumn and year of 2025. Through all the online material that they've released, they've convinced me that they are a top-tier K-pop group with the whole package. To be honest, I slightly doubted their talent in the past because of their dismissal of performing their live vocals; however, they've demonstrated enough that I consider them "All-Time Hall of Famers".
Oh, yeah! I know! I know! AHOF had long noses at the beginning of their choreography. I already noticed that, but certain social media/telegram users keep harping and insistently telling me about it. Gee-sush!
Score Calculation:
Debut Score: 18.2
Comeback Score: 19.6
Search Accumulation Score:31.3m+41.9m+5.7m+3.5m+2.7m = 85.1m = 8.51/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
18.2 + 19.6 + 8.51 = 46.31
Total Accumulated Score: 46.31/19
46.31 Divided By 19 = 2.437368421
2.437368421 Multiplied By 100 = 243.736842105
Final Score: 243.7%
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QUICK BIOGRAPHY
Group Name: KiiiKiii(키키)
Label: Starship Entertainment
Members: Leesol, Sui, Jiyu, Haum, Kya
Album: Uncut Gem(EP)
Debut Date: March 24, 2025
Comeback Digital Single: Dancing Alone
Comeback Date: August 6, 2025
Comeback(2) OST: To Me From Me
Comeback(2) OST Date: November 4, 2025
For international fans, this might go over your head. "ㅋㅋㅋ" is Korean laughter in hangul; however, for the group name, "키키키" is used instead of "ㅋㅋㅋ". "키키키" or "kikiki" is the cuter version of "ㅋㅋㅋ". The spelling "KiiiKiii" is quite different from "kikiki"; Starship Entertainment uses 3 lower-case "i" after "k". There could be a hidden meaning to this that Starship Entertainment and "KiiiKiii" is keeping to their selves. A theory of mine is that the name can be interchangeable from "KiiiKiii" to "KiIIKiII"; it looks like "KillKill". There are other ways of changing the name, but that's the way I see the name.
Anyway, Starship Entertainment is known for Sistar, Boyfriend, WJSN, IVE, Cravity, and Monsta X. These are groups that have stamped their name in the K-pop industry, almost to the point of being a household name brand. Heck, you may even say that disbanded group Sistar is still financially fueling Starship Entertainment with their old discography to this very day. IVE is actually one of the strongest groups in K-pop as of right now; currently, IVE has been boosting Starship Entertainment's reputation after Sistar's disbandment and WJSN's sudden disappearance from the spotlight. With that being said, "KiiiKiii" made a sudden debut appearance; netizens were blind-sided with this group because they weren't expecting a new group, but a return of WJSN.
The best way to describe KiiiKiii is an unserious, yet serious k-idol group. KiiiKiii is a tiny package with the firepower needed to get the job done; however, throughout their debut, they've displayed an "off grid" or "au naturel" visuals. Other aspects of this group are their playful and youthful energy seen throughout their music videos, showcases, et cetera. All the content that they've released is "different" and may confuse their audience because they've displayed a mix of serious work and fun little tracks here and there. After watching all of their music videos, I had to sit back and think of what I have witnessed. KiiiKiii aren't building a professional artistic portfolio of music; rather, they've strayed away from the rigid standards of regular, every day K-pop to a more "chill" vibe, where no one is hustling and trying to be a superior force in the K-pop competition. To be quite frank, I found this to be concerning because the hyper competitiveness in the K-pop industry demands groups like KiiiKiii to be more viscerally invested in winning against other k-idols. While every k-idol group is out for blood, KiiiKii is here to just play and have fun.
Overall, I gave them an okay score. In the areas of choreography, visuals, and audio, KiiiKiii is slightly above average. I predict that there may be a growing concern of the direction of this group because of their unserious nature; however, they've garnered an audience that specifically love KiiiKiii's playful concepts.
Their debut "BTG" uses AAVE(African American Vernacular English). Actually, they replicate it almost identically to how African Americans use it; it is praiseworthy. I'm already seeing social media users stumbling off their rockers to accuse KiiiKiii of cultural appropriation. Again, I don't see anything wrong with using AAVE; however, if it was used in such a derogatory manner with ill intention, then I'd say that everyone has the right to accuse them. As for how "BTG" was presented, there was nothing there that is offensive at all. Sometimes, I wonder if users on social media always had a stick up their butt, calling everything from durags to hair extensions as cultural appropriation. At this point in time, these accusations are played out. "BTG" is such a banger that I gave them an "Over-kill" for using AAVE properly.
The entire "BTG" music video was actually funny. The members were partying in a greenhouse with strobe lights; they were also playing around with a bunch of vegetables. The funny part about all of this was the lasers coming out of the Civic Shuttle; that just made the video that much lovable! Again, KiiiKiii isn't trying to impress with elite talents; they're just out and about riding around in a civic shuttle and a dirt bike in an off grid location. I see this as a "good time". I'm not sure what everyone else is thinking, but the simplest stuff in life is the most enjoyable, especially if you have lasers aiming in all directions around a greenhouse, as well as shooting out of a Civic Shuttle. That's a party!
In the grand scheme of KiiiKiii, I don't know what Starship Entertainment is planning with this group; "KiiiKiii" wasn't formed to eliminate or out-compete other k-idol groups. It is almost like KiiiKiii was specifically created to mock "serious" groups. Will they constantly change their concepts or will they stick with this playful "off grid" girl concept? K-pop fans have expressed that "KiiiKiii" feels like a "filler" group; the idea of KiiiKiii filling the role as a K-pop Group substitute is actually plausible. Starship Entertainment would use KiiiKiii whenever their main groups are on hiatus; groups such as WJSN or even IVE would be able to have a break when things become too hectic. This theory or idea does make sense because groups sometimes get exhausted and want to take a break, so KiiiKiii simply goes in as a substitute to save the day. It is almost like clockwork and helps alleviate the pressure from other groups. As a conclusion, Starship Entertainment is not a blusterous buffoon for debuting KiiiKiii; there is no grave error in Starship's decision, but of a strategic, calculating, and goofy one. KiiiKiii's sole purpose is to act as some kind of comic relief if you think deeply about it. 키키키키키키키키키키키키 your butts off all day long with KiiiKiii!
Update(April 28, 2025): KiiiKiii just released a commercial. It is a collaboration with King Fusion/Burger King. Here's the CF: KiiiKiii - Burger King.
Comeback
KiiiKiii has returned with two tracks: "Dancing Alone" and "Strawberry Cheesegame". The title track "Dancing Alone" is a retro synth-pop song that sounds like it was made in the late 90s with a modern city pop feel. Honestly, I love the track!
The music video's setting is VERY familiar. They used the setting for a lot of films in Hollywood, especially for films with "summer vacation" or "college freshmen" themes. KiiiKiii is swimming in a lake that's iconic because it is used as a backdrop in many older films. K-netizens said that it was filmed in Canada, but I'm not entirely certain since I think the lakes are also found in the upper United States. Anyway, the cinematography is high budget. I don't think anyone realizes how carefully crafted the scenes are; it's picturesque with outstanding high definition angled shots. It is finely curated and professionally made with details only hardcore movie critics can notice!
Let's talk about KiiiKiii's choreography. Foremost, the "bounce-dancing" is known to be seen in many old Sistar choreography. When I say "bounce-dancing", I am describing a step that feels like they are adding more "frog-like jumping"(like jumping on a trampoline), or an added emphasis on "hopping" in the step; it is not sharp/defined steps like usual K-pop moves. It is best described as a "skipping" step like when you are hopping over a jump-rope or playing a game of hopscotch. Anyway, it incorporates a lot of these "bounce" steps, which are exquisitely fun to observe. Since KiiiKiii share the same label as the former Sistar, it is evident that the choreography is inspired by Sistar; we can only guess that the choreographers are the same or probably influenced by their peers.
As usual, KiiiKiii is bringing their "off grid" or "au naturel" visuals, which gives off a playful and youthful aura amongst the members. I love it because it separates them from the common and "cookie-cutter" visuals that we often see in showcases. Like I said before, I don't think "KiiiKiii" is out here to compete, but to have fun.
Overall, their comeback was a success. They also added 4 versions that are remixed tracks of "Dancing Alone"; my personal favorite is the "'00s Version", which made their vocals sound like they are chipmunks.
[Rumor]: On a side note, KiiiKiii mockingly and poked fun at AllDay Project's Annie Moon with the "jeoldae no" meme to promote their comeback album "Dancing Alone". Starship Entertainment's original promotional caption stated(translated to English): “Are you feeling lonely dancing alone? Jeoldae NO KiiiKiii’s ‘DANCING ALONE’ won’t make you lonely.” "Jeoldae No(절대)" means definitely not or never in English. This is referring to the Annie Moon interview, where Annie had a conversation with her mother about being a k-idol. Annie Moon had told her mother: ‘Actually mom, I really want to become a singer.’ Annie Moon's mother responds: ‘Does that even make sense? Jeoldae NO.’ This was an indirect poke from Starship Entertainment to Annie; however, netizens are split on this promotional tactic by Starship Entertainment. Personally, I found this whole thing as just fun banter, almost like a light-hearted joke that you share with friends; however, I can see ultra sensitive netizens having temper tantrums or even bursting in anger. It's all harmless fun. Like I said previously about KiiiKiii, they are a group that's just having fun while indirectly mocking others along the way.
Comeback(2) OST
"To Me From Me" is an OST created for a web novel called "Dear.X: Tomorrow's Me to Today's Me". KiiiKiii collaborated with producer Tablo to create this track that is retro in nature, and also dwells into the realm of LOFI. This track is gentle to ears because of its melodic and heart-warming lyrics. KiiiKiii isn't the best in live vocals; however, in this particular track, they've performed this OST quite perfectly live. Personally, I'm into this side of KiiiKiii, but I do understand that the K-pop audience wants something extravagant and fast-paced; in other words, this OST may not be your cup of tea. With that being said, I thoroughly resonated or enjoyed this in the rainy season; you might be into the music as well.
World Angel Peace debuted their 7 member girl group "NYXIE". The members of the group are currently unconfirmed for reasons unknown; there's only speculation that each member are treating this debut as a temporary project. Another speculation is the group may even rebrand and re-debut to reach a broader audience. Stealthily, the music video was released unannounced. No one knew of their debut at all. There's no promotional content at all. Why would World Angel Peace intentionally gimp their group by not promoting? How can anyone find, support, and purchase anything from the company if the audience doesn't know that NYXIE even exists? This is a risky maneuver, especially if the company and group is unknown within the K-pop industry.
So far, NYXIE is a promising group, who performed at 2025 Busan International Choir Festival Grand Concert. There's high potential for this group; however, their company seems to not want to promote in major stages, show off each member, or participate with other types of media to demonstrate their talent. Is this group doomed to live within the shadow of the K-pop industry, or will they step into the spotlight to show their true potential?
Update(December 1, 2025): There seems to be two groups called "NYXIE". There's a South Korean group called "NYXIE", which is the group that I'm blogging about, and there's a global group called "NYXIE" as well. I hope things can get resolved in the future. Consequently, people will be confused because of two groups called "NYXIE". I don't know if this will cause any conflicts in the future.
Score Calculation:
Debut Score: 12.5
Search Accumulation Score:388k+230k+220k+248k+214k= 1300k = 1.3m=.13/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
12.5 + .13 = 12.63
Total Accumulated Score: 12.63/19
12.63 Divided By 19 = 0.664736842
0.664736842 Multiplied By 100 = 66.473684211
Final Score: 66.4%
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Group Name: E11iVyn(일레븐)
Label: Moai Entertainment
Members: Chaerin, Yekang, Yeongeun, Shion
Album: Red Line
Debut Date: October 30, 2025
Link:Audio Link:Instrumental Link:Lyrics[No Video]
Studio Recorded Vocals Score: 1/1
Instrumental Score: 1/1
Lyrics Score: .9/1
Link:KBS Music Bank Showcase Stage Presence Score: .6/1
Facial Expression Score: .6/1
Objective Movement Score: .8/1
Choreography Aesthetics Score: .4/1
Live Choreography Score: .6/1
Live Visual Score: .7/1
Art/Cosmetic/Make-up Score: .7/1
Fashion Score: .7/1
Visual Concept Score: .7/1
Live Vocals Score: 0/1
Live Band Score: 0/1
Discography/Pre-Debut/Pre-releases/Album
Music Video Link:Track 1: Orbit Discography Score: .2/?
Production/Theme/Concept Score: .6/1
Personal/Subjective Score: .8/1
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Moai Entertainment is known for their former girl group "HeyGirls". My personal favorite song from HeyGirls is: Shining Star. It is such a bop! After HeyGirls disbandment in 2023, Moai Entertainment was suspended in limbo, or at least it felt that way. Now that it is 2025, they've managed to put together a new group called "E11iVyn", which is spelled with the number "11". The number eleven is usually used within idioms as a way to express urgency. For example, people often say that most people fix their problems at the 11th hour, which implies that people procrastinate, and fix their problems at the last moment or at the end. In numerology, 11 symbolizes spiritual growth, intuition, and enlightenment. Eleven can also represent balance; when people say that there are 11 apples and 11 oranges, the ratio of apples and oranges is 11:11. This usually represents fairness or fair distribution. In Greek, "Elli" means "Shining Light". "Vyn" has a complex etymology and may be interpreted or derived from the word "fair". When you combine "Elli" and "Vyn", then the meaning of the name could be Fair Shining Light. The group name "E11iVyn" is creative! I love it! By the way, I don't know the true meaning of the name. The company and the members might have a different interpretation of what their group name means. I'm simply interpreting in a way that I think makes sense; the meaning of the name could be entirely different.
Each member of E11iVyn have gorgeous visuals like their predecessors HeyGirls. There's really nothing to complain about except that I wish that they kept that "one-winged" accessory for their showcase. It would help them to be recognized since they are a new girl group.
Unfortunately, their choreography is bland and boring. There's no intricate movement, nor is there any uniqueness in any of their dance moves, just recycled moves used by previous groups. You may say that the music even demands them to go a bit more intricate because of how fast-paced it is in certain parts of the instrumental. Regardless of their less intricate movements, their movement is all precise for the slow parts of the song, which is excellent.
The only complaint about their vocals is the obvious auto-tune. Overall, they did a fantastic job in their studio-recorded vocals; however, they could lose the auto-tune. I don't think it is necessary.
The most recognizable part of the track is obviously the techno instrumental, which slows down at certain parts. The pace of the song picks up during their chorus, then slows down during the verses; this gives breathing room for the verses, then it rushes to the main event or chorus. In other words, the crescendo of the track is stellar; it could be a pleasurable experience for European nightclubs or an exercise playlist. The blissful, yet speedy feel to it will make you continuously nod your head in enjoyment. The cadence and delivery of "Orbit" is reminiscent of old techno music of the past, such as The Pump Panel - Confusion(Blade Soundtrack) or The Crystal Method - Keep Hope Alive. I can somewhat see E11iVyn's conceptual direction, which seems to be a path towards "Club Music", "Fight Music", or even "Girl Crush". E11iVyn could go down the route of drum/brass, techno, EDM, dubstep, et cetera. Overall, I enjoy the sound.
Anyway, you will reach K-pop heaven with E11iVyn!
Score Calculation:
Debut Score: 12.1
Search Accumulation Score:42K+11.7k+9k+5.4k+5.1k = 73.2k = .00732/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
12.1 + .00732 = 12.10732
Total Accumulated Score: 12.10732/19
12.10732 Divided By 19 = 0.637227368
0.637227368 Multiplied By 100 = 63.722736842
Final Score: 63.7%
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Group Name: ARVVY(아르비)
Label: Eighty6
Members: Chae Eun, Gahyun, Moe, Chuurry
Digital Single: I'll Be Your Idol ♥︎
Debut Date: October 30, 2025
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Links and Ratings
Music Video: ARVVY - I'll Be Your Idol Cinematography Score: .3/1
Narrative/Story Score: .2/1
Acting/Modeling Score: .4/1
Link:Audio Link:Lyrics Studio Recorded Vocals Score: 1/1
Instrumental Score: .9/1
Lyrics Score: 1/1
Link:Showcase Link:Dance Practice Stage Presence Score: .7/1
Facial Expression Score: .7/1
Objective Movement Score: .9/1
Choreography Aesthetics Score: 1/1
Live Choreography Score: 1/1
Live Visual Score: .7/1
Art/Cosmetic/Make-up Score: .7/1
Fashion Score: .7/1
Visual Concept Score: .7/1
Live Vocals Score: 0/1
Live Band Score: 0/1
Feast your eyes on this 4 member girl group under Eighty6 called "ARVVY", which stands for "Awaken Radiant Voices of Youth"!
You might have noticed a movement, or a collective gathering of fans that are in love with "Magical Girls". Through articles and encyclopedias, you'll notice that this "Magical Girls" trend has been going strong for the past 20 years. Often, you'll see models and fans cosplay as a "Magical Girl" within anime conventions. This trend noticeably started with the animes such as: Sailor Moon, Sailor Moon(modern), and Puella Magi Madoka Magica. Although this is prevalent amongst anime communities, it is not limited to just this singular group; rather, this "Magical Girl" theme/concept has spread in South Korea within K-pop.
ARVVY seems to want to dwell into the "Magical Girl" theme, and they executed it accurately! The entire instrumental is a fancy ringtone for your smartphone! The catchy part of the song is when they are chanting "AI AI", which makes you want to sing along with them. The entire track sounds like an introduction or opening for a rom-com or a slice of life Japanese anime. Another notable aspect of their track "I'll be your Idol" is the lyrics; you'll be blushing all throughout the song because each member are sweet-talkers, complimenting their audience.
Unfortunately, the production is poor. Basically, the whole music video's backdrop or background setting are a bunch of GIF animations of symbols, devices, and trinkets, such as a Tamagotchi. I have about 20 of them, where you feed virtual pets.
The choreography is super cute. There are a lot of cute hand gestures that are executed on cue; each hand gesture feels like a dialogue between their audience and each other. Overall, their choreography is quite entertaining and immersive. Although I enjoyed their entire choreography, it feels like an incomplete debut showcase. Unfortunately, they only promoted in Japan, excluding South Korea.
Lastly, their visuals are thematic and fit quite well with their concept. Although brighter colors could grab more attention, I believe the color white intensifies their presence much more, which perfectly suites each member's smiles. They are quite the cutesy pies. Anyway, ARVVY will awaken the youth with their debut!
Score Calculation:
Debut Score: 12.7
Search Accumulation Score:20.5k+5.5k+3.8k+2.5k+2.5k =34.8k=.00348/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
12.7 + .00348 = 12.70348
Total Accumulated Score: 12.70348/19
12.70348 Divided By 19 = 0.668604211
0.668604211 Multiplied By 100 = 66.860421053
Final Score: 66.8%
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Group Name: &TEAM(앤팀)
Label: YX LABELS(Subsidiary of HYBE)
Members: K, Fuma, Nicholas, EJ, Yuma, Jo, Harua, TAKI, Maki
Japanese Debut Date: December 7, 2022
Korean Album: Back to Life
Korean Debut Date: October 28, 2025
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Music Video: &TEAM - Back to Life Cinematography Score: 1/1
Narrative/Story Score: 1/1
Acting/Modeling Score: 1/1
&TEAM has a fascinating discography filled with catchy tracks, heart-throbbing visuals, unique choreography, an interesting concept, and a high budget music video. What's there to complain about? &TEAM is a top tier K-pop boy group, but with one major flaw: BAD LIVE VOCALS!
Let's talk about &TEAM's encore live vocals. If you haven't watched it yet, then here it is: &TEAM Music Bank Encore Face cam. I do understand the criticism towards &TEAM's live vocals. Although I don't consider encores as a demonstration of their full vocal prowess, &TEAM should have declined to sing or made an excuse to not do it since they obviously weren't prepared for it. You can tell that each member's vocal cords were dry as a wet shirt clipped to a clothes-line in the Lut Desert(Iran). As well as their dry vocal cords, you might have noticed weakness in their control and power of their voices. This is a huge indication that they need to practice a lot more in the vocal department. It only takes consistent visits to karaoke bar on a daily basis. Another critique that I have noticed is their vocal tone sounds annoying or nasally. After analyzing their other live vocal performances, I spotted this aspect as well. Nasally voices usually means that the members may need expert coaching or an instructor to teach them better ways of singing. Also, there's another possibility that the members are currently sick or recovering from a sickness. In my opinion, singing from the nose is a major indication that the singer is a beginner or someone who needs more vocal training. &TEAM had so much time from their Japanese Debut until their Korean Debut to improve on their vocals; that's about 3 years of preparing or learning new techniques in singing; I didn't mention that they had a lot of time pre-Japanese debut to get acquainted in practicing their vocals. I wonder what &TEAM has been doing in those 3+ years. Most likely, they were all just goofing off in those 3 years. Honestly, I don't see this as excusable at this point; they are in a subsidiary entertainment company connected to the "Big 4" in South Korea; however, there are no signs of the members improving at all. At this point, anyone who defends &TEAM must be either tone-deaf or not able to hear properly. &TEAM has all the opportunities and resources at their disposal to strengthen their vocal prowess, yet all I see is a group slacking off. Anyway, I just wanted to say that their vocals aren't terrible; it just needs a lot of work. It saddens me that they didn't improve since their Japanese Debut in 2022. Anyway, as a closing remark, I'd like to say that many groups under the HYBE umbrella have bad live vocal skills; however, there are exceptions like the boy group Enhypen. In 2025, there's no more excuses in, at least, providing their fan base, and audience with decent live vocals; decent live vocals is the bare minimum if you ask me. Anything below the bare minimum should not be acceptable. If the members don't want to sing because they are rusty or sick, then they should be transparent to their fans and audience. Instead, we are all experiencing and witnessing live vocals that sound like a cat scratching the surface of a chalkboard.
Before I close this blog-post, I'd like to state that &TEAM is a successful group. From my understanding, they've sold over a million copies of their album; these numbers are far from being a "flop". Although this album sales number is astronomical, this success simply disguises their lack of live vocal quality. In other words, most fans are head-over-heels with &TEAM that they will ignore their major flaw, and call their bad vocals as a temporary set-back. The lengths that "die-hard" fans will ignore the pink elephant in the room is incredible. Anyway, if you are a K-pop fan that simply doesn't care about live vocal prowess, then the right team for you is &TEAM.
Score Calculation:
Debut Score: 18.15
Search Accumulation Score: 38m+13.6m+17.6m+7m+6.7m=82.9m =8.29/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
18.15 + 8.29 = 26.44
Total Accumulated Score: 26.44/19
26.44 Divided By 19 = 1.391578947
1.391578947 Multiplied By 100 = 139.157894737
Final Score: 139.1%
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Group Name: Levergent(레버전트)
Label: Season Five
Members: Habin, Khain, Jio, Rihyeon, R
Digital Single: Vroom(No Break)
Debut Date: October 24, 2025
Link:Audio Link:Instrumental Link:Unofficial Lyrics[Genius Website(No Video)]
Studio Recorded Vocals Score: 1/1
Instrumental Score: 1/1
Lyrics Score: .8/1
Stage Presence Score: 0/1
Facial Expression Score: .4/1
Objective Movement Score: .4/1
Choreography Aesthetics Score: .4/1
Live Choreography Score: 0/1
Live Visual Score: 0/1
Link:Performance Art/Cosmetic/Make-up Score: .4/1
Fashion Score: .4/1
Visual Concept Score: .4/1
Live Vocals Score: 0/1
Live Band Score: 0/1
Discography/Pre-Debut/Pre-releases/Album
Performance Video Link:Track 1: Vroom(No Break) Discography Score: .15/?
Production/Theme/Concept Score: .1/1
Personal/Subjective Score: .35/1
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Levergent spent more time helping I:MOND's album than their own debut. If you didn't know, members of Levergent, Khain and Jio, worked on I:MOND's album "Under My", which was awesome, especially their track I:MOND - Wonderland. As for Levergent's debut, it was an incomplete debut. There was no music video, showcase, dance practice, teasers, and promotions. The lack of promotions sent Levergent's debut under the radar, where K-netizens could not find a single trace of it. To be honest, their track "Vroom" is such a banger. It is saddening that top tier tracks are ignored by K-netizens. Most of the time, Levergent promoted their group in Japan without considering in showing off their talent in South Korea. Anyway, I'm disappointed in giving this group a low score because I followed this group for a long time; however, nothing note-worthy came out from all their hard work.
Score Calculation:
Debut Score: 5.8
Search Accumulation Score: 8.2k+1.8k+1.2k+.5k+.5k= 12.2k=.00122/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
5.8 + .00122 = 5.80122
Total Accumulated Score: 5.80122/19
5.80122 Divided By 19 = 0.305327368
0.305327368 Multiplied By 100 = 30.532736842
Final Score: 30.5%
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Group Name: NWH:I(뉴이)
Label: Na Entertainment
Members: Nina, Via, Seungjoo, Alice, Nicole, Mariam, Vanesya
Digital Single: Like A Flame
Debut Date: October 24, 2025
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Links and Ratings
Music Video: NWH:I - Like A Flame Cinematography Score: .3/1
Narrative/Story Score: .3/1
Acting/Modeling Score: .4/1
Link:Show Champion Showcase Link:Dance Practice Stage Presence Score: .7/1
Facial Expression Score: .7/1
Objective Movement Score: .75/1
Choreography Aesthetics Score: .75/1
Live Choreography Score: .75/1
Live Visual Score: .8/1
Art/Cosmetic/Make-up Score: .8/1
Fashion Score: .8/1
Visual Concept Score: .8/1
Link:Arirang Radio Live Session Live Vocals Score: .2/1
Live Band Score: 0/1
Discography/Pre-Debut/Pre-releases/Album
Music Video Link:Track 1: Like A Flame Discography Score: .2/?
Production/Theme/Concept Score: .3/1
Personal/Subjective Score: .7/1
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NWH:I is an abbreviation for "New World High Teen Idol". Within 2025, a part of NWH:I collaborated with Dustin to create DNA, which was an atrocious co-ed debut. Anyway, "Like A Flame" is their Hip-Hop/Dance debut track. I've got to say that this was a slight improvement compared to their co-ed debut as DNA. Nevertheless, you could possibly enjoy "Like A Flame" as a track for your exercise playlist. The instrumental for "Like A Flame" has to be the strongest part of their debut; you'll simply enjoy the track for all of its melodies. Although the vocals aren't the highlight of the track, the catchy lyrical flows from the rappers may catch your attention. Overall, the entire debut felt slightly above average, yet falls a bit short because of the lack of vocal prowess.
Score Calculation:
Debut Score: 12.1
Search Accumulation Score:.6m+.2m+.07m+.07m+.06m = 1m = .1/?
Debut + Search Accumulation Score = Total Accumulated Score
12.1 + .1 = 12.2
Total Accumulated Score: 12.2/19
12.2 Divided By 19 = 0.642105263
0.642105263 Multiplied By 100 = 64.210526316
Final Score: 64.2%
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Group Name: Chopstick Gang(찹스틱갱)
Label: XY Label
Distributer: YG Plus
Producer: RRIP
Members: 투키(2Key), 에이잭(AJAK), 정상수(Jung Sangsoo)
Digital Single: Chop It (Remix)
Debut Date: October 22, 2025
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Links and Ratings
Music Video: Chopstick Gang - Chop It(Remix) Cinematography Score: .15/1
Narrative/Story Score: .2/1
Acting/Modeling Score: .65/1
Link:Audio Link:"Diamonds" - Takeoff x Offset Type Beat Trap Instrumental Studio Recorded Vocals Score: 1/1
Instrumental Score: .1/1
Lyrics Score: .8/1
Stage Presence Score: 0/1
Facial Expression Score: 0/1
Objective Movement Score: 0/1
Choreography Aesthetics Score: 0/1
Live Choreography Score: 0/1
Live Visual Score: 0/1
Art/Cosmetic/Make-up Score: 0/1
Fashion Score: 0/1
Visual Concept Score: 0/1
Live Vocals Score: 0/1
Live Band Score: 0/1
Discography/Pre-Debut/Pre-releases/Album
Music Video Link:Track 1: Chop It(Remix) Discography Score: .2/?
What do you get when you put together veteran rappers, and have them debut in a group? You get "Chopstick Gang". Chopstick Gang debuted with their remixed track "Chop It". If you put the remixed track and the original track side by side, then there isn't much of a difference besides the length; the remix was a bit longer than the original. There was no mention on the name of the special guest rapper in the beginning. I think this special guest(probably known by the "in-crowd" or their fan base) was just a special appearance for their music video.
Anyway, the Korean Hip Hop audience are criticizing their age; however, I could not care less if you're 5 years old or 100 years old rapping. As long as the rappers and the fan base is having fun, then there's really no problems or issues. These rappers have a discography that dates back to 2012. Yes, you heard that right. That's reaching 14 years in the rap game, which may sound pre-historic. Like I said before, age doesn't matter. If these rappers love what they are doing, then there isn't anything wrong with that.
Score Calculation:
Debut Score: 3.57
Search Accumulation Score:7.7k+1.7k+1.6k+0.6k+0.6k = 12.2k = .00122/?
Debut + Search Accumulation Score = Total Accumulated Score
3.57 + .00122 = 3.57122
Total Accumulated Score: 3.57122/19
3.57122 Divided By 19 = 0.187958947
0.187958947 Multiplied By 100 = 18.795894737
Final Score: 18.7%
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Group Name: Hearts2Hearts(하츠투하츠)
Label: SM Entertainment
Members: Carmen, Jiwoo, Yuha, Stella, Juun, A-na, Ian, Ye-on
Album: The Chase
Debut Date: February 24, 2025
Comeback: Style(Digital Single)
Comeback Date: June 18, 2025
Comeback(2): Focus
Comeback(2) Date: October 20, 2025
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Links and Ratings
Music Video: Hearts2Hearts - The Chase Cinematography Score: 1/1
Narrative/Story Score: .8/1
Acting/Modeling Score: 1/1
SM Entertainment, the feudal lords of the K-pop industry, has debuted a new girl group called "Hearts2Hearts". "Hearts2Hearts" is actually a cool name and memorable as well. Their debut track is "The Chase". The instrumental for "The Chase" sounds like synth-bass(if that makes any sense), which makes you feel like you are in a blue ocean within a cave. The "talk rapping" may be the downside of the song, but it fits right in to create a dream-like melody. Like a bunch of raving maniacs, social media users are praising/admiring Carmen, the Indonesian member of "Hearts2Hearts". Carmen is trending in the K-pop community and is really grabbing everyone's attention with her sweet/honey-dew like vocals. Carmen's heavenly vocals really lifts the song from its steady pace and adds an extra "Oomph" to it, almost like adding seasoning and sauce to rice, giving a great flavor to it. Ian captivates the audience with her visuals; the way Ian says "Sparkle Sparkle" will make you adore her. The leader Jiwoo definitely has stage presence, which is felt throughout their performances. Although she is not a visual, Ye-on, the maknae, shows a style that may get everyone's attention; some may say that she doesn't fit the concept of the group. I beg to differ because she certainly fills in the gaps with her visuals. If every group member looked similar, then the audience will certainly get bored really quick; however, Yeon is sort of like the "lifesaver" for their visuals. For the rest of the members, I hope the next comebacks can highlight or spotlight their talents; the remaining members didn't stand out as much as the members who I mentioned previously on this blog.
The music video is unfortunately bland because of the scenery. There's nothing interesting about taking a bus to an empty area or to the middle of nowhere. You can clearly see a vapid emptiness within the music video. If you have watched Meovv's debut, then you may feel similar vibes of emptiness or a depraved area. A reason for having empty scenery or backgrounds is to force the audience to pay attention to the member's visuals. It somewhat works to a certain degree. Anyway, the main reason that persuaded me to continue watching the music video was that tiny horse or pony(at first, I thought it was a llama) at the beginning. For the whole video, I was wondering if that tiny horse was going to make a reappearance, but it didn't. I applaud SM Entertainment by tricking me with that tiny pony. Good job! Anyway, I could have lowered the score of the music video if it wasn't for that damned tiny pony.
As for the choreography, I pretty much enjoyed it. The beginning of the choreography(after 10 seconds into it) looked a little rough because they were raising their arms to the air in an unsynchronized fashion, which was aesthetically displeasing; however, it grows on you after a couple of watches. It could be executed a bit better. The highlight of the choreography was when they put their arms back while pivoting/shaking one leg on one spot; if I were to personally name the move, I'd call it the "pivoting leg shake", "leg jiggle", or "cigarette stepper". If you still don't know what move that I'm describing, then picture some person on the sidewalk smoking a cigarette, throwing the lit cigarette on the ground, and stepping on the smoldering end of a cigarette to extinguish it. The smoker stepping on the cigarette describes what I think when I see Hearts2Hearts perform that specific move. That's why I called it the "Cigarette Stepper". It's such a fun move, and it looks cool on stage. Overall, I love all the arm movements within the choreography because each arm move was precise with a lot of fluidity to it; the best way to describe their arm movement is like that of growing vines, splitting into the air then unraveling downwards. Of course, if vines could move that quickly in real-time, then that's how it would look like.
Let's be honest folks, K-pop idol groups that come out of the big four companies always succeed no matter what. SM Entertainment has that much power in the industry; even if a group under them flops, it is really not a big deal for SM Entertainment. "Hearts2Hearts" could flop big time, but since they are in one of the "Big Four" entertainment companies in South Korea, they have a golden parachute or a golden safety net that will mitigate their flop. That's the greatest advantage of groups being under a major label; groups that are under the "Big Four" have wiggle room or space for failure. Even if they flop, then they can simply dust off, get up, and try again. As for nugu groups and nugu companies, they usually only have one shot at it; a failure usually means disbandment for a nugu group or bankruptcy for a nugu company. You may say that this is unfair. Yes, it surely is unfair, but that's how the industry works. Some groups have room for failure while most groups don't have the luxury for a single failure.
Anyway, SM Entertainment's "Hearts2Hearts" are here to stay and will be here for a long time, so let's all welcome these lovely gals into the industry with open arms. With our hearts to their hearts, we can feel each other's pain and happiness, so we can better understand each other. Isn't understanding the true form of love?
Update(April 30, 2025): From the rumor mill, I've heard that Hearts2Hearts are planning a comeback in June 2025. Ultimately, that will mean that they will receive another "Over-Kill" point. Comebacks in the same year as their debut shows endurance. Endurance is important when it comes to K-idol groups. Basically, Hearts2Hearts will double their score.
Comeback
WOW! WHAT A BOP! I LOVE THEIR "STYLE"! Overall, the entire comeback was fun! This was the most synchronized choreography of the season!
Hearts2Hearts is starting to look like WJSN(Cosmic Girls) because of their aesthetics within their fashion and music video of "Style". Hearts2Hearts do have the "WJSN" face card or "Starship Face"! If anyone misses WJSN, then Hearts2Hearts is a stronger alternative; possibly, even a permanent replacement of WJSN.
Comeback(2)
I'm not totally certain anyone remembers House(집) - House Rulez(하우스룰즈). Hearts2Hearts totally nailed the house genre with "Focus". "Focus" seems to have revived many fan's interest in house music genre in the modern day, which may spark interest in old Korean House tracks, such as "House Rulez". Each track that Hearts2Hearts have released so far have been certified bops!
To be completely honest, I speculated that their choreography would incorporate house steps; however, we ended up with hand dancing, which had some elements of a dance called "wacking". Within my gossip circles, someone had mentioned that Hearts2Hearts also incorporated certain "Vogueing" moves, which I somewhat agree with; however, "Vogueing" has a ton of fashionable poses, freezes, or splits. Overall, there was more "wacking" than "Vogueing" in Hearts2Hearts' choreography. Although I would have appreciated Hearts2Hearts to have honored house steps, I kindly accept the hand dancing or elements of "wacking". There are sections within their choreography that had a bit of Tango, where each member would grab each other's hand while doing strict turning steps. You'll notice a lot of other dance steps incorporated in their choreography. Hearts2Hearts are amazing in the choreography department!
As for their visuals, I am loving their formal school uniforms. It could be a "hit or miss" with fans, who are expecting a more fancy and colorful fashion styling. In fact, the music is of the genre House, so you'd expect more dance-friendly apparel than formal clothing used in board meetings. The formal school uniforms work with their concept because school requires their students to "focus" on their exams. Lastly, we all know each member of Hearts2Hearts has the WJSN face card or "Starship Face". There's no denying that they can simply win over the audience by simply smiling, smirking, winking, or doing some outrageous facial expressions.
Heart2Hearts' discography is no joke. Their track "Pretty Please" is definitely nostalgia bait, especially the sound of it. You'll notice the introductory portion of "Pretty Please" is reminiscent or identical to the introduction of Girls' Generation(SNSD) - Gee, an iconic introduction may I add. Also, throughout the track, you'll be wondering why it sounds familiar. It is because it has that new jack swing sound, offering the same delivery and cadence as S.E.S. - I'm Your Girl. Their synth-disco(nu disco) track "Apple Pie" has the same double hand-clap found in Will Smith - Men in Black or Patrice Rushen - Forget Me Nots; often, the double hand-clap is found in many 1970s disco. If you like city pop, then you'll love their track "Flutter". Lastly, their track "Blue Moon" is more vocally focused, almost like a Ballad; the R&B style is precious with many intriguing melodies from a guitar and warm synth sounds(most likely from electronic piano). Overall, their album is enjoyable, a must-hear.
Everyone, including fans, are begging Hearts2Hearts to do a pure/unfiltered live vocal performance; however, they seem to not have a response to those that desire this to happen. Since their debut, they haven't really done a single one, except for individual performances; these short performances were considered more as snippets, samples, or teasers of their true vocal prowess. SM Entertainment always does this with their singers and groups. They either procrastinate on showing off their singer's vocal talent until years have passed, which really hurts their group's visibility and reputation. We all know that SM artists are great at singing. As proof, check out Wendy(Red Velvet), BaekHyun(EXO), and many other SM artists. There are a ton of SM artists that never really get their "shine" or "spotlight" within the live vocal department because SM Entertainment has some kind of agenda or ulterior motive with their artists that doesn't involve their actual talent; rather, they like using their artists more as advertisement tools or promotional material to fulfill their quota. After a decade, SM artists don't really show their true potential until their contract expires or is terminated; strange that SM artists only start getting recognition right after they leave the company. Unfortunately, this might happen to Hearts2Hearts. We can see that each member of Hearts2Hearts is incredibly talented; however, SM Entertainment has full command and reign over what each artist can or can't do. Anyway, we are only witnessing the tip of the iceberg when it comes to Hearts2Hearts' true potential.
Hearts2Hearts won "Best New Artists" in 2025 MAMA AWARDS. In my opinion, this is well deserved; however, they also called Cortis as "Best New Artists", which is a highly suspicious and a completely bad call. Cortis is not even close to the same league as Hearts2Hearts at all.
Update(12/1/2025): There's a rumor that they are releasing a digital single in the beginning of 2026.
Within social media platforms and telegram, netizens have said that this dance team was formed 13-15 years ago. Each member has a huge laundry list of experience in the field of dancing such as being back-up dancers, dance instructors/teachers, modeling, and the list goes on. LADYBOUNCE got fifth place in a dance crew reality show called "Street Woman Fighter 2", which is, notably, their greatest achievement as a group. This group pretty much has done it all in terms of dancing.
Although their debut is mostly incomplete, you'll love all their dance performances. This group has years of dancing footage on the internet to enjoy!
Update(10/17/2025): LadyBounce made a remix of Tigoo Tigoo, which features Ted Park, Kohway, Mckdaddy. I provided the link in the link section.
Score Calculation:
Total Accumulated Score: 9.5/19
9.5 Divided By 19 = 0.5
0.5 Multiplied By 100 = 50
Final Score: 50%
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QUICK BIOGRAPHY
Group Name: HITGS(힛지스)
Label: H Music Entertainment
Members: VV, Seojin, Seohee, Hyerin, Iyoo
Debut Album: Things We Love : H
Debut Date: April 28, 2025
Comeback: Gross(Digital Single)
Comeback Date: June 2, 2025
Comeback(2): Charizzma(Digital Single)
Comeback(2) Date: July 7, 2025
Comeback(3): Things We Love : I
Comeback(3) Date: October 6, 2025
Link:SBS INKIGAYO Showcase[Full Cam]
Link:Dance Practice Stage Presence Score: .65/1
Facial Expression Score: .65/1
Objective Movement Score: 1/1
Choreography Aesthetics Score: .9/1
Live Choreography Score: 1/1
Live Visual Score: .65/1
Link:On The Spot Performance Art/Cosmetic/Make-up Score: 1/1
Fashion Score: .65/1
Visual Concept Score: .65/1
Link:[It's Live]Live Music Show[Live Vocals and Live Band]
Live Vocals Score: .7/1
Live Band Score: 1/1
Watch out Illit! You have some competition! HITGS! All that I have to say is that HITGS is one of the prettiest rookie groups debuting in 2025. Although this group still needs to work on tweaking their performance, I still consider them a top tier group. You may be asking what this group needs to work on. Ain't it obvious? Their stage presence, facial expressions, live vocals, and modeling are definitely lacking; however, this can be eventually fixed over time through practice and repetition. Gradually, after they've developed, sharpened, and honed their skills, HITGS can be a noticeable force in K-pop. Overall, I guarantee that these girls can produce amazing bops! It is only a matter of time.
Update(May 28, 2025): HITGS had a successful debut, so they are doing a comeback called "Gross" on June 2, 2025, a little bit over a month after their debut. This shows that they have a supportive fan base! HITGS score can substantially increase after their comeback period!
Rumor/Gossip/Hearsay: From the rumor mill, there was gossip of H Music Entertainment's CEO physically assaulting Jo from DXMON with a metal pipe; his injuries were so severe that he was admitted to the hospital. After this conflict, Jo was forced to terminate his contract with H Music Entertainment. All these rumors sound too ridiculous and somewhat unrealistic; however, there was a filed police report on a "CEO" beating up members of a k-idol boy group with a metal pipe. This rumor has spread around the beginning of this year and was verified to be true; the CEO had to pay a fine for violating child welfare laws and was sent to jail. Although the CEO was sent to jail, there were also rumors of the members of DXMON being "groomed" by staff members of H Music Entertainment. Before DXMON's debut, H Music Entertainment was called "SSQ Entertainment"; SSQ Entertainment had a spotless history and clean record until all the atrocities happened, which is the reason the company had to change its name to avoid public scrutiny. As a warning or reminder to individuals that want to "STAN" HITGS, it is best to pay attention to details and closely observe events and rumors coming out of H Music Entertainment; this is to ensure HITGS is not being mistreated under H Music Entertainment. Hopefully, HITGS isn't in any harm by being under this company. So far, HITGS has good momentum from their debut. We don't want HITGS to experience the same mistreatment as DXMON, so it is best to keep notes on each member's well-being.
Comeback
HITGS comeback was super cute! The instrumental sounded like music an ice cream truck would play around playgrounds, public events, and outside secondary schools; however, the background instrumental sounds like the sound system of an ice cream truck that is on its last legs and requires maintenance or a fix. It sort of sounds like one of those ancient broken music boxes, where the pins and cylinders are beyond repair; what I'm speaking about are these old music boxes that require a person to manually wind up the lever to play the music. As well as sounding like music an ice cream truck would play and a broken music box, it does have video game sound effects, somewhat. At the very end of the song, the melody changes to something nostalgic, but I have no clue who they've sampled it from. I'm fairly certain it was a sample because of the familiar sound. I can't quite pinpoint the exact sample.
The choreography for "GROSS" looks fun and fast. HITGS did every move accurate and precise. They were amazing!
Overall, I was impressed with HITGS comeback for their improvement in their performance. It is like they keep adapting and improving their content through trial and error; they are far from perfect though. It is outstanding to see this rookie group progress together! Time will tell whether they will produce a viral hit just like ILLIT. Everyone can sense that these girls are capable of creating a viral bop someday. As a reminder, HITGS is doing another comeback with "Charizzma" in early July; I can't wait for this release!
Edit(7/9/2025): I figured out who HITGS sampled from! The melody at the end was sampled from a very old song called Weezer - Say It Ain't So. It was a tiny sample from the song, but the melody is clearly from WEEZER.
Edit(8/6/2025): To clarify a little bit further, sampling a melody of a song is called "interpolation". HITGS clearly sampled the melody of Weezer's "Say It Ain't So". I've noticed that certain netizens have said that HITGS didn't copy anyone; I didn't say that they copied. I said that "HITGS" sampled the melody.
Comeback(2)
HITGS's CHARIZZMA is a cute summer bop! After listening to HITGS for quite some time, I started to feel like I was transported to a simpler time in the past, where I was just having fun in some random playground. In other words, once you listen to all of HITGS's tracks within their discography, you will feel like you are back in secondary school or, at least, participating in after school extracurricular activities. If you like nostalgic music that brings you back to your childhood, then you'll definitely enjoy the tracks of HITGS! As for the younger generation, they may not have this "nostalgic experience" that I speak about. Rather, they'll listen to a HITGS track and simply enjoy it without any deep thoughts. Within "HITGS" lyrics, you'll find nuggets of truthful messages sprinkled in, which may be of your liking.
Comeback(3)
HITGS's comeback "Happy" was a cute bop to wrap the year to a close! We all know HITGS can make bops; however, I'm concerned about the quality of each comeback. I've noticed that each comeback have been losing quality within their production and performances. I hope these girls can rest for a while because I can tell that their movement has been getting sluggish, worn-out, rusty, or a little worse each time that they perform. There's a saying that a dull blade needs to be honed to be effective. If a blade is sharpened too much, then there is a chance that the blade will break. HITGS is just like a strong blade, doing a lot of effective and outstanding work; however, with too many dents, scratches, and rust, the blade may break. Eventually, a lit candle held to the wind will soon extinguish. It is best for HITGS to take a breather before someone gets hurt.
Group Name: i-dle(아이들)
Label: Cube Entertainment
Members: Miyeon, Minnie, Soyeon, Yuqi, Shuhua
Debut Date(As (G)I-DLE): May 2, 2018
Album: We Are
Rebranded Debut Date(as "i-dle"): May 19, 2025
Seventh Anniversay Special Mini-Album(Re-made "I-dle Version"): We Are i-dle
Japanese EP(Japanese Debut as "i-dle"): i-dle
Japanese Debut Date: October 3, 2025
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Links and Ratings
Music Video: i-dle - Good Thing Cinematography Score: 1/1
Narrative/Story Score: 1/1
Acting/Modeling Score: 1/1
I'm guessing that you are scratching your head in confusion right about now. You may be saying to yourself that (G)I-DLE aren't rookies. Yes, you are 100% correct! So, why am I reviewing a non-rookie group in a rookie blog? A simple answer is that (G)I-DLE rebranded their name to "i-dle". It may not seem much for removing "(G)" from "(G)I-DLE"; however, searching for the group online within different websites and repositories have a completely different result now. As well as different search results for this group, they have garnered a lot of praise, yet there is a sector of their fandom, who have negative opinions about this rebranded debut. Overall, the group's algorithm has changed for the better or worse. I consider rebranded groups as a brand-new debut because rebranded groups are no longer associated or recognized as their previous name; international fans may be flustered or befuddled by the name change, which is understandable since fans are accustomed to the original brand name. A rebranded group name can also spell disaster to loyal fans because it may not resonate with them at all; through the process of rebranding, the group may lose fans and also gain new ones, depending on whether the direction of the group suits their fan's desires. A loss of fans and revenue is part of the consequences of rebranding; however, since i-dle is popular and famous, it may not affect them as much as "nugu" groups, who have rebranded. Usually, rebranding is like rolling a die and the consequences varies from different circumstances. It is strange to me that a successful group such as (G)I-DLE would rebrand since they are popular amongst the K-pop community and the name is pretty much cemented or seen as a permanent "household" brand into the history of K-pop. With that being said, we need to figure out the reasoning behind an iconic group's sudden name change. Although most rebranding is due to the change of concept, direction, aesthetics, et cetera, in this particular situation, this group did not necessarily have to go through this transformative process. They've already attained success and popularity; with a name change, it is mainly an odd decision to make because their careers are far from being failures; the company Cube Entertainment isn't in any "hot water" as well. The true reason for their rebranding is of speculative and conspiratorial nature; they've announced the reasons publicly; however, I don't wholeheartedly believe in what they've presented.
There are only speculations and rumors of the true reasoning behind their rebranding; the best place to start looking is into (G)I-DLE's past history and within a special trailer: i-dle - for (G). Foremost, we need to talk about their former sixth member Soojin. On March 4, 2021, Soojin was forced to go on a hiatus due to bullying allegations; within the same year, Soojin left (G)I-DLE. On March 5, 2022, Soojin's exclusive contract with Cube Entertainment was terminated. Around the fall of 2022, there was no evidence of Soojin ever bullying anyone. Personally, I believe that Soojin is the key reason behind the rebranding of (G)I-DLE. The fan base of (G)I-DLE were clamoring on and on about Soojin returning to the group since she was proven to be innocent; however, there was no real response from (G)I-DLE themselves. There was more evasion than direct conversation about Soojin returning to (G)I-DLE. The trailer "For (G)" is the actual real response to the fans of Soojin; through this particular trailer, they have removed the "(G)" in their name; the implied or esoteric meaning of this was to start a new journey without Soojin. The "For (G)" trailer was simply a farewell to Soojin. The trailer was also an answer to (G)I-DLE's fandom, who were begging (G)I-DLE to bring Soojin back to the group. It is pretty clear now that they don't want Soojin back. The delusional fans or "delulus" must be flaring at the nostrils right now as we speak; these "die-hard" Soojin fans must have stormed out of the fandom without hesitation. The true fans of (G)I-DLE stayed and cherished the transformation to "i-dle"; however, I know that certain parts of their fandom must be infuriated with the name change and opted out of their fandom. The whole point of this rebranding is to change their path without Soojin because the (G)I-DLE brand died with Soojin. The trailer "For (G)" was a funeral procession and a celebration to a new future of i-dle. Like any funerals, it is sorrowful; however, eventually, people need to move on to a different path and live their lives without their deceased loved one. Throughout this rebranding, I felt sympathetic towards Soojin because the "For (G)" trailer was somewhat a final nail in the coffin, a closure for her and fans. I personally believe Soojin must have certainly cried for weeks watching this trailer because this was the final separation between her and i-dle; I'd be devastated watching my own funeral for all to see. I hope Soojin is in a good state of mind and has recovered from this "divorce".
Anyway, let's talk about their rebranded debut. It's a catchy song as always and knowing this group's track record, they will definitely slay the charts and many more. A group dedicated to their craft will always succeed. I-dle has shown time and time again that they are the victors in the K-pop arena. Even with a rebranded name, they can adapt and bring forth a great discography; their album is called "We Are" and brings in a fabulous pop rock vibe, which is fun and daring.
Additionally, i-dle did create a second mini-album to celebrate their seventh anniversary called "We Are i-dle", which recreated their classic hits as (G)I-DLE. These classic hits are re-recordings without the vocals of Soojin. This anniversary mini-album somewhat adds salt to the wounds of Soojin if you think deeply about it. I sometimes wonder if there are other reasons of not accepting Soojin back in the group besides the "bullying allegations" that no one has heard of yet. Unfortunately, we'll never really know the true reason except for the fabricated/manufactured reasons of Soojin's departure. K-pop conspiracy theorists have also thought that their "For (G)" trailer was predictive programming; in other words, they thought Soojin was going to have a "staged" death or a fake incident that causes her to vanish from the K-pop industry. As of right now, the conspiracy theories are wrong because Soojin is alive and well; apparently, she is vlogging her vacations to foreign countries. Here's Soojin's channel: SOOJIN's Channel. Hopefully, the conspiracy theories of predictive programming is false. Please keep a close eye on Soojin!
Anyway, (G)I-DLE, like always, will capture everyone's attention. Another fact to remember is that each member of i-dle are millionaires, so they are leaps and bounds ahead of other k-idols in terms of economic success. Cube Entertainment has always pumped out negative publicity or questionable promotional content, which often grabs or captures the K-pop community by droves. It is well known that drama and conflict attracts K-pop fans. In this case, it is controversial for I-DLE to abandon their sister Soojin, who has shown that she was innocent. To offer some sort of advice to distressed Soojin fans, it is best to just support Soojin's new path without I-dle; bluntly, I believe Soojin will not be joining i-dle anytime soon or ever. If this drama is not a big deal to you, and you simply couldn't care less about Soojin's existence, then you might as well support I-dle in their new endeavors.
Japanese Debut
i-dle released their Japanese debut album "i-dle". This album includes the Japanese version of their hit tracks "Fate" and "Queencard". i-dle's track "Invincible" is the opening theme for an anime called "Beyblade X". Overall, i-dle has always been creating fantastic work. I'm happy for their Japanese fan base!
Update(12/1/2025): A rumor has it that "i-dle" is going to have a 2026 comeback with a world tour.
Score Calculation:
Debut Score: 19.8
Comeback Score: NA
Search Accumulation Score: 64M+36M+36M+22M+17M= 175M = 17.5/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
19.8 + NA + 17.5 = 37.3
Total Accumulated Score: 37.3/19
37.3 Divided By 19 = 1.963157895
1.963157895 Multiplied By 100 = 196.315789474
Final Score: 196.3%
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QUICK BIOGRAPHY
Group Name: KickFlip(킥플립)
Label: JYP Entertainment, Republic Records
Members: Amaru, Donghwa, Donghyeon, Juwang, Keiju, Kyehoon, Minje
Album: Flip It, Kick It!
Debut Date: January 20, 2025
Comeback Album: Kick Out, Flip Now!
Comeback Date: May 26, 2025
Comeback(2) Mini-Album: My First Flip
Comeback(2) Date: September 22, 2025
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Links and Ratings
Music Video: KickFlip - Mama Said Cinematography Score: 1/1
Narrative/Story Score: 1/1
Acting/Modeling Score: 1/1
Link:Audio Link:Instrumental Link:Lyrics Studio Recorded Vocals Score: 1/1
Instrumental Score: .7/1
Lyrics Score: .7/1
Link:MNET MCountDown Showcase Link:Dance Practice Stage Presence Score: 1/1
Facial Expression Score: 1/1
Objective Movement Score: 1/1
Choreography Aesthetics Score: .7/1
Live Choreography Score: 1/1
Live Visual Score: .6/1
In 2021, JYP Entertainment aired a show called "Loud". In this show, they've selected 5 trainees to participate in a new group called JYP LOUD. With malice in their heart, JYP Entertainment shelved this group for more than 3 years! Yes, you heard that right! JYP LOUD spent 3 years in JYP Entertainment's dungeon, never to see the light of day until 2025. In 2025, JYP dusted their skeleton key and decided to unlock the dungeon doors, releasing JYP Loud from solitary confinement. JYP Loud was rebranded to KickFlip, so that netizens can forget that JYP neglected them in the catacombs. Anyway, the group is now free to show what they've developed while rotting in JYP's abysmal chambers. From the depths of JYP's dungeon, they've added 3 more prisoners...uh hem... I meant...3 more members to the group. Now, KickFlip is ready to kick and flip your heart. In a good way, of course!
From my perspective, KickFlip is definitely a performance focused group, and it shows a lot. Each member is capable in tackling complex moves, singing consistently, and most importantly, winning the hearts of their audience.
It is obvious that this group's target demographics are of the younger generation; however, the group has a family-friendly vibe around them, which is a huge plus. The general audience will enjoy this group because of how they are perceived. KickFlip is relatable to the average K-pop listener, the average teenager. As for complexity, they lack that. Could this be on purpose to appease the masses? Quite possibly. There's nothing wrong with just catering to the mass audience. It gets the clicks/views and no one is upset for over-the-top/extreme content.
KickFlip is visually disappointing since the group is disproportional in size, aesthetics, and demeanor. Imagine opening a bag of nuts. The bag contains pistachios, almonds, walnuts, Brazil nuts, peanuts, macadamia nuts, etc. Each nut is of different sizes with each nut having their own unique flavor. This is how I feel about KickFlip. KickFlip is visually uncohesive; they are unmatching in symmetry that it may hurt the eyes. This is no way of trying to be disparaging of them, but to point out that concepts may be ruined or broken if there is no similar focus in visualization. The visuals are imbalanced, creating a sort of "eye-sore" for the viewer. There are many who share the same perspective as I do. It seems wreckless or random to have chosen members who aren't in the same visual spectrum. Honestly, I don't mind having this group around since new concepts or music genres can spring from an obtuse-looking group. I think this random selection of members look good on paper, but it is, overall, visually impairing.
My overall vibe of this group is that they aren't trying to rustle any feathers, nor are they trying to take sides. KickFlip has reached a middle ground, where they aren't in some position of antagonizing anyone. Like I said before, KickFlip is "family-friendly" which is something missing in K-pop; KickFlip fills that niche.
Since Kick Flip is part of the "Big Four" entertainment companies in South Korea, they will make appearances in many showcases, exclusive interviews, variety shows, and the list goes on. When a group is under a major label, the K-pop industry usually rolls out the red carpet for them to walk on. The best phrase to call this is "Big Four Privilege", where they are able to promote, appear, advertise, and et cetera on major platforms. While "nugu" groups under lesser known entertainment companies have to fight, tooth and nail, to be locally or globally recognized, KickFlip has a major advantage in being recognized without doing any heavy lifting. Rather, they are on easy mode, doing the absolute minimal to reach a broader audience simply because they have the "JYP Entertainment" sticker, which is a guaranteed stamp of approval within the music industry.
Comeback Blog
KickFlip just did their comeback with their new album "Kick Out, Flip Now!"; "Freeze" is serving as their title track for their album. The instrumental for "Freeze" is a dance pop with mostly synth guitar(it sounds more like electronic guitar); there are parts of the instrumental that borrows elements from "happy hardcore", which is a genre that is mainly composed of upbeat dance/techno. Surprisingly, the lyrics of "Freeze" borrow a certain phrase from Pink Floyd - Another Brick In The Wall. Particularly, "We don't need no education" is a famous line from Pink Floyd. Real music historians know about Pink Floyd. Anyway, I did enjoy "Freeze". You'll feel fairly hyper from listening to it because of its upbeat tempo. KickFlip's discography is a must-listen as well. I have no real complaints because it was a solid and fun release.
Comeback(2) Blog
KickFlip's second comeback album "My First Flip" is an okay listen. While their previous album "Kick Out, Flip Now!" had a more synth-pop vibe, "My First Flip" is more into the punk rock/pop vibe. Personally, I enjoyed their previous album a lot more; I'm obviously biased and not feeling the punk rock pop vibe, but I bet a lot of people will enjoy it. Honestly, there was nothing that kept me ecstatically glued to their new album; rather, I felt a bit disappointed and felt like going back and listening to their previous comeback album. Like I said before, their previous album/comeback felt more impactful or stood out a lot more than their second comeback; it is like they wasted all their creative juice/energy on their previous album and slacked on this one. Overall, it is an average second comeback. By the way, I religiously listened to both albums on repeat, and I'm often favoring "Flip Out, Flip Now!" than "My First Flip". On my spare time, I share what I listen to with close people and strangers; the response I get is that they favor the previous album.
I've felt neutral about 3WAY ever since their first appearance. In the beginning, in 3WAY's pre-debut era, I've noticed that 3Way was copying elements from already established boy groups and former boy groups: The Boyz and X1. The copied elements felt like a poor imitation of The Boyz and X1; 3WAY felt way too robotic in their choreography, each member moving like conveyor belt robots. It is as though they were simply programmed with certain algorithms and executing the programmed input. In other pre-debuts, I really enjoyed their cute concepts, a refreshing and change of direction from their former content. Overall, for their entire pre-debut era, they've kept me in a state of neutrality; there wasn't anything that made me extremely enjoy or dislike anything.
Now that their debut is here, I still feel the same way about 3WAY, a neutral feeling; however, it was slightly entertaining. The music video offers a bit of entertainment as the members are pretending to be characters from the movie: The Matrix. This whole acting part of their music video was unexpected, and it felt interesting; I would have kept watching if they kept doing acting roles. Anyway, all I wanted to say is that I enjoyed 3WAY as actors, but not as k-idols. To be perfectly honest, I feel that 3WAY would excel in the field of film, where each member is taking up an acting role.
Anyway, I did enjoy their studio-recorded debut. I'd say that it is okay to add this to your favorite EDM music playlist. Other than that, I'd have to contemplate whether to support a group that has kept me in a state of neutrality.
As for their choreography, it felt plain; the choreography is too minimalistic, almost like they've paid a random dancer at a club 50 cents to choreograph the whole routine. In short, nothing has happened that will keep you interested and staying for more. The target audience for their choreography must be the elderly because anyone younger could notice the lack of enthusiasm displayed in the choreography. As much as I like simple choreography, 3WAY's presentation wasn't put together with a climax in mind; all the movements done by each member felt stale and unremarkable. Like I said previously, the minimalistic choreography is a turn-off; you'll get more entertainment value from orchids being blown by the wind than 3WAY's choreography.
3WAY's visuals aren't great. The fashion and cosmetics of each member felt off. Each member looked uncomfortable with their fashion. It is almost like dressing an aggressive Pitbull with a hanbok; sooner or later, the Pitbull will be bothered by the hanbok and rip it to shreds. 3WAY's visuals had no symbiosis at all. The cosmetics didn't go well with the members at all. You can put lipstick on a dolphin, but it ends up looking ridiculous. There are times that cosmetics are necessary, but just not here in 3WAY's debut showcases.
If 3WAY plan to continue on their k-idol adventures, then they need to go back to their cute and mellow concepts. Although I've enjoyed their EDM debut, I felt that it didn't suit them as well as their cute/mellow concepts. Anyway, they are 3WAY; eventually, they'll find a way or 3 ways to go about their future content. "If there is a will, then there's a way". In this particular case, there are "3Ways".
Updated(May 27, 2025): Japanese version of their album "Highway" was released.
Updated(June 20-29): WHIT3, 3WAY's subunit, is promoting in Japan.
Updated(September 21, 2025): 3WAY rebranded to W3WAY
"3WAY", rebranded to "W3WAY", remade Pixy's two tracks: "Flip a Coin" and "Falling". Was this re-make necessary? Not really. By the way, I've been a fan of "Pixy" since their debut, so I know a lot of Pixy's old discography, performances, and variety appearances in different shows/vlogs. I must say that 3WAY's re-make didn't even exceed or match Pixy's original tracks at all. Isn't that the purpose of re-creating K-pop masterpieces? Usually, a re-make is to create a remix or "re-imagining" of the previous artist's work. Unless their intention was to pay tribute and respect to disbanded group Pixy, other reasons to resurrect these two classic tracks would be pointless. The unlikely reason for 3WAY to re-make old tracks is to attract old fans of Pixy; again, this would be pointless because the fans of Pixy have moved on and are pretty much angry about Pixy's disbandment. Most likely, I'd wager that old fans of Pixy would have boycotted this comeback; W3WAY is teasing and pestering an angry Pixy fan base with their old classic tracks. This smells like a disaster waiting to happen. If you have been a fan of Pixy, then you'll find 3WAY's re-makes to be a bit insulting or downright degrading. Pixy sang their track "Flip a Coin" like an actual psychopath or a puppet-master, which added a layer of immersion; it felt like you were listening to someone who was actually toying with you. While Pixy did a magnificent job on their track, 3WAY sang "Flip A Coin" with no menacing vocals; it didn't give off any psychopathic vibes like how the previous artists sang the song.
U_Chae, former Pixy's Dajeong, did a surprise collaboration with 3WAY's "Flip a Coin" on "Show Champion". It is fantastic to see U_Chae return, but I didn't prefer her to be performing with a group that horribly re-created her former group's tracks. Not only that, but 3WAY's company "NineTwo Entertainment" insulted Pixy's original fan base by promoting 3WAY's remake on Pixy's social media account. I have no clue how 3WAY's company had access to ALLART ENTERTAINMENT's social media, but I've heard that the project was somewhat linked to ALLART ENTERTAINMENT because ALLART ENTERTAINMENT's trainees were 3WAY. It really felt out of place to announce a group's comeback on another group's social media, especially a disbanded group. In my opinion, this whole situation will make you "side-eye" NineTwo Entertainment for this whole stunt, especially towards an already angry Pixy fan base.
Overall, I have the same neutral feeling about 3WAY since their Pre-Debut; however, this time, I, as well as Pixy's original fandom, felt a bit insulted from the company's promotional tactic. I'm happy to see U_Chae's brief return; hopefully, Pixy can return again; however, that is a bit of wishful thinking on my part. They could be gone for good. Anyway, 3WAY has found 3 ways of annoying their audience by insulting Pixy's fan base, degrading Pixy's tracks, and showing a mediocre performance.
Score Calculation:
Debut Score: 11.95
Comeback Score: 7.7
Search Accumulation Score: .11M+.08M+.02M+.06M+.02M=0.29M= .029/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
11.95 + 7.7 + .029 = 19.679
Total Accumulated Score: 19.679/19
19.679 Divided By 19 = 1.035736842
1.035736842 Multiplied By 100 = 103.573684211
Final Score: 103.5%
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Group Name: DNA(디엔에이)
Label: Na Entertainment
Members: Seunggi, Raphael, Alice, Nicole, Maryam
Digital Single: Change The World
Debut Date: September 3, 2025
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Links and Ratings
Music Video: DNA - Change The World Cinematography Score: .3/1
Narrative/Story Score: .3/1
Acting/Modeling Score: .4/1
Link:Showcase Stage Presence Score: .75/1
Facial Expression Score: .3/1
Objective Movement Score: .8/1
Choreography Aesthetics Score: .8/1
Live Choreography Score: .8/1
Live Visual Score: .7/1
Art/Cosmetic/Make-up Score: .7/1
Fashion Score: 1/1
Visual Concept Score: .75/1
Link:Arirang K-Pop Live Session Live Vocals Score: .1/1
Live Band Score: 0/1
Discography/Pre-Debut/Pre-releases/Album
Music Video Link:Track 1: Change The World Discography Score: .2/?
Production/Theme/Concept Score: .3/1
Personal/Subjective Score: .65/1
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My Blog
We are not talking about deoxyribonucleic acid here; we're talking about the collaboration of two groups, DUSTIN and NWH:I, to form "DNA". "Change The World" is their debut digital single, which is a retro dance song with Hip Hop chants/rap.
Overall, I felt that the song's chorus is catchy with the "Ch Ch Ch Ch Ch Ch Ch Ch Change"; however, that's about it really. Everything else is mediocre. What I found atrocious was their facial expressions in their music video, which were super cringe. You'll find the cringe facial expressions when they are behind a metal wire mesh. All these shots of them making faces behind that metal wire mesh were unnecessary, which made each member look awkward. Anyway, that's all I'm going to say really. DNA's entire debut was below average. They've changed the world all right by making the world cringe. I'm fairly certain that their cringe facial expressions will haunt me and the K-pop audience for quite some time. After watching their debut, you may need to consult with a scientist to regenerate your damaged DNA.
Score Calculation:
Debut Score: 11.15
Search Accumulation Score: .04M+.009M+.001M+.02M+NA=0.07M= .007/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
11.15 + .007 = 11.157
Total Accumulated Score: 11.157/19
11.157 Divided By 19 = 0.587210526
0.587210526 Multiplied By 100 = 58.721052632
Final Score: 58.7%
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Group Name: iii(아이아이아이)
Label: Big Ocean ENM
Members: Taeri, Hana, Eungi, Soobin, Huran, Namkhing
Album: Re:al iii
Debut Date: August 29, 2025
Before I begin, K-pop fans have not realized that the vocal melody is borrowed; in other words, it is an interpolation. The original melody is from Grieg - In The Hall of the Mountain King.
Overall, iii's entire debut was slightly above average. The instrumental composition is fairly basic and commonly used in many older K-pop songs; however, the interpolation, which was the creation of Grieg, creates an addictive chorus. Although the "La La La La" or "make a change" lyrics creates an empty chorus, the repetitiveness gave the audience a delightful tune for the ears, which could get stuck in your head for a week. The studio-recorded vocal tones, iii's strength, stand out a lot and is enjoyable to listen to; I found myself singing along.
Anyway, I forgot to include the history of "iii". Before their faces were going to be revealed to their fans, the entire 2023 pre-debut line-up departed between 2024 and 2025. As much as I liked the original members, I think it wasn't working out, or it was simply a temporary project for them. The rumor or conspiracy that everyone talked about was that the original "Pre-Debut" team's faces were disguised with artificial intelligence; you can make a judgment yourself whether the original "pre-debut" team's faces were hidden by watching their original music video, which I have provided above. With an investigative eye, you can spot certain awkward facial movement from the "pre-debut" team. Again, it is important for you to use your discernment; if you haven't noticed yet, many South Korean entertainment companies use artificial intelligence on their K-pop idols to hide face blemishes, wrinkles, pimples, dark eye circles, eye bags, facial saliva, left-over crumbs on their face, awkward facial expressions, facial imperfections, et cetera. I'm not going to directly point my finger out to which company does this, but it may shock you where artificial intelligence is used. As I said before in my blogs in 2024, it will be extremely difficult to tell the difference between real people and fake people, which are created by artificial intelligence. In about 10 years, you'll be completely bamboozled or fooled with the new A.I. trickery that is being developed. You may think that this is shady activity done by Big Ocean ENM, but I think the A.I. disguise was to simply protect the "pre-debut" girls since they were mainly temporary; I bet it was a conspiracy to show how far they can trick their audience with artificial intelligence. Again, I'd like to appreciate iii's slightly above average debut; it wasn't the best, but the title track was a bop! Some argue that the original was better, which is a fair assessment; however, the original members were only part of a temporary project, which is a bit conspiratorial if you ask me. I bet that they weren't going to reveal them at all because they never existed in the first place. That's one of conspiracies that a netizen came up with years ago; sometimes, I wonder if many groups are completely A.I. generated or using A.I. masking to hide their current identities. If you think deeply about it, then you'll start to get paranoid because it may even be true.
Score Calculation:
Debut Score: 13.5
Search Accumulation Score: .7M+.08M+.06M+.02M+.02M= 0.88M = .088/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
13.5 + .088 = 13.588
Total Accumulated Score: 13.588/19
13.588 Divided By 19 = 0.715157895
0.715157895 Multiplied By 100 = 71.515789474
Final Score: 71.5%
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Group Name: Cortis(코르티스) short for "Color Outside The Lines"
Label: BigHit Music
Members: James, Juhoon, Martin, Seonghyeon, Keonho
Album(EP): Color Outside the Lines
Debut Date: August 18, 2025
Before I begin my blog, I'd like to say that groups under the "Big Four" umbrella will always be successful and popular domestically and internationally. Currently, my opinion or perspective of Cortis is not the shared opinion of the vast majority of K-pop fans; rather, my opinion of them is of that of a tiny minority, who have analyzed their entire debut without jumping on the bandwagon(herd mentality). With that being said, if you are a huge Hybe/BigHit fanboy or fangirl, then this blog will probably make you feel like someone lit you on fire or violated you in the worst possible way. If you are not emotionally invested in Hybe/BigHit, then please continue and bring some soda and popcorn.
The debut appearance of Cortis sparked the initial steps or movement towards the destruction of traditional K-POP with an experimental K-pop sound. Although traditional K-pop will still remain, upcoming rookie groups might jump on this experimental K-pop movement to stay relevant. The typical sound of K-pop might become "dated" once the newer generation is introduced to this type of experimental K-pop throughout the years; newer groups will most likely sway or deviate from normality, a total shift or opposite move from the regular sound of K-pop to different musical compositions and genres. For all the older K-POP fans, you will either hate it or love it because we will start hearing all sorts of different music from now on within the K-pop industry whether you like it or not. While every K-pop rookie group is moving in the same trajectory, Cortis decided to change their conceptual direction and flip the table in terms of how a K-pop song should sound like. From a regular listener to K-pop, I can tell that this was a defiant act or "face slap" at traditional K-pop music composition; as well as this defiant activity, Cortis has, arguably, initiated an unexpected jab or indirect attack on the K-pop industry and community as a whole. Did BigHit take a risk by trying out a new sound? Will this be the start of new sounding K-pop, a break-away from the usual K-POP mold or a "cracking" of the shell that K-pop once was? Obviously, Cortis is trying to change the K-pop landscape, but is the K-pop crowd willing to accept these drastic changes? Public perception depends on the general sentiments of the audience. Is the K-pop community willing to part ways from traditional K-pop and dwell into unfamiliar territory? It all depends on the impact or results of what Cortis has put forth from now and into the future. I know! I know! Furthermore, I have a ton of questions for the future of Cortis because we truly don't know what will manifest during their activity within the K-pop scene; we have no clue of their trajectory, nor of their pre-determined destination after debuting. Everything is merely speculation and the only real thing that we can actually describe is what they've provided during their debut period. Cortis reminds me of a subculture called "hipster", which happened, not too long ago, within the 21st-century; hipsters claimed that they were authentic and unique; however, what ended up happening was these so-called "hipsters" ended up conforming and following the rules of the collective zeitgeist. In other words, they were imposters pretending to be someone that they were not. Cortis has given me that "hipster" feeling throughout their entire debut. Cortis is trying hard to be different, but ends up being the same.
Cortis requires a somewhat open mind to accept because the sound could be repulsive, depending on if you are expecting the usual K-pop sound. Unlike many groups, Cortis sticks out of the crowd like a sore thumb. The issue of Cortis is that they aren't conforming to K-pop standards. Cortis is here to ruffle the feathers of tradition, but is the sound really revolutionary? Short answer: no. Westerners usually have music on their playlist that sounds exactly like the discography of Cortis. Cortis is bringing a western discography to a South Korean audience. With that being said, Cortis is not revolutionizing anything; purposefully, BigHit are trying to hi-jack the South Korean musical movement and to implant it with an Anglo-Saxon or western sound, which is an interruption or disruption within the K-pop ecosystem. It's basically like putting a grizzly bear near a den full of coyotes; each coyote is looking at the grizzly bear with curiosity, but the coyotes are noticing the hostile nature of the grizzly bear. This is how I see Cortis within the K-pop industry; Cortis is trying to change the rules within an industry that is already religiously hard-pressed in its rigidity and common practices. In other words, Cortis gives off a hostile aura within the K-POP sphere.
Am I the only one that did not enjoy their lyrics? The lyrics sound like Marvel Comic's "Incredible Hulk" wrote it. With the lyrics "Crush, Smash, Rock, Mash up", anyone would correlate this to the angry fictional super-hero, "The Incredible Hulk". Definitely, it sounds like the "Incredible Hulk" mouthing these lyrics to his enemies. The track "What You Want" is an alternative "Boom Bap Rock" with a bit of Hip Hop styling, which sounds like the vocals were recorded within a toilet stall at a public restroom, a steel barrel, or a washing machine. I have this strange feeling that they are experimenting on the K-pop fan base/audience because this type of music is out of the ordinary within South Korea; I bet BigHit is trying to rattle a negative reaction from their audience. Their entire discography sounds like repackaged western music with a grand spanking new coat of paint. It sounds new to the K-pop audience; however, within western standards, the track's cadence and delivery is commonly used in older western music. Within the discography of Cortis, each track share similarities to works of Post Malone, ASAP Rocky, Travis Scott, and many more western artists.
You might scratch your noggin with their choreography. The members are doing their dance moves on treadmills; not only that, but they are smashing the daylights out of it like no tomorrow. I don't consider smashing your feet to the ground aesthetically pleasing choreography; it just looks like a bunch of grumpy and angry kids destroying exercise equipment. The ground stomping is a sight that we often see in western rock concerts; this is a huge indication that they had no innovative or creative ideas on what to demonstrate as their choreography. Instead of actually thinking of and planning a choreography, they are quite literally just wrecking treadmills with no remorse. Can someone call the repair man or repair woman? When Cortis is in town, hide your exercise equipment. I've witnessed more choreography from senior citizens walking on a treadmill at a gymnasium. No one seems to notice how lazy this whole performance set-up was. I pray to the high heavens that this isn't the future of K-pop, where choreography is simply not meticulously planned or properly brainstormed. I don't think this was dancing at all; rather, it felt like a bunch of kids in a mosh pit. I can already hear "rockers", "head-bangers", "metal-heads", or fans of rock music saying "far out dude" or "radical bruh" while watching Cortis. As a long time K-pop fan, I'm simply shaking my head in grief.
Throughout the years of analyzing rookie K-pop groups, I found Cortis to have one of the worst visuals within the K-pop industry. It almost feels like their fashion is vintage, yet has a "thrift shop" look. Hey, I'm not against anyone who wears clothes from thrift shops or welfare bargain shops; however, we are talking about BigHit here. BigHit is one of the Big Four K-pop labels/companies of South Korea, yet they fashion their newly debuting rookies with clothes that you'd find in a bargain bin at a garage sale or homeless shelter. Hopefully, Cortis isn't stealing a Hobo's clothing because that's barbarous and inhumane. Don't they know that Hobos need their clothing for the winter? Is anyone even paying attention to any of their fashion? I'm fairly certain I'm not delusional when I'm describing this group's styling. Everything that I'm describing is very straight forward, yet if you go on social media, then you will notice a majority of social media users are praising and admiring their visuals. By the way, I didn't even talk about the group's disproportional size within the visualization spectrum; Cortis is simply not adhering to the visual spectrum at all; there is no visual cohesion, each member doesn't supplement or complement one another. I wonder if this rebellious-like fashion was on purpose. I'm starting to think that BigHit is trying a tactic called "repulse to attract." In other words, BigHit are doing all the opposite styling choices done in K-POP to create the opposite effect. This tactical method is a strange one because it is merely just a theory or hypothesis; basically, the method is to attract a certain demographic by doing the exact opposite. For example, when you scold a young child to not eat the chocolate ice cream bars left in the freezer, the opposite happens; the young child ends up going against the authority or parental figure and ends up eating the chocolate ice cream bars. This tactic can work; however, it is not full-proof or yields the expected results. BigHit are intentionally trying to attract the female demographic by showing them the opposite of what they desire, a gritty, messy, and unpolished k-idol group. I sometimes wonder if I'm in some fever dream, where the majority of K-pop fans have rejected their fashion sense altogether. The visuals of this group are certainly uncohesive, nothing matches nor blends harmoniously together at all. Am I in the "twilight zone"? Has everyone thrown their fashion sense in the nearest dumpster or disposal bin? Oscar the Grouch has taken over the K-pop industry's visual department.
Social media users are claiming Cortis has strong vocals, yet all I hear is yelling and chanting. I haven't heard vocal prowess at all, just yelling like when a martial artist relentlessly yells while kicking and punching a boxing bag or like a military drill sergeant shouting insults while drilling their cadets. We've heard these types of chants from another group called "Xikers"; however, Cortis doesn't make these chants mesmerizing or spell-binding. As I contemplate Cortis's debut, I wonder why they didn't just consider in debuting as a "K-band" or "Rock Band" because bands often yell and shout a lot of nonsense into microphones. The hilarious part about all of this is many K-pop fans consider yelling and shouting as a form of "vocal prowess". Sometimes, I wonder what these K-pop fans are smoking. With all of this said, I can't imagine future K-pop artists dwelling into "Screamo" or other experimental rock sub-genres, which have the singer scream the lyrics. If this yelling/shouting type of music frequently starts happening in the K-pop industry, then I'd have to sign off or opt out of this. Music should be enjoyable, not annoying, where someone is yelling into your ear. Western music, especially "rock 'n' roll", is starting to influence and infect the South Korean entertainment industry. Hopefully, this is only a temporary phase, where Cortis is the first and last group to debut with this type of music; if many groups start following this fad or trend, then I'll simply ignore it to protect my sanity. Again, Cortis may be in the wrong sector of the music industry; there's plenty of room for Cortis to simply step into the K-Band scene, where it is somewhat separate from K-pop.
Cortis are more like rhymers/yappers than rappers. Social media users loved Cortis's rapping and are craving more. On the other hand, here I am responding with a "what the f*ck?". The auto-tune used in Cortis's tracks must be scrambling these social media user's brain-cells; it is like these social media users are rubbing their last two brain cells too rapidly that both brain cells evaporated out of their skulls. Social media users must be caught within the whirlwind of hype and pride of their label that they've left all logic and reasoning on stand-by. Irritably, I discovered that a vast majority of so called dedicated "K-POP fans" have tunnel vision or "blinders"(a narrow perspective); basically, they don't see the whole picture. In this case, they are stuck repetitively reciting the same collective affirmations about Cortis without an honest analysis. Strange enough, these fans are fanatically praising mediocre rhymes. Unfortunately, many so called "K-pop fans" have fallen for the rhetoric that's been broadcasted by popular social media influencers. It is what it is. The fans "can't see the forest for the trees." In other words, the fans are distracted by the details without looking at the whole, the grand scheme. It is obvious that this group needs to intensively work on their rapping before it becomes embarrassing!
The only immensely positive aspect of this group that I can muster are the production, theme, and concept. This aspect of them is top-tier. From all the rookie group music videos, I can confidently say that Cortis has the best series of music videos. The development of the music videos are masterpieces, which offer visually stunning cinematography, over-the-top acting, and easily the most entertaining stories within this season.
BTS and TXT have huge fandoms, which will eventually spill over or drip-feed to their rookie group label-mates, Cortis; since Cortis is now part of the "BigHit family", they are fully supported by their predecessor's fandoms, which is measured by the millions. While the global fandom size of TXT's "MOA" is estimated to be in the millions, the global fandom size of BTS's "Army" is estimated to be around 150 million. These numbers are not a joke because BigHit has a huge global reach and influence unlike the other companies within the "Big Four". I wouldn't be surprised if BTS, TXT, and Cortis have the same individuals within their fan base; basically, Cortis has a unified and growing fan base of all three groups combined. It wouldn't shock me at all if there is a plan to create a "super group", which is formed from this boy group trifecta: BTS, TXT, and Cortis. Overall, Cortis has an extreme fan base advantage at debut by being part of the "Big Four" labels of South Korea. Undoubtedly, with the help of their predecessors, Cortis has accumulated a giant following; as time passes, I expect the fandom to increase exponentially. We are talking about BigHit here, so Cortis is here for the long haul.
Anyway, just to close this blog off, I'd like to briefly discuss the accomplishments of the members. The members of Cortis were known for their involvement in the creation of many famous choreographies, songwriting, and other activities of other k-idols and groups, such as ILLIT, ENHYPEN, TXT, et cetera. Although this is true about their track record, this doesn't ultimately mean that they are instantly a top-tier group. It is not the end of the world for Cortis because k-idols tend to improve over a period of training; since they are in the "Big Four", we will see a lot of amazing tracks from this group. I'm convinced that eventually this group will be much bigger in the future. I'd like to tell you that if you like coloring outside the lines within a coloring book, then you'll have a pleasant and fun time experiencing what Cortis has presented. If you are the type of fan that enjoys the traditional K-pop sound, then beware; You are a CIRTIS, "Color INSIDE the lines".
Update(11/24/2025): The fandom name for Cortis is "COER", which is pronounced as "CORE".
Update(11/30/2025): The 2025 MAMA AWARDS declared Cortis as "Best New Artist" along with Hearts2Hearts. Throughout the entire year of 2025, I've gathered all data/evidence from all existing Korean rookie groups so far. This result of Cortis winning and becoming the "Best New Artist" is beyond suspicious since my data says otherwise; this is simply not possible unless MAMA was rigged. Please go through all my blogs throughout 2025, and you'll find out that this result is impossible. They could win in popularity, but not as "Best New Artist". I'm calling Bull-Sh*t on this one. It is completely understandable that Hearts2Hearts win "Best New Artist" because the data/evidence verifies their progress/track record; however, Cortis winning is highly suspicious. AHOF, CloseYourEyes, KickFlip, and AllDayProject have higher scores than Cortis. Any one of these other groups should have taken that spot. Another sign that it is rigged is that they put izna as a candidate for "Best New Artists" when their debut was in 2024, not in 2025. Again, I'm calling 2025 MAMA AWARDS rigged; the result is Bull-Sh*t! Like I said throughout my blog, popularity seems to win over actual talent/progress within these award shows. I have receipts! Everyone should be raising one of their eyebrows and rolling their eyes on the final judgment. I'm not going to take any future MAMA AWARDS seriously at all. All I'm going to be doing is just stare blankly at the final results and say "whatever".
Score Calculation:
Debut Score: 17.1
Search Accumulation Score: 21.6M+14.7M+11.1M+10.8M+8M= 66.2M = 6.62/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
17.1 + 6.62 = 23.72
Total Accumulated Score: 23.72/19
23.72 Divided By 19 = 1.248421053
1.248421053 Multiplied By 100 = 124.842105263
Final Score: 124.8%
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Group Name: NR(Noise x R.ef(노이즈 x 알이에프))
Label: N.R Techno Project
Distributer: Kakao Entertainment
Members: Han Sang-il(Noise), Hong Jong-gu(Noise), Lee Sung-wook(RF), Sung Dae-hyun(RF)
Album(Double Title Track): Acceptance "Cheonyeom"(체념) and What’s Wrong? "Wae Geurae"(왜 그래)
Debut Date: August 18, 2025
NR are two 1990s groups combined: Noise and R.ef; this combination of two 1990s groups are considered as a "Super Group". "Acceptance" and "What's Wrong?" are their released double title tracks for August 2025.
Mainly, their releases are for their old fans around the ages of 40 through 50 to enjoy nostalgic music from the 90s. I think I've heard certain K-netizens call it "K-Nostaligic Pop" or "K-NOS POP". For the next generation, it may spark curiosity amongst younger audiences of what music sounded like in the 90s; however, I think it may not grab their attention to listen to a bunch of Korean Grandpa(K-halabeoji(K-할아버지)) music.
Score Calculation:
Debut Score: 10.55
Search Accumulation Score: .55M+.31M+.31M+.19M+.12M=1.48M=.148/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
10.55 + .148 = 10.698
Total Accumulated Score: 10.698/19
10.698 Divided By 19 = 0.563052632
0.563052632 Multiplied By 100 = 56.305263158
Final Score: 56.3%
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Group Name: TDYA(투데이야)
Label: Studio USOG
Members: FRIENDSHIPING, Amy, Mirani, HyunJin
Album(Digital Single): Keep The Light
Debut Date: August 14, 2025
Disbanded: Right after debut!
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Links and Ratings
Music Video: TDYA - Keep The Light Cinematography Score: 1/1
Narrative/Story Score: .675/1
Acting/Modeling Score: 1/1
Link:Audio Studio Recorded Vocals Score: 1/1
Instrumental Score: .9/1
Lyrics Score: .9/1
Link:Showcase(Different Angle) Link:"Another Day of Debut Training EP.7"(This is not the full choreography) Stage Presence Score: .675/1
Facial Expression Score: .675/1
Objective Movement Score: .7/1
Choreography Aesthetics Score: .7/1
Live Choreography Score: .7/1
Live Visual Score: .7/1
Art/Cosmetic/Make-up Score: .725/1
Fashion Score: .675/1
Visual Concept Score: .7/1
Live Vocals Score: 0/1
Live Band Score: 0/1
Discography/Pre-Debut/Pre-releases/Album
Music Video Link:Track 1: Keep The Light Discography Score: .2/?
Production/Theme/Concept Score: .65/1
Personal/Subjective Score: .7/1
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In collaboration with South Korea's Ministry of Patriots and Veterans Affairs, Studio USOG created a variety show called "Another Day of Debut Training" to form this 4 member girl group. Basically, the sole purpose of Studio USOG's project group "TDYA" is to perform at a musical festival in celebration for South Korea's 80th Liberation Day. You'll notice HyunJin from the original LOONA in the line-up, Mirani, a rapper who is known as a contestant in a show called "Show Me The Money", 1MILLION Dance Studio's choreographer Amy Park, and Friendshiping, who is known for her digital single: 부장님이 개같이 굴었어.
I'm not entirely certain if this group is only created for this particular event or if there are future projects planned for TDYA. I wouldn't hold my breath waiting for new content from TDYA; this could be just a temporary project for the holidays. Although I don't review temporary project groups, I'm not entirely certain if this is the only activity for the group. Usually, a contract with a company may extend throughout a whole season or a year; however, I may be too overly optimistic; it could very well be just for the festival. Chuseok(추석) is around the corner, so we might see this group return for that as well. Who really knows? I'm simply putting a spotlight on this group as a potential group because, sometimes, temporary groups go viral and/or successful, and they end up extending their contract for a long period of time beyond their intended duration. As I said before, I'm not expecting much from project groups.
Update(12/1/2025): TDYA disbanded right after their debut. I forgot to add this here since I was busy. TDYA was simply a project group with an expiration date.
Score Calculation:
Debut Score: 13.275
Search Accumulation Score: .27M+.29M+.26M+.24M+.12M= 1.18M = .118/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
13.275 + .118 = 13.393
Total Accumulated Score: 13.393/19
13.393 Divided By 19 = 0.704894737
0.704894737 Multiplied By 100 = 70.489473684
Final Score: 70.4%
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Group Name: AtHeart(앳하트)
Label: Titan Content and Imperial Music(US)
Members: Michi, Arin, Katelyn, Bome, Seohyeon, Nahyun, Aurora(Inactive)
OT6 Debut Album(EP): Plot Twist
Debut Date: August 13, 2025
"AtHeart" is definitely a contender for 2025 K-pop Rookie Group of the Year! Their entire debut period was near perfect, surpassing my expectations, as well as many K-pop fans. The best way that I could describe "AtHeart" is a wild card for 2025; currently, all I'm thinking about is their future content. There's a unique aspect, which I can't quite figure out, about "AtHeart" that's sparking my enthusiasm for the future of K-pop. Since their inception from their pre-debut "Good Girl", I initially knew that there was something special or enticing about this group. Basically, what I'm trying to say is that they're uniqueness stands out from an ocean of "cookie cutter" groups, who are simply duplicates or replicas of their predecessors. "AtHeart" is adding a new flavor to the table that wasn't there before, almost changing the way we look at K-pop.
Let's talk about their choreography. All I'm going to say is that their choreography is a masterpiece! I've never seen a string of creative moves combined in one whole choreography for such a long time. One unique move that was bizarre, yet interesting is two members twisting or contorting together in a stylish form, which creates an optical illusion. If you don't know what I'm talking about, it is when two of the girls look like they are "head-locking" or doing some kind of wrestling move involving grabbing each other's heads, except there was no intent of hurting each other. If this move is done improperly, then you'll see cover dancers admitted to the hospital with twisted necks. I can see beginner dancers really damaging themselves doing this move; it's quite dangerous for novices, who haven't developed any sort of flexibility or coordination. With that being said, there are other combinations of moves that I can discuss, but it is better for you to see yourself. AtHeart's choreography is on another level because of how much creativity and polish was put into it.
Unfortunately, all they need is a comeback to wrap up the year and tie the knot in terms of a guaranteed spot for 2025 K-pop Rookie Group of the Year; however, I doubt that they will rush one out by the end of the year. A comeback at the end of the year will pretty much solidify their group as a driving force in K-pop. Anyway, my prediction of this group is that they'll keep achieving milestone after milestone, depending on if they keep their momentum. I envision that this group can reach the popularity of "Red Velvet", "IVE", or "NMIXX"; they may even go higher in level as they progress, but all this is just speculation. Although I think highly of this group, my main concern is if they will squander their momentum; currently, AtHeart has the momentum to even reach higher milestones. Apologetically, I may be hyping this rookie group to extraordinary standards; however, whenever I see a potential top tier group, I sometimes get ahead of myself and create unrealistic expectations of rookie groups. At heart, I'm a huge fan of promising groups.
By the way, I forgot to add that this was AtHeart's OT6 debut, a 6 member debut. Their next comeback will most likely be an OT7 debut, a 7 member debut. Their 7th member Aurora fell ill before AtHeart's debut, so she was excluded from participating. Imagine one of their lead vocalists returning to the group. It will be a strong OT7 debut! I can't wait! I hope that she has recovered, so that we can see AtHeart's OT7 era.
Update(10/10/2025): AtHeart released an English version with lyrics of Plot Twist. I provided the link within the links section.
Update(11/1/2025): AtHeart released English remixes of Plot Twist. I provided the links within the links section.
Score Calculation:
Debut Score: 19.75
Search Accumulation Score: 15.9M+10.4M+3.9M+2.2M+2M= 34.4M= 3.44/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
19.75 + 3.44 = 23.19
Total Accumulated Score: 23.19/19
23.19 Divided By 19 = 1.220526316
1.220526316 Multiplied By 100 = 122.052631579
Final Score: 122%
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Group Name: DIVA-X(디바엑스)
Label: Danah Entertainment
Members: Daisy, Chae Chae, Hayan, Usin, Yuri, Soeun, and DJ Nana(Guest Member)
Album: I Make My Choice(DIGITAL SINGLE)
Debut Date: June 20, 2025
Comeback Digital Single: Diva
Comeback Date: August 11, 2025
The "I Make My Choice" music video is giving me Chocolat vibes, especially the water or rain scene that happens at the end of the video. If you don't know what I am talking about, then check this video as a refresher: Chocolat - Black Tinkerbell. Diva-X's visuals reminds me of other groups such as 2013's Switch Berry and 2024's WiTCHX.
Diva-X seems to be a decade too late in the type of music that they are releasing. Usually, K-pop fans would have loved this song in the past(10 years ago); however, the current trends and the new generation are into cute, dance party, teen crush, or girl crush concepts.
Each member of Diva-X are beautiful and sexy! Unfortunately, at these times, people are looking for cute aesthetics, such as Hearts2Hearts, when it comes to k-idol girl groups. Although Diva-X did a good job on their debut, they are simply competing in the wrong era or time, where the K-pop audience has chosen a different vibe.
Personally, I truly hate it when groups like Diva-X are under-promoted. Danah Entertainment needs to do more than just creating a YouTube channel; there are so many social media websites that can give this group the attention that they deserve. It is such a shame that nugu entertainment companies do the bare minimum to help their artists. Instead of providing easy access to their debut, "nugu" companies just whisper in empty alleyways about upcoming debuts, almost like building and posting billboards in the middle of Antarctica and hoping someone will notice. Honestly, I don't understand companies investing in a new group without any proper promotions. It is quite disheartening when a talented group such as Diva-X doesn't get any viewership at all.
Please support this group because they need all the support that they can get!
Comeback
For their comeback, Diva-X re-made After School - Diva, a track made in 2009. DJ Nana did a great job creating a more refined production of the old track; as an addition to the track, there is a dance break, which was not in the original After School track. The lyrics are mostly the same as the original; there could be slight changes like Diva-X announcing their brand name within the lyrics of the track; as well as slight changes in lyrics, there are ad-libs that may be placed differently from the original track. Overall, the track serves of some kind of remembrance of "After School", which is appreciative.
A resurrection of a 2009 classic K-pop track could re-ignite many old-timer's desire for music again and offer a nostalgic experience to those who were hardcore fans of After School. During evaluating Diva-X's comeback, I had a question nagging at the back of mind: Was a re-make of a classic K-pop track necessary? I think they are trying to lure back old fans from the grave or the ones that left ages ago; also, the track can showcase to the new generation of how a 15+ year old track still holds weight and relevancy in modern times. Particularly, there is a tiny demographic that only like the music from that time, who don't listen to new music. In my opinion, it is somewhat necessary to bring back old K-pop to serve as an important reference to what K-pop was to what K-pop has changed to now. In other words, it is like a historical marker of how it was in that generation.
Although Diva-X is still in "nugu" territory when it comes to popularity, they have surprised me with their re-make; it is not ground-breaking, nor is it revolutionary; however, it is always nice to remind fans of how cool old K-pop was. Right? The old songs are still captivating to this very day!
RE:WIND's Forever belongs in your playlist. You may dislike the track because of the obvious autotune. Overall, it is a good listen; however, I wouldn't take this group seriously.
It has been a month already and RE:WIND didn't do a single showcase in front of a live audience. If they actually did a showcase, then I would increase their score. I'm not entirely certain why a rookie group would neglect the most important part of a debut, a live showcase. Showcases are really important in gaining public exposure; the result of public exposure is usually an increase of subscribers to their fan base. A group that doesn't show any sort of sign of their existence might stay in "nugu" territory, which should be avoided at all cost. Although they lacked a showcase, they did release a dance practice and a performance video, so all isn't lost. From my observations, the choreography was decent; there are certain parts of their dancing that looked sloppy, and the choreography looked incomplete; in certain parts of the choreography, the members are doing minimal movements, almost like they are waiting at a train station with nothing to do, but just stare; with their bulging eyes, the members glare right into the camera like they were trying to burn or melt the lens with their laser-focused vision, which was mostly awkward from an audience's perspective.
With that being said, I hope I'm wrong about this group staying in "nugu" territory. I asked K-netizens about this group, and they had no idea this group ever existed. If we were to have the ability to fast-forward or rewind the fabric of reality, then I would fast-forward, so that I wouldn't watch this debut again. It wasn't a bad debut, but mostly a waste of time on my part because I could be listening to other groups that take their debut seriously.
Comeback
Re:Wind's comeback album "Re:Minisce" will leave you in a state of claustrophobia, a fear or anxiety of confined spaces. Their music video and lyrical videos are edited with too many "shake", blur, grayscale filters/effects, which leaves the viewer feeling like they were tied up and sent to a gulag. It feels like the editor decided to use all the effects possible with "Microsoft Windows Live Movie Maker" and upload the video without any thought on whether it will be agitative.
Although Re:Wind's new discography is playlist worthy, I found that the lack of Korean lyrics to be concerning. I've noticed that new Korean rookie groups often release tracks with either full English lyrics or partial Korean lyrics. "Re:Wind" released their track "Little Too Late" with 80%-90% of the lyrics in English, only leaving a tiny chunk of it in Korean lyrics. "Heart, Break, Repeat" and "We Got Time" both have fully-fledged English lyrics. I think the K-pop industry is either being subverted to English standards or leaning towards in catering to their English fan base. This is truly concerning because the "K" in "K-pop" is being neglected or out-right ignored. So, is the future of K-pop going towards this identity crisis of omitting Korean lyrics altogether? In my opinion, this is a horrifying push towards a "one world" type of music, where all pop music is just in English; all other languages will just be swept under the rug.
Anyway, Re:Wind's comeback is mostly incomplete, but I didn't expect much from them in the first place since their debut wasn't all that great. RE:WIND seems to want to stay in "nugu" territory, but I think their fans are okay with this because it creates a sort of exclusive or private "club" for them to enjoy RE:WIND content without the mainstream digging their teeth into the group. From my analysis, I consider "Re:Wind" a "Playlist" group. So far, their entire career feels like it will only be "Playlist" worthy and not go beyond that threshold.
Score Calculation:
Debut Score: 11.74
Comeback Score: 6.4
Search Accumulation Score: .91M+.08M+.01M+.01M+.01M= 1.02M = .102/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
11.74 + 6.4 + .102 = 18.242
Total Accumulated Score: 18.242/19
18.242 Divided By 19 = 0.960105263
0.960105263 Multiplied By 100 = 96.010526316
Final Score: 96%
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Group Name: N.TOP(엔탑)
Label: NYH Entertainment
Members: Seunghyun, Chaemin, Minseo, Heewoo, Hyunwoong, Kanghyun
Album: We:Disconnect
Debut Date: August 6, 2025
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Links and Ratings
Music Video: N.TOP - Stay With U Cinematography Score: .4/1
Narrative/Story Score: .4/1
Acting/Modeling Score: .4/1
Link:Audio Link:Unofficial Lyrics Studio Recorded Vocals Score: .9/1
Instrumental Score: .9/1
Lyrics Score: .9/1
Link:KBS MusicBank Showcase Link:Choreography Video Stage Presence Score: .4/1
Facial Expression Score: .4/1
Objective Movement Score: 1/1
Choreography Aesthetics Score: .6/1
Live Choreography Score: .8/1
Live Visual Score: .6/1
Art/Cosmetic/Make-up Score: .3/1
Fashion Score: .3/1
Visual Concept Score: .3/1
Live Vocals Score: 0/1
Live Band Score: 0/1
N.TOP's debut was underwhelming! All the promotions for this group looked promising, but everything went through the spout and right into the gutter. Are they "N.Top" or "N.Bottom"? That's all that I'm going to say...
Score Calculation:
Debut Score: 6
Search Accumulation Score: .1M+.008M+.006M+.004M+.004M= 0.122M = .0122/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
6 + .0122 = 6.0122
Total Accumulated Score: 6.0122/19
6.0122 Divided By 19 = 0.316431579
0.316431579 Multiplied By 100 = 31.643157895
Final Score: 31.6%
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Group Name: ManWolHwa(만월화) A.K.A Full Moon Flower
Label/Distributer: YEOUN ENTERTAINMENT/BigBand Entertainment
Members: Riae, Mingha, Haeon, Siru(New Member), Hine(New Member), and Moki(New Member).
Album: To The Moon
Debut Date: February 23, 2025
Comeback Album: From The Moon
Comeback Date: August 3, 2025
ManWolHwa is a jihad-dol(underground idol) group, each member participated in Girls Frontier. ManWolHwa consists of members from temporary groups, which was formed from Girls Frontier; the 3 members are Haeon(Former Creamline), Mingha(Former True Blue and CreamLine), and Riae(Former True Blue).
The song is pleasant to the ear, but nothing too spectacular. You'll find that their debut track is quite the catchy tune; however, the vocals aren't versatile and lacks complexity. If you're looking for a simple song to simply uplift your emotions and groove to, then you'll enjoy their debut track.
Honestly, their choreography is well done by each member, but the movement is too simple. You can teach it to a chimpanzee, and it will do each move with pinpoint accuracy and precision. It's really that simple.
ManWolHwa's visuals are actually mediocre. Many may even say it is subpar within k-pop standards, but that's what we get from jihad-dols. The jihad-dol scene isn't the most stylish, polished, or high budget, but their fashion can pass somewhat. If you've been to many fashion shows like me(I've been to literally a thousand or more), then you might have noticed what I have noticed: cheap costumes made from restaurant table cloth. Personally, I've seen MalWolHwa's fashion in many public establishments. The material used for their outfits is commonly used as table coverings within certain commercial buffets, coffee shops, and taquerías. Without dubious questions or a shadow of doubt, fashionistas will totally agree with my observations and judgment.
As I said in previous blogs, jihad-dols(underground idols) are difficult to find on the internet and on showcases in real life. You'll be lucky to come across any underground K-pop since jihad-dols are swept under the rug. Not only are they swept under rug, but they are also hidden within an ocean of music. If you actually find a jihad-dol group, then please support them because they are very rare. Please support ManWolHwa as best as you can. Even in the full moon(in the darkest time), we can bloom together like a flower.
Comeback
ManWolHwa went "to the moon", then came back "from the moon" with a new-found track called "fragments". To be honest, "Magic Girl☆Earth Landing" sounds similar to "fragments"; however, the instrumental was replaced with a J-Rock inspired sound. The J-Rock instrumental was a bit imbalanced; it sounds like the hi-hat or two cymbals are concentrated on one side of the music. You can hear this throughout the whole entire track. It doesn't sound good at all. Overall, the track is too similar to their debut track; it is like receiving the same gift over and over, but within different wrapping paper.
As I listened to their studio recorded vocals and showcase vocals, I have noticed improvement from their debut. Comparing their previous debut track and their comeback track, I have noticed a slight improvement to ManWolHwa's vocals, which is excellent. It's obvious that they've been practicing at karaoke bars! Anyway, I'm glad these jihadols didn't call it quits. A slight improvement in vocals is still progressing. Anyway, I wish the best for ManWolHwa. It must be a struggle to promote in the underground k-idol scene in South Korea, but they are strong and fighting through. May these girls bloom ever so brightly under the moonlight!
By the way, I forgot to add that ManWolHwa has 3 new members: Siru, Hine, and Moki.
Group Name: REKIREM(레키렘)
Label: Independent
Members: Pichu, Kyo(Contract Terminated), Aejeong, Myai, Mika
Album: Access Completed(Digital Single)
Live Performance Debut Date: March 8, 2025
Music Debut Date: March 24, 2025
Comeback Album: IDOLiGHT & Smash up High!
Comeback Date: May 24, 2025
Comeback(2) Album: Blue Night
Comeback(2) Date: August 2, 2025
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Links and Ratings
Music Video Link(Released May 16, 2025):Rekirem - Access Completed Cinematography Score: 1/1
Narrative/Story Score: 1/1
Acting/Modeling Score: 1/1
Link:Rekirem - Access Completed Studio Recorded Vocals Score: .7/1
Instrumental Score: .5/1
Lyrics Score: .5/1
Link:Debut Showcase Stage Presence Score: .4/1
Facial Expression Score: .4/1
Objective Movement Score: .3/1
Choreography Aesthetics Score: .3/1
Live Choreography Score: .4/1
Live Visual Score: .4/1
Art/Cosmetic/Make-up Score: .4/1
Fashion Score: .4/1
Visual Concept Score: .4/1
Live Vocals Score: 0/1
Live Band Score: 0/1
Discography/Pre-Debut/Pre-releases/Album
Music Video Link:Track 1: Rekirem - Access Completed Discography Score: .2/?
Production/Theme/Concept Score: .5/1
Personal/Subjective Score: .5/1
Comeback
Cinematography Score: 0/1
Narrative/Story Score: 0/1
Acting/Modeling Score: 0/1
Link:Track 1: IDOLiGHT Link:Track 2: Smash up High! Link:IDOLiGHT Instrumental Link:Smash Up High!! Instrumental Studio Recorded Vocals Score: .6/1
Instrumental Score: .6/1
Lyrics Score: .6/1
Link:Live Showcase Stage Presence Score: .45/1
Facial Expression Score: .45/1
Objective Movement Score: .45/1
Choreography Aesthetics Score: .45/1
Live Choreography Score: .45/1
Live Visual Score: .45/1
Link:Smash Up High! Performance Art/Cosmetic/Make-up Score: .5/1
Fashion Score: .5/1
Visual Concept Score: .5/1
Link:Live Showcase Live Vocals Score: .2/1
Live Band Score: 0/1
Discography/Pre-Debut/Pre-releases/Album
Link:Track 1: IDOLiGHT Link:Track 2: Smash up High! Discography Score: .2/?
Production/Theme/Concept Score: 0/1
Personal/Subjective Score: .55/1
Link:"Unlock" Showcase(FANCAM)[Full Performance] Stage Presence Score: .46/1
Facial Expression Score: .46/1
Objective Movement Score: .46/1
Choreography Aesthetics Score: .46/1
Live Choreography Score: .46/1
Live Visual Score: .51/1
Art/Cosmetic/Make-up Score: .51/1
Fashion Score: .51/1
Visual Concept Score: .51/1
Live Vocals Score: .25/1
Live Band Score: 0/1
Discography/Pre-Debut/Pre-releases/Album
Link:Track 1: Blue Night Discography Score: .1/?
Production/Theme/Concept Score: 0/1
Personal/Subjective Score: .6/1
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My Blog
Rekirem is an underground k-idol or jihad-dol group. The 4 members were former Girls Frontier contestants; within the survival show, they were formerly in a temporary group called "DayDream".
Unfortunately, the group performed below standards and their entire debut felt incomplete. Although I rated this group very low, I would like everyone to please support the underground idol/jihad-dol scene since no one barely knows of their existence.
Rekirem feels like an actual requiem. The word "requiem" does mean a hymn, composition, or service for the dead. Rekirem has created a requiem for their own selves!
Comeback
Rekirem is actually the most improved underground k-idol or jihad-dol group ever! Although Kyo's contract was terminated, a new member, Mika, joined their group. Rekirem has to be the most hard-working unknown group in South Korea. I wonder what keeps this group going and what keeps them fighting through these harsh conditions within the entertainment industry. The best way that I could describe this group is that of an anomaly because they seem to keep going even if their popularity hasn't even reached a local level; in other words, not even South Koreans know about this group's existence. Yet, they push through like a bird in a snow storm, trying its best to reach a safe-haven. I'm in love with their persistence!
[Rumor] Rekirem is doing a second comeback album: Blue Night.
Comeback(2)
Rekirem doesn't call it quits! I think that they are the strongest jihadol k-idol group in South Korea. Their comeback "Blue Night" is not bad at all!
Link:Lyrics Video Studio Recorded Vocals Score: 1/1
Instrumental Score: 1/1
Lyrics Score: 1/1
Link:MBC M Show Champion Showcase Stage Presence Score: 1/1
Facial Expression Score: 1/1
Objective Movement Score: NA
Choreography Aesthetics Score: NA
Live Choreography Score: NA
Live Visual Score: 1/1
Discography/Pre-Debut/Pre-releases/Album
Music Video Link:Track 1: Message Discography Score: .2/?
Production/Theme/Concept Score: .3/1
Personal/Subjective Score: 1/1
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My Blog
Sentimental Squad randomly appeared on my social media feed. This 4 member group is focused on ballads; each member has great vocal tones for K-drama OST's. I would score this group much higher if they did some sort of public showcase. As of right now, they remain mysterious.
Update(9/17/2025): Guess what? On my social media feed, they've decided to do a public appearance with live vocals on MBC's Show Champion; it was a bit late on arrival, but at least they did one. Their live vocal performance was masterfully done; it didn't exactly sound like the studio-recorded vocals, but the live vocals hit differently because you can tell there was more emphasis on the high notes and ad-libs.
Score Calculation:
Debut Score: 11.725
Search Accumulation Score: 2,138+1,941+841+601+197=5718 = .005M = .0005/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
11.725 + .0005 = 11.7255
Total Accumulated Score: 11.7255/16
(BALLAD SCORE DOES NOT INCLUDE CHOREOGRAPHY SCORING)
11.7255 Divided By 16 = 0.73284375
0.73284375 Multiplied By 100 = 73.284375
Final Score: 73.2%
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Group Name: Son E Ji U(손이지유)
Label: ArtsroEnt((주)아츠로이엔티)
Members: Sonnet, Lee Yejoon, Ji Se Hee, U Sung Eun
Album(DIGITAL SINGLE): Take My Hand(널 위한 노래)
Debut Date: July 15, 2025
Comeback Album(DIGITAL SINGLE): Korean Dream: Come, O Glorious Light!
Comeback Date: July 30, 2025
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Links and Ratings
Music Video: SonEJiU - Take My Hand Cinematography Score: .3/1
Narrative/Story Score: .3/1
Acting/Modeling Score: .3/1
Link:Music Bank Showcase Link:SBS Inkigayo Showcase Stage Presence Score: .75/1
Facial Expression Score: .75/1
Objective Movement Score: NA
Choreography Aesthetics Score: NA
Live Choreography Score: NA
Live Visual Score: .75/1
Stage Presence Score: .75/1
Facial Expression Score: .75/1
Objective Movement Score: NA
Choreography Aesthetics Score: NA
Live Choreography Score: NA
Live Visual Score: .75/1
South Korea finally debuts a female ballad group in summer 2025. "SonEJiU" is a 4 member group in their 30s; it is motivating and inspiring to see older singers debuting, especially since the music industry usually favors younger k-idols because they are profitable amongst the new generation of South Koreans, as well as international fans. Unfortunately, Ageism still affects k-idol groups and singers alike. If you have been following the K-pop music industry as long as I have, then you must have noticed the shelf-life of k-idol groups. K-netizens usually deem musicians and singers at 25 or above as "manlyo doen(만료 된)", which means "expired"; I've heard K-netizens in the crowd say "expired milk" once when I attended a festival. It is harsh to call older people these names. Anyway, "SonEJiU" released their track "Take My Hand". "SonEJiU" is an acronym for the first part of each member's name combined. It's a creative name that may be confusing because it may sound like a soloist's name, but instead, it is a group name. In the past, each member of SonEJiU were well known for their performances in "The Voice of Korea Season 1/Season2" and "Immortal Songs 2".
Overall, I think they are a contender for best ballad of 2025. So far, there are no rivals in the arena of ballads. I know there are newly developing ballad groups in South Korea, but they are too afraid to debut. "SonEJiU" confidently steps on stage and delivers a fine performance!
Comeback 2
Is this the best Korean rookie group ballad this year? Personally, I think this group is a contender; however, I doubt anyone can step up and match this. For crying out loud, "SonEJiu" had the Grand Philharmonic Orchestra playing live music while they sang live. Basically, they had a whole fleet of musicians while a choir of children(NOI CHOIR) sang the background vocals. There's a little bit of details that are left out. National Liberation Day of Korea, also known as Gwangbokjeol(광복절), is celebrated on August 15. SonEJiU performed their track "Korean Dream: Come, O Glorious Light!" for an Independence Day festival called "2025 Korean Dream Han River". Wasn't this an amazing way to promote a comeback single?
Score Calculation:
Debut Score: 11.85
Comeback Score: 11.45
Search Accumulation Score:.18M+.15M+.13M+.12M+.1M= 0.68M= .068/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
11.85 + 11.45 + .068 = 23.368
Total Accumulated Score: 23.368/16
(BALLAD SCORE DOES NOT INCLUDE CHOREOGRAPHY SCORING)
23.368 Divided By 16 = 1.4605
1.4605 Multiplied By 100 = 146.05
Final Score: 146%
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Group Name: SEVENTOEIGHT(세븐투에잇)
Label: TEN Entertainment
Members: Chiwon, M, Exxi, Kyojun, Jagger, D'om
Album: SevenToEight
Debut Date: July 28, 2025
SevenToEight was formed from SBS M's reality survival show called "SCOOL". There wasn't much hype or recognition about "SCOOL" at all because there were many participants who were unknown to K-netizens. "SevenToEight" consists of mainly unknown Taiwanese participants(one being Malaysian), each member looks like they are starting from scratch. You may say that each member is lacking experience and their debut could very well end up in a disaster; however, they've clearly shown a near top-tier debut. I've never seen a bunch of unknown idols complete a strong debut like this ever.
That being said, I do recommend this group because of how they've persistently pushed through their debut period without major mistakes. The progress of "SevenToEight" has been quite exciting because it is rare to witness unknown idols equipped with actual talent; usually, the results of reality survival shows are obviously dictated by favoritism from the crowd and judges. Although favoritism still plagues most survival reality shows, at the end of the day, each chosen member still needs to present an outstanding debut, which "SevenToEight" has successfully finished.
Let's talk about this group's weakness. I've recognized that this group has no center visual. One of the members named "Jagger" is somewhat a visual because he resembles Taemin(SHINee); however, I don't think he is a strong center. If there is a comeback, then the stylist needs to create a bold and fancy visual presentation for the group. A ton of people seems to not understand that center visuals are important in K-pop because it creates a focal point, which creates undivided attention between the audience and the group. Without a center visual, people's attention will drift away from the k-idols; instead, people will end up being distracted by other objects that may catch their interests.
Overall, like I said before, I do recommend this group. There's nothing else I can really say about this group other than their puzzling brand name. We can only guess the meaning behind the name "SevenToEight". Does it take "SevenToEight" seconds to love them? What takes 7 to 8? Numbers are used to show the value of something, the duration of it's existence, the time-lapse between point A and point B, or simply a date. There are other uses for numbers; however, the usage of numbers are mainly used to measure something or an event. It could mean that it will take 7 to 8 seconds to enjoy their double title tracks: PDSR and Drip&Drop. Who really knows what their brand name actually means? We are simply guessing.
Score Calculation:
Debut Score: 16.5
Search Accumulation Score: 9.4M+3.1M+.43M+.39M+.37M= 13.69M=1.369/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
16.5 + 1.369 = 17.869
Total Accumulated Score: 17.869/19
17.869 Divided By 19 = 0.940473684
0.940473684 Multiplied By 100 = 94.047368421
Final Score: 94%
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Group Name: 4x4(포바이포)
Label: 4X4 Creative & Silk Music
Members: Kim JiHee, Shin SooYeon, Lee MyeongGyeong, Cha SeungAh, Kim SeoWon
Album(Digital Single): Light
Debut Date: July 19, 2025
Disband Date: December 31, 2025
Link:MR Link:AR Live Vocals Score: .2/1
Live Band Score: 0/1
Discography/Pre-Debut/Pre-releases/Album
Music Video Link:Track 1: Light Discography Score: .2/?
Production/Theme/Concept Score: .65/1
Personal/Subjective Score: .65/1
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Will I be reviewing a wooden plank? Nope! An SUV or a truck? Nope! Let me introduce you to a dance team called "4X4". 4X4 is a dance team that consists of 15~ members; however, they only let 5 members debut as a group. The reasoning behind the group debuting only 5 members are unknown, but from what I have observed and speculated, I bet it has to do with financial constraints. "Nugu" companies simply can't afford to debut all 15 members; however, the thought of having a 15 member k-idol group would be pretty awesome. It is somewhat of a shame because the rest of the members are promising as well; each dancer of 4x4 is quite visually stunning as well as professional when it comes to dancing. I don't want to start a fan war or anything, but 4x4's 15 members are one of the best cover dancers in the entertainment industry; in my opinion, this team can rival tripleS. Again, I'd like to say that I'm not throwing any shade towards tripleS, but 4x4 cover dances can match tripleS when it comes to performance. You may think I'm crazy for saying this, but do your own research. 4x4 has done a ton of cover dances that were superb. Please go to any social media website and search for 4x4 dance team or even each dancer; you'll be fairly amazed by their cover dances.
Overall, the group's debut was fairly average. It wasn't the greatest or worst k-idol debuts, but there is potential for 4x4 to become mainstream if given the financial resources. Imagine if their labels could financially support all 15 members to debut. This event could turn a lot of heads and may even grab the attention of many netizens, especially since it is trendy to have an enormous line-up per k-idol group; an example of a group with a huge amount of members is a group called "tripleS", who has a 24 member line-up. Anyway, from now on, I will try my best to think of 4x4 as a k-idol group instead of a wooden plank or an SUV/Truck.
Update(December 31, 2025): 4x4 have disbanded; however, each member is still active. I was hoping 4x4 was more than just a project group; since the beginning of 4x4's inception, I wanted to be able to see the whole dance team of 15~ members debut together. This news hit me like someone hitting me with a 4x4.
Score Calculation:
Debut Score: 13.7
Search Accumulation Score: .07M+.03M+.02M+.02M+.02M= 0.16M = .016/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
13.7 + .016 = 13.716
Total Accumulated Score: 13.716/19
13.716 Divided By 19 = 0.721894737
0.721894737 Multiplied By 100 = 72.189473684
Final Score: 72.1%
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Group Name: 1VERSE(유니버스)
Label: Singing Beetle
Members: Hyuk, Seok, Nathan, Kenny, Aito
Album: The 1st Verse
Debut Date: July 18, 2025
Social media seems to be loudly raving about "1VERSE". My unpopular opinion is that they used the 2 North Korean defectors as a gimmick to promote the group. I'm not against the idea of North Korean defectors debuting in a k-idol group; however, I think this tactic is short-lived. You see, debuting North Koreans in a group can grab everyone's attention for a minimal amount of time; as time passes, no one will remember the gimmick and "1VERSE" will be seen as another k-idol group. Honestly, there's nothing wrong with this; it is only a temporary effect of advertising to grab everyone's attention. Anyway, "1VERSE" did an incomplete debut. They didn't show any live showcase, dance practices, or any other show to demonstrate their talent. There was a news media showcase for 1VERSE, but it was only a tiny snippet. In any k-idol debut, a showcase is a requirement, especially in the K-pop industry. There needs to be some sort of demonstration of their talent to confirm or validate their debut; it spells disaster when there is not a single, or recent showcase; however, there is a showcase that is about a year old before their debut. I'm certain that this group can perform outstandingly, but it needs to be shown during their debut period. From my perspective, this is a "red flag" that tells me that they didn't prepare, practice, or construct a working showcase for their audience.
Anyway, social media loves this group because of their online presence, especially their cooking shows. It's lovely to have a k-idol group share their activity with the world through their social media channels. Why couldn't "1VERSE" just stick with connecting with the world through their social media? They don't necessarily have to take the k-idol life seriously.
I gave "1VERSE" a low score because they did an English debut; however, they were able to supply their audience with a Korean version, which I included in my scoring. My blog is mainly a platform to display Korean debuts, not English debuts. Another reason that their score is low is the fact that they lacked actual and recent debut showcases. I'm not the type of person that gives k-idol groups "pity" points for non-participation. It is the way that I score and that's just the way it will be in my blog. Overall, I hope "1VERSE" doesn't only have 1 verse to give to their fans; hopefully, they can give their fans "multi-verses".
Score Calculation:
Debut Score: 6.4
Search Accumulation Score: .35M+.22M+.2M+.14M+.13M= 1.04M=.104/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
6.4 + .104 = 6.504
Total Accumulated Score: 6.504/19
6.504 Divided By 19 = 0.342315789
0.342315789 Multiplied By 100 = 34.231578947
Final Score: 34.2%
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Group Name: ifeye(이프아이)
Label: Hi-Hat Entertainment
Members: Won Hwayeon, Taerin, Rahee, Kasia, Meu, Sasha
Album: Erlu Blue(Digital EP)
Debut Date: April 8, 2025
Comeback Album(EP): Sweet Tang
Comeback Date: July 16, 2025
Link:MNET M COUNTDOWN Showcase Link:KBS MUSIC BANK Showcase Link:Dance Practice Stage Presence Score: 1/1
Facial Expression Score: 1/1
Objective Movement Score: 1/1
Choreography Aesthetics Score: 1/1
Live Choreography Score: 1/1
Live Visual Score: 1/1
"ifeye" is an "Oh My Girl" clone. There, I said it! I want to be as transparent as I can be without holding anything back. This is in no way, shape, or form to say that they are "copy cats" or a "copy and paste" group. I'm simply saying that ifeye's entire debut presentation is either inspired or coded to be a replica of "Oh My Girl". If you don't know who "Oh My Girl" is, then here is a refresher: Oh My Girl - Closer. This isn't to say that "ifeye" isn't talented. They've shown that they are extremely talented with their live vocals and dance performances. "ifeye" is a top tier group! Now, as for the statement that I've previously said, you'll find a lot of similarities between them and "Oh My Girl". The way that I frame "ifeye" is not through a negative light, but a positive one. The K-pop community definitely needs a new generation with the same styling as "Oh My Girl" and "ifeye" is the best candidate for this particular set up. With that being said, I'm not here to call out these girls for being an almost exact duplicate; rather, I am pointing out that "ifeye" definitely did an excellent job!
Anyway, their choreography is magnificently subtle! You'll find interesting parts through their subtleties. There were two parts of their choreography that I enjoyed. Foremost, around a minute and twenty seconds through their choreography, you'll find the group creating hearts with their arms and hands. Again, it's these subtle changes within their dance that make it worthwhile. Secondly, the part that I appreciate were their sudden and subtle change of choreography near the end, at around two minutes and thirty seconds; it is the part after they say "my heart goes", where they freeze almost entirely while slightly nodding their head, as well as slightly moving their shoulders to the beat of the song. All these subtle displays in their choreography are literally and figuratively heart throbbing. "ifeye" are princesses of subtlety!
Within their music video, you'll notice a lot of the scenery is surrounded by an atmospheric blue tint, blue glowing effects, and blue lighting effects. You'll also notice blue petals of flowers, blue coloring in the member's eyes, and blue butterflies. Obviously, blue is the theme color of their music video; however, as well as showing this vigorous color, there is a symbolic message within the music video. Blue flowers symbolize something mysterious or unattainable. In reality, blue flowers do not grow in nature; there is not a single location in the world where flowers are grown naturally blue; however, through scientific experimentation, humans have artificially created the blue flower either through painting roses/flowers with a blue dye or by manipulating the DNA of the flower/rose(via genetic modification). A lot of people have claimed to have seen blue flowers naturally grown, but this claim is actually false. There are plants like the lilac that are the closest to displaying the color blue; however, it is simply the darkest or lightest shade of purple; there are other plants as well, but I forget their names. Anyway, the music videos symbology is about something unattainable. Could this be about a love that is unattainable? We could only speculate through the hidden symbology within the video. The members were chasing or following the blue butterflies; this could mean that the members are trying to reach an unattainable goal/dream from their imagination. The message of their music video could be entirely ambiguous since there are trees being rapidly grown, which were sprouted by sowing blue seeds into the dirt. Could the members be hinting that they want to grow to unattainable heights in terms of dreams/goals or are they simply just implying that with our imagination, we are able to achieve any goal/dream. It is really open to interpretation.
Overall, if you are trying to find a group with similar styling of "Oh My Girl", then "ifeye" is definitely in your alley. "ifeye" does stand for "imagine find energetic young eyes". Your imagination has come to an end. You've found "energetic young eyes" right here "IRL". Be "Nerdy" and "Bubble Up" with their debut album "Erlu Blue".
Comeback
ifeye's comeback was fire or "eye-fire"! Sorry, I pictured an eyeball with a fire emoji in the pupil. Immediately, I thought of "eye-fire" as a visual symbol for ifeye. All jokes aside, ifeye was seriously blazing fire with their title track "R U OK?", which incorporates an upbeat Latin style sound(more like a Brazilian funk/house sound). I totally enjoyed their entire discography, especially their track "Echo". "Echo" definitely is a nice tune to bob your head to while you're driving on the road. If you aren't paying attention to their choreography, then you'll notice Kasia, the leader of the group, always tying her hair with a hairband or "scrunchy" at the introduction of their choreography; personally, I didn't notice this signature introduction until "r u ok?". In their debut period, Kasia did the introductory "hair tie" signature move at the beginning of "Nerdy", but I didn't pay attention to it until now. Anyway, I love how they do this each time; signature moves or gestures helps ifeye stand out from other k-idol groups, which is a plus in my book. By the way, I watched these girls live in KCON LA 2025. From my perspective, these girls can "10X" in future comebacks. Although I found them to be a bit shy on stage in KCON, this aspect of them can improve over-time. Overall, ifeye is a top-tier group; possibly, ifeye will be known world-wide if given the chance. For those who are still questioning whether these girls are top tier, all I have to say to you is this: "R U OK?".
Score Calculation:
Debut Score: 18.3
Comeback Score: 18.1
Search Accumulation Score:12.3M+11.5M+1.9M+1.5M+1.2M =28.4M=2.84/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
18.3 + 18.1 + 2.84 = 39.24
Total Accumulated Score: 39.24/19
39.24 Divided By 19 = 2.065263158
2.065263158 Multiplied By 100 = 206.526315789
Final Score: 206.5%
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Group Name: CrazAngel(크레이즈엔젤)
Label: Forbest Entertainment and Midas Entertainment
Members: Solmi, Daze, Shannie, Ahon
Album(Digital Single): I'm Just Me
Debut Date: July 10, 2025
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Links and Ratings
Music Video: CrazAngel - I'm Just Me Cinematography Score: 1/1
Narrative/Story Score: .6/1
Acting/Modeling Score: .6/1
Discography/Pre-Debut/Pre-releases/Album
Music Video Link:Track 1: I'm Just Me Discography Score: .2/?
Production/Theme/Concept Score: .7/1
Personal/Subjective Score: .7/1
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I'm not certain if anyone reading my blog looks into historical children's books, films, cartoons, and miscellaneous media. Particularly, there were old children stories with a main character named Pippi Longstocking. This character was an iconic fictional character within the 1900s and many have cherished her styling, which inspired many to create their own renditions of her. There is a fast-food chain that was inspired by Pippi Longstockings called Wendy's. A lot of styling today is inspired by Pippi Long Stockings. Heck, there was a k-idol music video released a long time ago, which was inspired by Pippi: 2EYES - Pippi. CrazAngel remade My Name is Red-Haired Anne - I'M JUST ME. I wish that they acknowledged the recreation of the song and publicly credited the original creator. "I'm Just Me" is simply a derivative of Pippi Longstockings. A ton of modern day media would bring out the braided red-haired, freckled, and wacky girl as a nostalgic "throwback"; however, many people are ignorant of where this came from. As for now, it will either remain a fad or an unknown meme.
Anyway, CrazAngel did a fun debut! No one will truly understand the concept though, nor will they bother with the historical context. Rather, people will just refer to it as an "Ukranian Song from the 2000s". These vague descriptions are usually told by the new generation, who haven't read a book in their entire life. Historians must be shaking their head in despair at how illiterate the new generation has become. Social media has rotted the new generation's brains to a morsel; this is definitely a sign of societal decay. Oh yeah, back to CrazAngel! Overall, I do recommend this group; however, I wouldn't exactly call them a top tier k-idol group; they're fairly good at their craft. Hopefully, we'll see more content from them in the future. I love how they resurrected an old concept from the grave!
Score Calculation:
Debut Score: 15.9
Search Accumulation Score: .44M+.09M+.04M+.02M+.01M=.6M=.06/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
15.9 + .06 = 15.96
Total Accumulated Score: 15.96/19
15.96 Divided By 19 = 0.84
0.84 Multiplied By 100 = 84
Final Score: 84%
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Group Name: NouerA(누에라)
Label: Nouer Entertainment, Chromosome(China)
Members: Gihyeon, Junpyo, Hyunjun, Yuseop, Lin, Fan, Miraku
Album: Chapter: New is Now
Debut Date: February 26, 2025
Comeback: N: Number of Cases
Comeback Date: June 30, 2025
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Music Video: Nouera - New Is Now Cinematography Score: 1/1
Narrative/Story Score: .7/1
Acting/Modeling Score: 1/1
NouerA really left no crumbs behind after eating up their debut. I found no major or minor mistakes at all in their performances. This group is a show-stopper!
According to certain sources, "Nouer" in French means to tie together. "Era" is added to the end of "Nouer". Basically, "NouerA" is defined as to tie together an era. This is an interesting name; they could elaborate on what it means, but it is sort of straight forward.
Let's talk about NouerA's choreography. The beginning part looked like some kind of sniper scope aiming at one of the members, which was super creative. I'm not certain if they were trying to replicate a scene from James Bond. It looks similar to one of the film's intros or outros; don't quote me on this, but it looks like a scene from "Tomorrow Never Dies" or some other James Bond movie. I'm forgetful of which one it is. After the sniper scope, they twirl their circular-formed arm poses, which kind of looked like Olympic Rings surrounding one of the members. I thought that the whole sequence of moves were perfect for an introduction. Now, the dance break could have incorporated harder steps, but I found what they have done to be satisfactory. Overall, I enjoyed all the moves that were precisely executed. Like I said before, there was no crumbs left behind.
There's really nothing to complain about NouerA. It would help NouerA to demonstrate their singing abilities just to increase exposure or visibility, but only if they are comfortable with the arrangements.
The Japanese singer of the group, Miraku, is like a doppelganger of Zico(Block B, Owner of KOZ Entertainment). Each member of NouerA look like they are visuals, but Fan is obviously the center visual.
Anyway, I can see this group shining much brighter than they are now in the future. Hopefully, this group can tie all eras together.
Comeback
NouerA's comeback album is a fun listen; however, their title track "n (number of cases)" is boring! Occasionally, I had to stop myself from yawning multiple times listening to "n (number of cases)". Why did NouerA choose the worst and most boring track in their album as their title track? I recommend any K-pop fan to buy the album, but I would skip the title track. It is one of those "must-buy" albums, but in order to enjoy it, you have to find a way to either squelch or erase the memory of the title track out of your brain. The title track is a boring mess. Enjoy the album, but press skip on the track "n (number of cases)"!
Score Calculation:
Debut Score: 17.75
Comeback Score: 16.75
Search Accumulation Score: 7M+4.1M+815K+756K+545K= 11.1M+2.1M= 13.2M = 1.32/?
Debut + Comeback = Total Accumulated Score
17.75 + 16.75 + 1.32 = 35.82
Total Accumulated Score: 35.82/19
35.82 Divided By 19 = 1.885263158
1.885263158 Multiplied By 100 = 188.526315789
Final Score: 188.5%
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Group Name: Bangtan Pink(방탄핑크)
Label: Honeybee Studio
Producers: BAEKHO and Prismfilter
Members: Hong Jin Kyung, Jang Young Ran, and Lee Ji Hye
Album: 3 in the City
Digital Single: 내일, 내게 갈게(Tomorrow, I'll Go to You)[Good Time Ahead] Featuring BAEKHO
Debut Date: June 18, 2025
At first glance at the name of the group, I thought BTS combined forces with BlackPink; however, as soon as I clicked the link, I was shown three "K-halmeoni(K-할머니)" or K-Grandmas. It is impressive that these 3 South Koreans would spend their seniority on doing a debut in the same arena as young adults and possibly toddlers. The members of Bangtan Pink are Hong Jin Kyung, Jang Young Ran, and Lee Ji Hye, who are reaching their late 40s(almost to the age of 50!). It would be interesting to see older South Koreans debuting in new groups, which is shocking, yet entertaining. My only main concern is if these ladies get injured, hurting their backs; at their age, seniors could sustain serious damage. Older people have a hard time healing their wounds compared to younger adults; I think it has to do with metabolism since younger adults have higher amounts, which help them heal their injuries at lightning speeds. I could be wrong about metabolism, but I solely think Koreans are built differently than the rest of the world when it comes to physical performances.
The production of the group was the responsibility of Baekho, who is known to be popular for his physique in a festival called "Waterbomb". The co-producers of Bangtan Pink is Prismfilter, which is unknown to me; Prismfilter could be a new label/company starting from scratch. Each Bangtan Pink member were somewhat popular in the past, but as you know, the K-pop industry and consumers don't wait for anyone; the K-pop industry moves at alarming "break-neck" speeds as fast as a cheetah and has no remorse for older South Korean idols. The trends and popularity changes almost overnight, moving the spotlight over to newer and better groups, leaving behind older k-idols at its wake. Unfortunately, whenever older South Koreans take stage, the younger crowd often just ignore them and simply call them "K-Hags", "K-Skeletons", "K-Old-Farts", and other insulting names. Honestly, I do recite these slurs in my mind from time to time because other K-pop fans would yell it out loud in the crowd whenever they see an older South Korean take stage; there's a lot of ageism that still happens in South Korea. You hear ageist remarks from the crowd at concerts, online forums, and other places. Obviously, k-idols have a shelf-life, depending on current trends; once a group is out of the spotlight and have reached their peak in entertainment value, it only goes downhill from there.
Anyway, I forgot to mention tiny details of Bangtan Pink. Hong Jin Kyung is known for being a hostess for television shows, actress roles, special guest appearances, starring in commercials, winning best entertainer awards, and the list goes on. She was also part of a group called "Unnies". Jang Young Ran is known as a trot singer and actress. She appeared in South Korean dramas, television shows, films, musicals, radio, and the list goes on. Lee Ji Hye was especially known as a member of the K-pop group SHARP; she's also appeared in television shows and internet-based shows. Every member of Bangtan Pink has a ton of experience in the entertainment industry that it is difficult to count(almost an endless amount of activities); the experience accumulated under each member's belt is impressive, and they continue to entertain us through different media outlets. It feels like the word "retirement" holds no weight, nor does it have any place in their repertoire or vocabulary; these ladies are fighters!
Update(9/28/2025): I spoke to a few netizens about Prismfilter. They've mentioned that they were more of a "producer" than an actual "label". At the end of September, a K-netizen had told me that Bangtan Pink was signed with "Honeybee Studio". I'm not entirely certain of this because another K-netizen told me that they were under "Prismfilter". I'm getting a mix of unreliable information here. Who's really telling the truth here?
Score Calculation:
Total Accumulated Score: 5.2/19
5.2 Divided By 19 = 0.273684211
0.273684211 Multiplied By 100 = 27.368421053
Final Score: 27.3%
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Group Name: XONIK(쏘닉)
Label: Nature Space
Members: Leejun, Hyojin, Yeung, Juchan
Album: Private(Digital Single)
Debut Date: June 16, 2025
Discography/Pre-Debut/Pre-releases/Album
Music Video Link:Track 1: Private Discography Score: .2/?
Production/Theme/Concept Score: .2/1
Personal/Subjective Score: .2/1
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Overall, an uninspiring music video, choreography, lyrics, instrumental, and concept.
In my opinion, the only positive aspect about Xonik is their live vocals, which is their main strength and redeeming factor. Their live vocals are leaps and bounds better than their studio-recorded vocals, which is usually recorded at its highest quality possible!
Score Calculation:
Total Accumulated Score: 6.35/19
6.35 Divided By 19 = 0.334210526
0.334210526 Multiplied By 100 = 33.421052632
Final Score: 33.4%
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Group Name: Double 0ne(더블원)
Label: PocketDol Studio
Members: Yoojun, Muzin, Kang Min Seo, Lee Han Bin, Junseo, Hikari, Ling Qi, Youngseo, Doha, Bit, Hong Sung Min
Album: Xpert
Debut Date: June 12, 2025
PocketDol Studio's "Double 0ne" is the combined might of BAE173 and Fantasy Boys into one group; in other words, "Double 0ne" is a super group. I believe that this super group was necessary because BAE173 and Fantasy Boys were losing their popularity; PocketDol Studio's decision to combine the two groups together was their last ditch effort or desperate attempt to stay relevant in the fast-paced and competitive arena of the K-pop industry. Was this group combination worth the effort? Was this all in vain or all for nothing? Unfortunately, this "super group" was necessary, but the outcome was rather average.
The music video was cringe because of the extraneous amount of close-up face shots; I know they are trying to familiarize each member to their audience. We get it! "Double One" has the face card, but there is no reason to have like 50% of the music video mainly pedestals their faces. Whoever was in charge of the cinematography has shown amateur editing and poor angles of the members. Not only is this music video cringe, but there is no real story or narrative being delivered to their audience. Again, all the scenes were mostly face shots. With all these face shots, they could have, at the very least, shown a short story or scene to represent the concept. It was all modeling fluff with no substance or content. There wasn't anything marvelous to spark any interest to the viewer.
Every member looked expressionless with no dramatic movements. Although the group had great visuals, it felt like I was watching mannequins, immovable figures, in a clothes department store.
With all the negative aspects of this debut, there's still a lot of good that can be siphoned. "Double 0ne" has shown amazing studio-recorded vocals, especially the ad-libs within the tracks. Most critics don't pay attention to ad-libs in K-pop, which is a shame. The ad-libs were expertly placed in the proper areas of the tracks, which created a fluid sound. There were no vocals that felt out of place or was forced; often, I hear interjected vocals and lyrics placed awkwardly in certain parts of K-pop songs, which ruins the pace or cadence. Whenever I hear these awkwardly interjected vocals or lyrics, I always picture runners tripping over their own legs, creating a chain reaction of runners, who have tripped over each other, creating a dog pile of injured athletes. There was no fumbling or mumbling lyrics or vocals coming out of "Double 0ne". The sounds coming out of their mouths were a treat to the ears. Youngseo definitely had great vocal control with his progressive notes; he also changed the octave of his vocals, almost like he is whistling. Obviously, Youngseo masterfully trained his vocals.
Overall, I do recommend this group; however, like any talented group, there's always some type of controversy surrounding either the company or the members. Many netizens, especially K-netizens, noticed a lot of distress signals coming out of the members. There were times that the members would be on social media streaming platforms(as well as uploaded videos) doing questionable hand gestures, which were known to be signs of abuse or mistreatment. Whenever I chat with K-pop fans, I often come across rumors of PocketDol Studios mistreating and abusing their artists who work under them. This isn't just one account or an outlier saying these rumors, but many online communities spreading gossip. Sometimes, I wonder if these rumors may be exaggerated to simply gain publicity for the group. Fans often want certain members in groups to gain popularity, so fans create false stories and narratives of mistreatment. With PocketDol Studio's track record, it has been shown through their history that they've made a lot of bad calls and have been accused of multiple counts of mistreatment and meddling. You may not know this, but PocketDol Studio was originally named "MBK Entertainment". MBK Entertainment was well known for harboring a ton of unnecessary drama with their former artists. As a result of all the drama, MBK Entertainment, intentionally, had to change their name; the possible reason of the company name change is to avoid further backlash, protests, and controversies; however, burying the issues, like burying a seed, only lets it grow and fester as time goes by. Nothing really is resolved if it is simply hidden from the public eye. For this blog, I won't be going into detail about all the drama that had happened in MBK Entertainment; we will be here for months addressing each incident that happened within MBK Entertainment. Anyway, I think these distress signals from the artists should not be ignored because the artists could be blackmailed. Usually, artists who are being blackmailed, only send out cryptic messages to the audience in fear of being kicked out of the group if they were to voice their troubles. Unfortunately, there's no actual evidence of all the rumors of abuse. It is only logical to only keep an eye on the members without racing to false accusations towards PocketDol Studios. As a viewer, part of the audience, there's simply nothing we can do until the evidence is obvious and undeniable without any doubt of it being a lie.
Score Calculation:
Total Accumulated Score: 15.62/19
15.62 Divided By 19 = 0.822105263
0.822105263 Multiplied By 100 = 82.210526316
Final Score: 82.2%
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Group Name: USPEER(유스피어)
Label: WM Entertainment
Members: Yeo Won, So Ee, Si An, Seo Yu, Da On, Chae Na, Roa
Album: Speed Zone
Debut Date: June 4, 2025
Discography/Pre-Debut/Pre-releases/Album
Music Video Link:Track 1: Zoom Dance Practice Link:Track 2: Telepathy Discography Score: .35/?
Production/Theme/Concept Score: .75/1
Personal/Subjective Score: 1/1
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The vocals of USPEER sound like AESPA! If I didn't tell you that this song was sung by USPEER, then you would immediately think this was an AESPA track because of their vocals. Personally, I found Si An's vocals to stand out the most; she's obviously the main vocalist. The rest of the group does have a distinct sound; like I said before, their voices are AESPA quality. I hope WM Entertainment can highlight each member's vocals in future comebacks. The whole song sounds like it was produced by SM Entertainment; specifically, the composition of their debut track "ZOOM" is structured like it was made for a 2008 boy group, such as SHINee.
Since this group belongs to the same label as Oh My Girl, you'd think that the music would end up sounding like an Oh My Girl track, but it doesn't, not even in the slightest, sound like something WM Entertainment would create. Rather, the sound has a definite SM Entertainment influence; there's a ton of SM Entertainment signature sounds coming out of "ZOOM". The cadence and delivery of "ZOOM" reminds me of tracks produced for Girls' Generation or TVXQ!. Again, I'd like to emphasize the similarities of USPEER's track with SM Entertainment's artists. With all of this being said, I do not claim that USPEER copied from SM Entertainment; it is rather inspired by music created by music producers from SM Entertainment. Anyway, the more that you listen to "ZOOM", the more you'd like it for its upbeat nature. Also, you will love when the whole group sings in unison! When all the members sing all at once, it gives off a spirit-boosting and motivating energy like a feeling that you are being lifted off the ground and towards space. Without any hesitation, I added this to my exercise playlist.
Now, the group suffers from mediocre choreography. No offense, but USPEER's dancing reminds me of underwhelming moves performed by a disbanded group called "Weki Meki". Again, I'm not trying to drag old disbanded groups; it is simply the best way that I can describe USPEER's choreography. Basically, their dancing is average at most. There's always room for improvement. Since they are rookies, they could probably refine their skills by the next comeback.
I do love their sports-wear attire. USPEER gives off "Tom-Boy" vibes, but there is a slight feminine dash to it. Their styling isn't too masculine.
If USPEER desires to switch things up, then USPEER can potentially go for a "GIRL CRUSH" route for future comebacks. From my analysis, I could imagine and visualize them doing aggressive concepts, as well as other concepts that require fast-paced movements and vocal chants. The potential is there, but it is their decision if they want to utilize their skills for a "Girl Crush" concept. If they decide to go for the same electronic hip-hop themed music for future comebacks, then I wouldn't mind it at all. There's nothing wrong in repeating the same concept. It really depends if they are comfortable with other concepts. Although the sky is the limit when it comes to different concepts, USPEER has potential and room to grow; possibly, they can venture into cute concepts as well. USPEER has what it takes to create a banger or bop. From my perspective, I see USPEER as a blank canvas, which is ready for added components, background, colors, animation, shadow effects, and light effects. Although they are a rookie group, USPEER is ready for advanced concepts and much more. I can already visualize this group taking on tougher challenges, but I may be expecting too much from these young gals who are newly entering the K-pop scene.
Score Calculation:
Debut Score: 15.45
Comeback Score:NA
Search Accumulation Score: 5.2M+337K+168K+159K+146K= 5.2M+.8M= 6M = .6/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
15.45 + NA + .6 = 16.05
Total Accumulated Score: 16.05/19
16.05 Divided By 19 = 0.844736842
0.844736842 Multiplied By 100 = 84.473684211
Final Score: 84.4%
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Group Name: XD(엑스디)
Label: XDREAM
Former Label: Nature Space(2022-2024)
Members: Doha, Shun(Withdrawn), Bao, Jaemin, UO
Album: Wished
Rebranded: April 20, 2025
Rebranded Debut Date: May 30, 2025
Debut Date(As Xeed): December 1, 2022
Xeed rebranded to XD; basically, they just removed the "ee" from their name. It's nothing really noticeable, but I think they wanted a change of direction for their group. XD is known to make generic dance pop music. You may find that their music recycles the same composition and structure of older generation K-pop music. This "cookie cutter" type of music can be attractive to fans that want the "same old, same old" traditional pop songs; however, since there is no evolution in these types of songs, it may repel K-pop fans who are searching for new sounding music. XD made a good rebranded debut. I had "wished" that it wasn't going to be generic, but it was. Anyway, best wishes to XD in creating new music for their future comebacks.
Update(7/31/2025): Apparently, Shun has left XD yesterday(7/30/2025). XD's fandom "Greeny" had posted rumors about this group, some were good and some were nasty. To be honest, I really don't know what is going on. XD does make good music for K-Dramas and such; however, like I said before, their music is "generic". Hopefully, XD clears the drama going on. On another note, I thought XD were still under the label "Nature Space". Apparently, this isn't true. They created their own label "XDream". I've made a mistake thinking that they are still under "Nature Space".
Update(8/1/2025): XD created their subunit called "BE:MIN".
Update(11/9/2025): Usually, I'm around K-pop gossip circles online. From the rumor-mill, a K-netizen told me the reason that Shun left XD. Shun had some kind of relationship with a young fan. I already knew this a long time ago, but a little more information was leaked or announced. When rumors start spreading, I usually wait for confirmed evidence before jumping to conclusions. So far, the relationship part was true; however, the rest of the information seems to be just gossip. We'll have to wait until real information is released...
Update(11/10/2025): Bao is indefinitely suspended from XD. He was stated to be involved with the relationship with a fan. I do not know the entire details. Basically, 2 members are out of XD, leaving 3 members in the group. This whole thing doesn't sound good at all! The trajectory of this group looks like it is heading towards disbandment.
Score Calculation:
Total Accumulated Score: 12.8/19
12.8 Divided By 19 = 0.673684211
0.673684211 Multiplied By 100 = 67.368421053
Final Score: 67.3%
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Group Name: POLARIX(폴라릭스)
Label: Idol Youth Entertainment(China)
Members: Pentor, Han Gyul, Lee Jun Hyuk, Xu Shi Huan, Yang Dong Hwa, Lee Da Eul, Zai, Shao Zi Heng, Xin Che
Album: Freefall(EP)
Debut Date: May 28, 2025
Polarix was formed from iQIYI's controversial survival show Starlight Boys, where 69 contestants had to repetitively demonstrate the same choreography until they passed out. It was one of the cruelest survival shows that I have ever seen in my life. Not only was the contestants jumping through fiery hoops(just kidding), the judges or guiders had harsh critiques on all the contestants; the cast of judges placed questionable statements towards the performance of certain contestants. The judges were more condescendingly insulting than actually giving beneficial feedback or calls of improvement; k-netizens have also noticed how the judges seem racist towards a particular contestant, who was half black. Enraged netizens were up in arms about the horrible mistreatment the contestants had endured; the insults from the "Guiders" only added more gasoline to the flames, increasing the anger of the audience/netizens a lot more than needed. The "Guiders" or judges were Lee Seung Gi, Daesung, Choi Youngjoon, Hanhae, Kwon Eun Bi, Hui, Eric, and Yoon; this was an all-star cast panel, who have experienced harsh treatment in the K-pop industry, yet here they are doing the same exact mistreatment, which the judges experienced themselves, unto the contestants. The phrase "hurt people hurt people" comes to mind in this situation. If you have watched the survival show, then you'll feel a lot of unnecessary uneasiness; obviously, I bet the cast had to create these controversial incidents to boost ratings and grab everyone's attention. The negativity shown on the survival show "turned heads" and grabbed the attention of the K-pop community, but in a despicable way. Mistreatment is bad publicity, but still is publicity. iQIYI must be raking in a hefty amount of profit from all of this bad publicity!
Anyway, Polarix's debut was mostly incomplete. I think it could be that the album was described as a Chinese album; however, 3 out of the 4 tracks contained within the album were actually in Korean/English. This can be seen as false advertising because fans were expecting a Chinese album from the very beginning.
Definitely, Polarix has mesmerizing studio-recorded vocals and visuals; however, the negatives outweighed the positives for the duration of their debut. The survival show "Starlight Boys" received a ton of backlash, which bled into their debut; in my opinion, the backlash was well deserved and warranted. There was no need to put the contestants in harrowing trials and harassment. Currently, I am wondering whether their label "Idol Youth Entertainment" is doing the bare minimum or simply doesn't care about Polarix's debut period. Is this group going to shine as bright as the star of Polaris, or will they simply burn out and fade into the shadows? We simply don't know. What we do know is that all 69 of those survival show contestants might have wasted their time and energy participating in a failing K-pop group. Basically, Polarix was set up for failure, not through the faults of the members of Polarix, but of the fault of the producers and managing departments of Polarix. From my observations, Polarix is being side-lined and neglected by their own label.
Update(6/28/2025): Within the rumor mill, Lee Jun Hyuk was accused of financially exploiting his ex-girlfriend. He issued an apology after the accusations. As of right now, there are no official statements that confirm anything. This only adds more fuel to the dumpster fire, which best describes their debut period. With that being said, is this group going to flop or is it worth salvaging an already sinking ship? The backlash towards the survival show only damaged the groups debut. A member being accused of such a heinous activity only degrades the reputation and image of Polarix. Are we witnessing a slow burn towards disbandment? Personally, I have no clue, but if there is smoke, then there is fire. Right?
Score Calculation:
Total Accumulated Score: 4.1/19
4.1 Divided By 19 = 0.215789474
0.215789474 Multiplied By 100 = 21.578947368
Final Score: 21.5%
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Group Name: Sikkoo(식구)
Label: AOMG(Above Ordinary Music Group)
Members: 200, Koo Min-jae, Yosi
Album: Gan(EP)
Debut Date: April 29, 2025
I don't know why SIVAA is not in Sikkoo; it could have been a complete 4 member squad. Anyway, SIKOO consists of actual/real rappers: 200, Koo Min-jae, and Yosi. Their debut went somewhat viral or mainstream, but a lot of South Koreans in the Hip Hop scene already knew about this group from well over a year ago. Again, where's Sivaa? In this particular debut music video, they are humorous and just having fun.
If you have the same personality as SpongeBob SquarePants or Patrick Star, then you will most likely enjoy the video. If you have the same personality as Squidward Quincy Tentacles, then you'll probably want to skip their debut. Under K-pop standards, the choreography and visuals are subpar; however, I'd like to say that I don't think they care about impressing viewers in dancing or fashion. It's a fun song, but not for everyone.
Check out Sikkoo's album "Gan"! The rapping in their album is superb! It is superb because they are actual rappers, not fake rappers. It feels like Sikkoo is reviving actual Hip Hop in South Korea.
UDTT is a "Really Really" underrated group. I'm completely satisfied after observing their entire debut, especially their Pre-Debut "Re-Try". Truly, I have no real complaints about this group; however, there's one main controversy that needs to be cleared up.
The only real concern that I have is that their original member Jung Sena mysteriously left the group, which was a shock to me since she's super talented. As a substitute, "Jessica" took her place as the fifth member; Chinese fans will recognize her as Lu Yuting, which is her birth name. Jessica was rumored to debut in other groups; however, she ended up debuting with UDTT. I hope SW Entertainment addresses the fiasco someday soon because other companies such as Shinwha Entertainment is accusing SW Entertainment of illegally hiring Jessica. Honestly, I'm truly confused. Why was Jessica involved in multiple companies in the first place? From what I've read about Jessica, she was supposed to debut in "I.Met.U" and "E11iVyn". If you look at her track record, then you will also notice that she was part of a Chinese girl group: "Is Girl". She is jumping from group to group like she is playing Hopscotch. Literally, no one can do what she is doing without any type of monetary influence; in other words, there could be deals behind closed doors on Jessica's behalf to ensure her career position. What was the point of survival shows, such as "Time Turner" and "Chuang Asia Thailand", when you can simply pay a hefty amount of money for any position in a debuting girl group? Doesn't it defeat the purpose of participating in a survival show by paying for a position in a girl group? Simply, she is able to randomly pick and choose what group she can debut in without hesitation. There's something suspicious about all these events occurring and that's why SW Entertainment needs to publicly address what has transpired. If I took the moment to explain all of this to a K-pop fan, then they would be confused as well.
Overall, UDTT is a strong k-idol group with a surprising withdrawal of a member and a suspicious member joining their debut. This stuff doesn't just write itself or does it?
Score Calculation:
Debut Score: 17.15
Comeback Score: NA
Search Accumulation Score: 840K+382K+280K+111K+68K= 1.6M = .16/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
17.15 + NA + .16 = 17.31
Total Accumulated Score: 17.31/19
17.31 Divided By 19 = 0.911052632
0.911052632 Multiplied By 100 = 91.105263158
Final Score: 91.1%
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Group Name: OSDS(오손도손)
Label: Sound Alliance
Members: DALsooobin, Mukgang, Park Min Jeong, GoMaLSooK
Album: Bluetooth
Debut Date: April 24, 2025
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Links and Ratings
Music Video: OSDS - Bluetooth Cinematography Score: .25/1
Narrative/Story Score: .1/1
Acting/Modeling Score: 1/1
Link:Audio Link:Instrumental Studio Recorded Vocals Score: 1/1
Instrumental Score: 1/1
Lyrics Score: .3/1
Stage Presence Score: 0/1
Facial Expression Score: 0/1
Objective Movement Score: 0/1
Choreography Aesthetics Score: 0/1
Live Choreography Score: 0/1
Live Visual Score: 0/1
You may be wondering why Subin, a member from the legendary k-idol group Dalshabet, is doing in a rookie group. To be honest, I have no clue. Subin has been exploring different avenues of music and seems to be all over the place with her activities. She's a grown adult. She can do whatever she wants. Furthermore, she can debut with rookies whenever she feels like it. From other's perspective, Subin may come off as indecisive and unappreciative of her status. This may explain the reason on why she has decided to join a rookie group. Subin is the 선배(seonbae), the senior of the group, with far more experience than many k-idols of the new generation. Subin is leaps ahead in terms of experience compared to other K-idols in the industry. I'm curious on what she has planned. Anyway, OSDS is claiming to be the first EDM K-idol Group.
Please support this group if you like Subin or the rest of the rookies. While you are supporting this group, I will be watching Dalshabet - Joker.
Score Calculation:
Total Accumulated Score: 4.25/19
4.25 Divided By 19 = 0.223684211
0.223684211 Multiplied By 100 = 22.368421053
Final Score: 22.3%
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Group Name: VVS(븨븨에스)
Label: MZMC Inc.
Members: Brittney, Ilee, Rana, Jiu, Liwon, Lena
Album: D.I.M.M.(Diamonds In My Mouth)[EP]
Debut Date: April 22, 2025
As I was glancing through social media, I stumbled upon VVS. At first glance, the promotional images showed each member's visuals, which were similar to EXID, yet gives off a "Kiss of Life" vibe. After watching their debut, it didn't actually feel like EXID, nor "Kiss of Life"; however, I felt like I was watching footage of 3YE, a girl group that disbanded around the end of 2024. Certain netizens called VVS "bargain-bin MEOVV", which I totally disagreed to since their style is not even close to MEOVV. The best way to describe this group is a dark version of Young Posse or 3YE. The music video displayed insurmountable scenes of violence from the beginning to the end; this has to be the most violent K-pop music video that I have watched for a long time. Actually, I can't remember or recall any music video in South Korea displaying this much violence, except for Boy's Republic - Get Down. I think there were k-idol music videos with boxing scenes, but it doesn't go as far as VVS "smoking" their enemies. I'm glad that none of the members said "Say hello to my little friend" before spraying their opponents with lead. The violent concept or "John Wick" concept is pretty much catering to adult males; this is not me being misandric or being prejudice; however, it is known that males enjoy this kind of bloody, action-packed scenes jam-packed with violence. Generally speaking, females tend to not stick around when there are excessive amounts of violence. All of this violence found in their music video and/or content may restrict them from being publicly shown on television stations and music showcases; I've heard that there are specific and strict criterion for any music video to be aired on Korean Broadcast stations/channels. That being said, VVS may be too explicit to be shown on these television broadcasting channels. Anyway, their rapping is rapid fire. I'd say that they are contenders for the best Spring 2025 K-pop rappers, but I think it may be too early to make that judgment. There was a lot of attention to detail within their fighting scenes; it is almost like the fighting choreography was produced specifically for a Jackie Chan or a Jet Li movie. With that being said, VVS's music video has the best pyrotechnics and fighting choreography in K-pop to date.
VVS's Tea was a cinematic wonder with phenomenal action sequences; I've never observed a full-fledged, action-packed, mini-movie for a K-pop idol group in this fashion ever. Although the cinematic scenes of the music video was grandiose and professionally produced, I felt partially in favor of their dance choreography and visual performances. Overall, VVS's visualizations were mainly average in quality. The dance choreography didn't have any notable signature moves, nor any climactic sequences of dance moves that would set my heart racing. Not only was their dancing average, but their visuals were average as well. Unfortunately, VVS's fashion was unremarkable and dreary; it could also be that their fashion was chosen for performance only, dismissing quality altogether. The overall presentation almost felt like it melted into the background, only leaving behind a silhouette of their performance. Ultimately, nothing stood out that felt bold or striking; it felt blurry, almost leaving me dazed and confused.
The discography of VVS is mostly Hip Hop and R&B. It was a fairly good listen; however, it may be controversial if you pay close attention to the lyrics. The track that I enjoyed the most was "D.I.M.M."(Diamonds In My Mouth), which is the most controversial track; their rapping style reminds me of an underground rapper from South Korea named "Ash B". Ash B had rapid-fire lyrical rap verses with a unique explicit/hardcore/gangster swag. Each member of VVS are like mini-Ash B clones because of their attitude and swag. From my analysis, VVS can probably compete in "Unpretty Rapstar" and be the winner when it comes to rap prowess/battling. Well, only if "Unpretty Rapstar" ever returns in modern times.
Now, let's talk about the controversial lyrics of Tea and the other songs in the discography. Actually, you might need to sit down for this. The lyrics aren't appropriate for younger audiences because of all the sexual innuendos snuck into the songs; combined with the sexual innuendos, the lyrics are also promoting capitalistic and materialistic ideas surrounding transactional relations. Most K-pop fans will dismiss or ignore the sexual innuendos because fans and viewers are mostly focused or fixated on the instrumentals, choreography, visuals, and rapid fire rapping. Plus, most K-pop fans will say that VVS has the freedom or right to rap/sing about any topic that they desire. I totally agree with this sentiment; however, it really depends on the conditions. Although the members of VVS may be as young as 15 years old, I encourage k-idols to speak/rap/sing about anything that they desire; even if what they say is controversial, they have the right to say it. That being said, you may find it disgusting that minors are singing about sexual innuendos and violence. This may be off-putting for those, especially adults, who actually read the lyrics. In other words, it comes off as despicable for minors to sing about situations that certain adults go through. Minors singing about sexual innuendos are unbelievable and makes them look like liars in a way since they haven't actually experienced any of the lyrics that they have rapped about. Overall, VVS's lyrics are perceived as disingenuous or insincere. This doesn't discredit them from their mastery and skillfulness in rapping; rather, I'm simply stating that k-idols should sing/rap/speak about their experiences instead of the lyricist's experience. Anyway, the lyrics are the sole responsibility of their label; VVS's label intentionally gave minors questionable lyrics, which would be suited only for adults. I don't think the blame should be pointed at the members, but to the label that allowed inappropriate lyrics. At the end of the day, no one will notice the raunchy lyrics, so I'm simply speaking into deaf ears at this point. Again, everyone has the right to speak their mind, even if their ideas are grotesque or unacceptable; however, whatever they speak to the public do have consequences, so it is best to think and consider if the things that are said aren't things to be regretted in the future.
To close off this blog, I forgot to mention that "VVS" means "Very Very Slightly" in terms of grading diamond quality. When you use "VVS" to describe a diamond's quality, then you are basically saying that the diamond quality is not perfect, nor imperfect. "VVS" means right in the middle of quality, a balance of imperfection and perfection. Basically, VVS is implicitly telling their audience that they aren't in a state of perfection or imperfection, but in a state of balance. It's an interesting meaning of the group. Anyway, if you like sipping on "Tea", then you'll love the balanced rapping style of VVS.
Score Calculation:
Debut Score: 15.7
Comeback Score: NA
Search Accumulation Score: 285K+708K+1M+1.8M+2M= 1.7M+1M+1M+2M= 5.7M = .57/?
Debut + Comeback + Search Accumulation Score = Total Accumulated Score
15.7 + NA + .57 = 16.27
Total Accumulated Score: 16.27/19
16.27 Divided By 19 = 0.856315789
0.856315789 Multiplied By 100 = 85.631578947
Final Score: 85.6%
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Group Name: M.prism(엠프리즘)
Label: Liz Entertainment
Members: Abin, Naye, Windy, Kyrin, Miku
Album: Knock Down
Debut Date: March 28, 2025
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Links and Ratings
Music Video: M.prism - Knock Down Cinematography Score: .75/1
Narrative/Story Score: .7/1
Acting/Modeling Score: 1/1
Link:Audio Link:Instrumental Link:Lyrics Studio Recorded Vocals Score: .74/1
Instrumental Score: 1/1
Lyrics Score: .74/1
Link:The Show Showcase(The K-Pop) Link:Performance Stage Presence Score: .75/1
Facial Expression Score: .75/1
Objective Movement Score: .5/1
Choreography Aesthetics Score: .4/1
Live Choreography Score: .8/1
Live Visual Score: .8/1
The charm of M.prism is their mispronunciation of English words and their cute/squeaky/high tone vocals. It is a fun listen, and I do recommend K-pop listeners to add M.prism's "Knock Down" to their playlist.
Personally, I wouldn't take M.prism too seriously. By comparison with other k-idol groups, M.prism gives off a cordial presence, yet can add a bit of spice where ever it is needed. While most groups seem to be highly competitive and doing 200% of back-breaking work, Mprism are just putting in about 5% of their weight into it, lifting with their pinky fingers. Mprism's lack of seriousness may also be attractive to those who just want a regular fun song, not a complex one. M.prism's entire debut feels like a midnight fling of pleasure, a rendezvous between two friends or lovers. After this midnight fling of pleasure, both friends or lovers mutually agree to part ways. The track will be pleasurable from time to time then it is placed on the top self to collect dust. In other words, "Knock Down" is an ephemeral or fleeting track that's nice to listen to, but forgotten about later on.
What caught my attention the most from M.prism was the lyrics of "Knock Down", especially when one of the members nonchalantly said: "I want to be your slave, I want to be your master." These lyrics really caught me off guard and made me chuckle a few times. I appreciate that M.prism isn't holding back.
In closing, add M.prism to your playlist. It is a "listen and forget" track; their track is sort of like bubble gum. You enjoy the chewing and taste of bubble gum, but the fun wears off when the bubble gum loses its flavor; eventually, you'll have to spit it out. Unless, of course, you are interested in chewing on tasteless material, then be my guest and be knocked down!
Score Calculation:
Total Accumulated Score: 12.71/19
12.71 Divided By 19 = 0.668947368
0.668947368 Multiplied By 100 = 66.894736842
Final Score: 66.8%
Discography/Pre-Debut/Pre-releases/Album
Music Video Link:Track 1: Wanna Say Discography Score: .2/?
Production/Theme/Concept Score: .1/1
Personal/Subjective Score: 1/1
Search Accumulation Score: = = /?
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Rainbow E&M is debuting another kid's group. These children are still developing their movements and vocals. I have noticed Rainbow E&M continuously debuting groups like a factory assembly line without giving these kid groups a complete debut. It is also saddening that these kids aren't promoted on different social media platforms. There's no way of ever finding them without a meticulous and thorough search through the web. These "Future Idol" projects are starting to look like test-runs, as well as giving children the experience of how the k-idol life may seem like. Personally, I find this awesome; however, simultaneously, I would like the children to experience a complete debut with showcases and much more. There's also room for more exposure amongst the K-pop community; however, I do understand that these are just children taking their first steps in the K-pop arena. Overall, Rainbow E&M is giving children the chance to experience the procedures that a k-idol goes through, which is an unforgettable and educational experience.
AWIN wants #Cheese, but we all ended up with #MoldyCheese; AWIN's debut wasn't good. If your pupils are dilated, or you have formed cataracts in your eyes, then you will still notice the cheap production of the music video. Often, I'm shocked on how entertainment companies cut corners or find shortcuts to dodge production costs, but it makes sense if your company is on a tight budget. Cheap music video production is usually a sign that the company doesn't want to heavily invest in the group because they have no confidence in the group producing a return on investment. Another reason could be that the company is at the verge of bankruptcy. K-pop could very well be in some recession with the production of low quality music videos. With that being said, it is important to note that the members of AWIN do have some say in the production cost; there are certain contracts that have the members either pay the cost or split the cost to produce the music video. Contracts in the Entertainment Industry in South Korea do tend to differ from western companies, so I wouldn't be surprised if the members weren't confident in dishing out a pile of money for their debut. Also, it should be noted that the company could be going frugal in its expenses, which is usually the case for new or upcoming entertainment companies. It wasn't an entirely awful debut. The members do display somewhat of a good presentation at specific moments in their showcase; for example, each member had some kind of "signature turn" or an "entrance introductory move", which is something used in choreography to show visibility to the members. Other than these "signature turns", overall, I wasn't impressed. Within the lyrics, there's this "Wae Wae Wae Wae" and "Way Way Way Way" that sounded forced into the song, almost like these lyrics were added in at last minute to add "catchiness" to the song. Rather, it made me roll my eyes in a "way way way way" bitter way. The vocals of the members sound coarse, over-used, and drained; it is like the members of AWIN ran a marathon or jogged on a treadmill before their debut recordings. J-Star Entertainment did provide us with APEX(Formerly Like A Movie), which I appreciate; however, AWIN's debut was subpar. Was AWIN's debut a win or a loss? It's up to you to decide.
Score Calculation:
Total Accumulated Score: 10.1/19
10.1 Divided By 19 = 0.531578947
0.531578947 Multiplied By 100 = 53.157894737
Final Score: 53.1%
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Group Name: NEEZ(니즈)
Label: Startree Entertainment
Members: g_me, K, Min Seong
Album: Sweet Candy(Digital Single)
Debut Date: February 15, 2025
Disband Date: April 26, 2025
Before NEEZ debuted, they did about a year worth of busking. You can search all their busking videos on different social media platforms. All of their showcases and promotional content were held in Japan; as a result, barely anyone in South Korea has heard of this group. After digging for more information about this group, I found out their company. *DRUM ROLL PLEASE* The company for this group is no other than Startree Entertainment, who has a track record of creating mediocre or sub-par groups in the K-pop industry. If you think that this is an awesome company, then please show me anything that's admirable or praiseworthy that came out of this company. So far, they've disappointed me multiple times.
The member that sparked conversations around the internet was "g_me", who is biologically a female. I heard about this rumor from a Japanese K-pop fan; after hearing this, I immediately started watching their buskings last year. It was hard to believe at first, but after watching a ton of their buskings, I could kind of piece it together. You wouldn't have noticed if someone hadn't told you. To be honest, I was completely deceived. This whole time, I thought "g_me" was male. Mainly, it is the power of haircuts, cosmetics, and fashion. With a creative mind, stylists can turn anyone into any gender or anything.
If you check out their showcases in Japan and their buskings, then you'll notice right away that they aren't good at performances. You can see a lot of mistakes. There are many times that they could not execute moves properly. As well as poor movement execution, NEEZ are not synchronized with one another. That's a huge red flag that they don't try to criticize each member's moves, change and tweak errors in movements, or improve any moves within their choreography. One of the members also looks exhausted in many of the buskings; this is a sign of stamina issues. Within their performances, it is easy to spot moves that look half-a$$ed or partially done.
The visuals are subpar as well. It doesn't take a fashionista to spot unmatching and uncohesive clothing. Overall, their visuals didn't suit them at all.
As a conclusion, this debut was sub-par. Every time I hear of the company Startree Entertainment, it always makes me want to curl up in a ball and puts me in a state of depression because everything that this company has released so far has been far below the standards of K-pop.
Update(April 26, 2025): NEEZ disbanded. I knew this would happen! The writing was on the wall! Look at what happened to T:EV's debut. It was awful as well. It is better to sneeze than to "NEEZ" as well as to keep your knees than to witness "NEEZ".
Score Calculation:
Total Accumulated Score: 6.23/19
6.23 Divided By 19 = 0.327894737
0.327894737 Multiplied By 100 = 32.789473684
Final Score: 32.7%
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QUICK BIOGRAPHY
Group Name: Ho Young Label(호영레이블)
Label/Distributer: 별놈들(Stars)/BigBand Entertainment
Members: 장영호(HO YOUNG), 황인심(BAEG JA), 나선욱(KKUUGI)
Album: Up!
Debut Date: January 16, 2025
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Links and Ratings
Music Video: Ho Young Label - Up! Cinematography Score: 1/1
Narrative/Story Score: .1/1
Acting/Modeling Score: 1/1
Link:Audio Link:Instrumental Studio Recorded Vocals Score: .1/1
Instrumental Score: 1/1
Lyrics Score: .1/1
Stage Presence Score: 0/1
Facial Expression Score: 0/1
Objective Movement Score: 0/1
Choreography Aesthetics Score: 0/1
Live Choreography Score: 0/1
Live Visual Score: 0/1
Telegram/Social Media users insisted that I review Ho Young Label. Although I know that they've released their music as some kind of work of satire/comedy, I've decided to do a quick review. Ho Young Label are just 3 social media influencers, who became k-idols overnight. The music video is filled with them doing funny antics and facial expressions; they are just having fun overall.
Actually, it would be interesting if a k-idol group debuted with a comedy concept. Ho Young Label could have created a different path in K-pop, where groups just do skits, satire, "Punch and Judy" slapstick, and other forms of comedy/entertainment.
Overall, I don't know what to say really. All I got for them is: Hwaiting(화이팅)!
Score Calculation:
Total Accumulated Score: 4.02/19
4.02 Divided By 19 = 0.211578947
0.211578947 Multiplied By 100 = 21.157894737
Final Score: 21.1%
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QUICK BIOGRAPHY
Group Name: Hidden Glow(히든글로우)
Label: Independent
Members: I:RINA, Hada, Kiki, Florea
Digital Single: Spotlight
Debut Date: January 10, 2025
Disband Date: March 20, 2025
Hidden Glow consists of contestants in Girls Frontier(an underground idol survival show). While Hada was in Midori Sour(temporary group), I:RINA, Kiki, and Florea were from Aka Ringo(temporary group). Unfortunately, the group only released their debut audio track "Spotlight" and nothing else. Hidden Glow left us with an incomplete debut; their debut was like watching tumbleweed traveling through a barren wasteland.
Updated(April 29, 2025): Apparently, Hidden Glow has disbanded. The glow will be hidden for now.
Score Calculation:
Total Accumulated Score: 3.2/19
3.2 Divided By 19 = 0.168421053
0.168421053 Multiplied By 100 = 16.842105263
Final Score: 16.8%
I nominated two groups for the Best Live Vocal Performance, splitting the "Over-kill" in half and distributing it to these two groups. In other words, these two groups will receive ".5" points in "Over-kill". This happens to be a rare situation, where one group has advanced vocal prowess while the other group has a variety of harmonious vocal tones.
🟔1)In A Minute - How We Do[it's Live(Live Music Show)]🟔
🟔2)Close Your Eyes - Snowy Summer[it's Live(Live Music Show)]🟔
Examination of Music Videos ⇨Views/Likes/Comments/Search Accumulation From 4/22/2025⇦
[Group:Re:Wind][Views:68K][Likes:2.5K][207 Comments](Debut Date: March 28, 2025)
Search Accumulation Score: 68K+NA+NA+NA+NA= 68K
[Group:M.Prism][Views:39K][Likes:1.7K][377 Comments](Debut Date: March 28, 2025)
Search Accumulation Score: 38K+34K+38K+18K+17K= 145K
[Group:KiiiKiii][Views:2.5M][Likes:99K][6,674 Comments](Debut Date: March 24, 2025)
Search Accumulation Score: 11M+5.2M+2.6M+2.5M+1.6M= 22.9M
[Group:NewBeat][Views:1.1M][Likes:16K][1,429 Comments](Debut Date: March 24, 2025)
Search Accumulation Score: 1.1M+1M+507K+446K+357K= 3.4M
[Group:3WAY][Views:77k][Likes:3.5k][116 Comments](Debut Date: February 27, 2025)
Search Accumulation Score: 77K+38K+22K+19K+14K= 170K
[Group:Nouera][Views:4M][Likes:21K][2,468 Comments](Debut Date: February 26, 2025)
Search Accumulation Score: 4M+727K+492K+420K+396K= 6M
☑[Group:Hearts2Hearts][Views:17M][Likes:608K][60,926 Comments](DEBUT DATE: February 24, 2025)☑ ☑Search Accumulation Score: 17M+17M+6.9M+5.8M+2.2M= 48.9M☑
[Group:Awin][Views:12K][Likes:1K][235 Comments](Debut Date: February 16, 2025)
Search Accumulation Score: 21K+12K+5.3K+2.6K+2.3K= 43.2K
☑[Group:KickFlip][Views:25M][Likes:231K][13,465 Comments](DEBUT DATE: January 20, 2025)☑ ☑Search Accumulation Score: 25M+16M+8.5M+3.1M+2.8M= 55.4M☑
[Group:Hoyoung Label][Views:516K][Likes:5.6K][759 Comments](Debut Date: January 16, 2025)
Search Accumulation Score: 1.5M+1.1M+282K+248K+116K= 3.2M
[Group:XLOV][Views:2.3M][Likes:162K][8,677 Comments](Debut Date: January 7, 2025)
Search Accumulation Score: 2.3M+1.2M+1.1M+645K+486K= 5.7M
Debuts with No Music Video:
[Group:Rekirem][Views:][Likes:] NA(Debut Date: March 24, 2025)
Search Accumulation Score: 3.4K+3.1K+2.4K+2.1K+3.8K= 14.8K
[Group:In A Minute][Views:][Likes:] NA(Debut Date: March 15, 2025)
Search Accumulation Score: = 218K+50K+16K+9.7K+9.9K= 303.6K
[Group:ManWolHwa][Views:][Likes:] NA(Debut Date: February 23, 2025)
Search Accumulation Score: = 5.3K+1.5K+2.2K+NA+NA= 9K
[Group:NEEZ][Views:][Likes:] NA(Debut Date: February 15, 2025)
Search Accumulation Score: = 1K+NA+NA+NA+NA= 1K
[Group:Hidden Glow][Views:][Likes:] NA(Debut Date: January 10, 2025)
Search Accumulation Score: = 10K+6.6K1.8K+NA+NA= 18.4K
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🞜Introduction🞜
This section is for Pre-Debuts, Pre-Releases, and rumors of rookie groups. Once a k-idol group's debut has started, the group will be removed from this section. I give each group about a month before I actually release a full review; usually, debuts last at least a month and at most two months, depending on current events.
⚠NOTE⚠ I do not reside in South Korea. Realistically, I will not be able to review every single debut in South Korea; it is simply impossible for me(I'm only one individual). Although I know Saesangs in South Korea that are able to give me vital information, photographs, and videos, I'm still in the dark about all the events that transpire over there. Yes, you have read that correctly. Within the dark side of K-pop, I've allied myself with many saesangs in order to get information. Saesangs are also known as stalkers, but they are believed to be much worse as well. I'd like to add that saesangs are not the problem, but symptoms of a greater issue at hand, which is part of a decaying society. I know lots of people easily blame and shame saesangs, but they are merely results of a degeneration that society has created in the first place. For example, criminals don't just exist out of the blue from randomness; criminals are molded and sculpted by the environment(society) that surrounds them, a product of society. I'm not the type of person that cast away people because of their obsessions; I'm open to every point of view even if it is considered dark/evil and seen as societally unacceptable. Throughout my life, I've judged people without looking from their perspectives. I am no longer a person who is quick to judge when it comes to varying/different people within K-pop fan bases. I don't think I'm in any authoritative position to cast judgment on others; certain individuals have a "high horse" syndrome, where they frown and look down on people from their "high horse" without even meeting and understanding them. In other words, "High Horse Syndrome" is equivalent to something called a "superiority complex"; individuals with this type of complex usually think that their "sh!t don't stink" or that they are a person with no faults, negative aspects, or wrong-doings. Basically, someone with a superiority complex thinks that they are perfect with no flaws. I'm not the type of person who casts quick judgment on anyone/anything without a complete analysis.
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Recent 2025 Debuts/Pre-Debuts/Comebacks
⚠NOTE⚠ These will be removed after their review. Usually, a K-POP group's debut period ends after a month. Within this section, I also included rookie comebacks.
Note: The rumors found here may not be relevant after the date mentioned on the surface of the blog tab because the KPOP industry changes rapidly.
🙊COMMA(Label:Pocketdol Studios?)[Rumor: 4 member boy group?]
🙊QQQ(Label:?)[Rumor:3 member boy group?]
🙊ChRocktikal(Label:DreamCatcher Company)[Rumor:Co-Ed Band. I will not review this.]
🙊H//PE Princess(Label:Chapter-I)[Rumor: This 7 member girl group was formed through MNET's reality survival show "Unpretty Rapstar: HIP POP Princess". It is rumored that they will debut in 2026.]
🙊MODYSSEY(Label:CJ ENM and NCC Entertainment)[Rumor:7 member boy global project group. They are rumored to debut early 2026.]
🙊TAGRIGHT(Label:?)[Rumor:J-pop group rumored to debut in January 2026. Most likely, I won't review this group.]
🙊RE:GUYS(Label:DNA Entertainment?)[Rumor: GreatGuys are rebranding to "RE:GUYS" with 7 members. I'm not entirely certain who is doing their rebranded debut...Didn't they disband? Aren't there like 12 members? I haven't caught up with this group ever.]
🙊Air100(Label:MBK Company)[Rumor:7 Member Boy Group rumored to debut in 2026.]
🙊Genus(Label:Just Focus Media)[Rumor:So far, there are 3 members.]
🙊NewJeans(Label:ADOR)[Rumor: Recently, NewJeans deactivated their NJZ-related instagrams, which created a ton of speculation amongst K-netizens and international fans. Was the deactivation of their accounts part of NewJeans abiding the court's ruling? Their sudden obedience, and allegiance to ADOR felt swift. Certain fans have told me that the "NJZ" era or "NJZ" Freedom Movement has come to an end; the NJZ fans have speculated that all NewJeans members decided to come back to ADOR since they deactivated their NJZ-related social media. 2 out of 5 members of NewJeans officially decided to uphold their exclusive contract with ADOR, which expires in July 2029. Danielle and Minji had unilaterally announced that they are coming back to ADOR, but there is no official decisions made yet. Apparently, Hanni is in Antarctica; currently, we don't know her response to ADOR. My hunch is that NewJeans are simply "burning" their time with ADOR until their contract terminates in 2029. After their contract terminates in 2029, I speculate that NewJeans will rebrand; however, the rebranded name will not be "NJZ" since it could be brand infringement. Heck, there's also a possibility that NewJeans simply renews their contract with ADOR beyond 2029 if the incentives of staying there are worth the price. By 2029, NewJeans will show their true allegiance by either renewing with ADOR or terminating their contract and rebranding. Within my gossip circles, a few speculate that NewJeans will rebrand in 2029 under Min Heejin's agency "OOAK". Others in my k-pop gossip circle are speculating that NewJeans will create a lot of trouble within HYBE; she was explaining that NewJeans could be like Min Heejin's "Trojan Horse" or "Tro-Jean Horse" infiltrating HYBE to cause a ton of ruckus before their contract is terminated on 2029. Basically, 2029 is a pivotal point in NewJeans' career. For now, the only thing left to do is wait until new information is publicly available. So far, I'm only hearing more rumors than actual news.
Breaking NewJeans News: Danielle's exclusive contract with ADOR was terminated; from what I've read, it wasn't a mutual contract termination, but that of ADOR's action because it was stated by journalists that Danielle violated her contract after the court's hearing(there might be more to this). As an act of retaliation, ADOR/HYBE is now sueing Danielle's family member; a lot of K-netizens and International Fans are assuming that the "family member" that ADOR/HYBE is sueing is actually Danielle's mother. To be quite honest about the whole situation, I'm fairly certain Danielle's mother will most likely get smoked in court because there is evidence that she is a key collaborator in the tampering allegations involving Min Heejin(crazy news); unfortunately, the court is most likely going to side with ADOR/HYBE because they've abided and fulfilled the agreements on the contract while Danielle led some kind of "NJZ" rebellion against it. This wasn't the only news. Hanni has complied to the court's ruling, and is returning to ADOR. Minji's decision to uphold the court's ruling is still unknown. Certain social media users are saying that Danielle's career is finally ruined; a large portion of NJZ fans had cruel messages to HYBE/ADOR for splitting the members of NewJeans apart. All fans are in confusion, and the NJZ fan base are in shambles, and is wondering what's really going on. Was Danielle forcefully/strategically kicked out of ADOR/HYBE? We'll have to find out from what happens in court. A few netizens have said that Danielle is deeply tied to The Black Label, and Min Heejin, but this is merely speculation. Overall, this whole situation is going to "black-ball" Danielle from being in the K-pop music industry; unless, of course, Min Heejin's company OOAK, The Black Label, and other companies welcome Danielle with open arms. Again, this is merely speculations that she will end up with these labels; however, Danielle has proven to be a huge liability that it would be risky to take her in within any label. Personally, from my observations, I think her career in the K-pop industry is pretty much over with; unless, she goes into the international entertainment route, countries such as the U.S., Austrailia, and Europe would gladly accept her. This is still an on-going feud. Folks, get your lawn chair, and popcorn for the incoming sh!t show! There are huge talks within the K-pop community about fans boycotting NewJeans! Danielle was casted as the sacrificial lamb to be made an example of! I forgot to add that the amount that Danielle, and her mother is being sued for is astronomical; it is possibly around 80 million, but we need to actually wait until the court case is over to find out the true amount.]
🙊Idol Labor Union(Label:?)[Rumor: This is not a survival show, competition, or audition. A researcher from the Democratic Party’s Youth Policy Research Institute, Seo Min Seon is leading this entire initiative. There are 10 active idols who are in support of this plan to "unionize" the k-pop industry by bettering working conditions, intensifying psychological and human rights protection systems, and managing incessant labor problems within the k-pop entertainment industry. I've never heard of this until now. Will this apply to every company or is it exclusively for certain companies that enroll? Does this also include fair wages for k-idols? Is this merely to create "strikes" against companies that have a bad reputation at managing their idols? I'm not entirely certain what to make out of this, but I've heard that this initiative will classify idols as "workers" instead of "independent contractors". Overall, the entire sentiment surrounding "Idol Labor Union" reeks of "Anti-HYBE", almost pro-NewJeans as well.]
🙊GPP(Label:SM Entertainment)[Rumor: A Japanese girl group. Here's the link: GPP - Bring It Back.]
🙊VINII(Label:VOLVE CREATIVE)[Rumor: Formed from an audition called "Black & White", VINII is a Japanese Girl Group consisting of Rinne, Saki, Tyra, Takara, and Mei. They are the unit representing the "Black" concept. I might not review this debut.]
🙊Milmoon(Label:VOLVE CREATIVE)[Rumor: Formed from an audition called "Black & White", Milmoon is a Japanese Girl Group consisting of Yuua, Fuka, Moepi, Emi, and Yoo. They are the unit representing the "White" concept. I might not review this debut.]
🙊StandUp(Label:INDEPENDENT)[Rumor: A 2022 live performance group consisting of Minji, Yooseung, Yujeong, Seonga. There are rumors that they are attempting to debut.]
🙊I-CODE(Label:CNS Entertainment)[Rumor: This 4 member girl group was formed from a TikTok survival show called "Stellar Sugar".]
🙊UX1(Label:Avex Trax)[Rumor: U-KISS's Kevin Woo, Hoon, And Kiseop is coming back as UX1, a sub-unit. U-Kiss did say they were in an indefinate hiatus; however, Kevin Woo is back in the group. By the way, if you didn't know, Kevin Woo left U-Kiss in 2017, which was 8 years ago. From what I noticed, they are promoting in Japan. It could be a japanese album? I'm uncertain of what is going on. I forgot to add that Kevin Woo was the singing voice of the Saja Boys' Mystery Saja(KPOP Lemon Punters(I intentionally changed the name.)).]
🙊?(Label:OOAK)[Rumor: OOAK, "Only One Always Known", is Min Heejin's newly created entertainment agency. Previously, Min Heejin was the creative director of New Jeans. There are rumors that Min Heejin will be creating a new boy or girl group. Others have speculated that after 2029, NewJeans will end up here with a rebranded debut after their contracts are terminated with ADOR.]
🙊Santos Bravos(Label:S1ENTO Records/HYBE)[Rumor: Santos Bravos is a latin american boy group. Like I said before, HYBE is taking over the world with their global music. This is merely the start of HYBE being present in other countries. I will not review this group because it is a global/latin group. Here's their debut visualizer: Santos Bravos - 0%.]
🙊LATENCY(Label:Oddinary)[Rumor:K-Band? Fingerstylish(Huiyeon), Jee won(Cignature), Haeun, HyunJin(Loossemble/LOONA), and Semi. This is interesting, but I may not review.]
🙊EION(Label:WANNABE ENTERTAINMENT)[Rumor: It is rumored to be a 5 member group.]
🙊ANOHRTS(Label:J-Star Entertainment)[Rumor:5 member boy group.]
🙊ADAP(Label:FC ENM)[Rumor: "All Dreams Are Possible". 5 Member Boy Group who are releasing debut content within this November and December. In December, they will release performance videos; however, it may not be their debut.]
🙊KAJA(Label:Sony Music Entertainment Korea)[Rumor:This is KJRGL's rebranded name. I'm not entirely certain what Sony Music Entertainment is deviously planning, but they are always trying to confuse their audience with their shenanigans. Will they actually do a Korean Debut or will they do another Japanese Debut?]
🙊?(Label:Hybe India)[Rumor:News are swirling that boy/girl groups will be springing up in India. To be honest, I think Hybe is developing a monopoly when it comes to global groups. If this starts to take off throughout the world in every country, then "Hitman" Bang Si-hyuk should be rolling in the money. Hybe is not only going to be in the "Big Four" in South Korea, but as a global leader in pop music. This may sound scary to NewJeans and their fandom Bunnies because we will see Hybe labels stamped on every music that we listen to; actually, it will give NewJeans and Bunnies a panic attack.]
🙊hrtz.wav(Label:MNET)[Rumor: STEAL HEART CLUB is renamed to "hrtz.wav". Why are groups now naming themselves after system file names? Most likely, I won't be reviewing this.]
🙊LNGSHOT(Label:More Vision)[Rumor: Jay Park's label. The label is also known for their current artist, Chung Ha. Rumors say that it is a 4 Member Boy Group. The teaser images of this group is already full of attitude with all the members literally "flipping the bird" or showing their middle finger towards their audience. It already looks super edgey.]
🙊STARGLOW(Label:BMSG)[Rumor: A boy group rumored to have project 7 contestants. Moonchaser is their japanese/english pre-debut, which should be worth the listen. I will not review it.]
🙊S2iT(Label:?)[Rumor: A 5 member girl group preparing for their pre-debut.]
🙊Unpretty Rapstar : HIP POP Princess(Label:MNET)[Rumor: The result of this show is to create a global hip-hop girl group. The show premieres on October 16. The main producers are: Soyeon, Gaeko, Riehata, and Iwata Takanori.]
🙊GOLDDUST Girl Group(Label: GOLDDUST ENTERTAINMENT)[Rumor: The girl group BEWAVE is splitting in half; both groups will still be under the same label. While Zena, Ain, and Gowoon will create a new group, Jiun, Yunseul, and Lena will stay in BEWAVE. Strange right?]
🙊nytt(Label: W.ONE Entertainment)[Rumor: nytt stands for "Not Your Typical Trainee". So far, there are 5 trainees in the group.]
🙊CIIU(Label: JYP ENTERTAINMENT AND NCC Entertainment)[Rumor: This was called Project C. It is a chinese debut, so I won't be reviewing this group.]
🙊Hybe x Geffen Records New Girl Group(Label: Hybe x Geffen Records)[Rumor: Hybe x Geffen Records are creating their second global pop girl group. The line-up is rumored to be mostly established, except for certain positions. There are auditions for a japanese member. It is rumored that this group will debut in 2026 - 2027. Like I said previously, I don't review global pop groups, only kpop groups.]
🙊BOY19ER(Label: Spheres Entertainment)[Rumor: 6 Member boy group. I'm not certain of how to pronounce the name...]
🙊NTH BOYS(Not Then Boys)(Label: ?)[Rumor: Boys II Planet contestants revealed their group on August 3. A few weeks later, the group disbanded. They were going to release a pre-debut track “Not Yet” on November 15, 2025. Rumors says that the group is still going to be creating content. There's still a possibility that they are working on future projects.]
🙊Ready To nCH Trainees(Label: n.CH Entertainment)[Rumor: I'm not certain netizens know about n.CH Entertainment. They are a subsidiary of SM Entertainment, who have brought us "KKD" and "n.SSign". To be honest, I hope this new group will spark the interest of KPOP fans because this company hasn't made any noise with their current groups at all. After the disbandment of "Nature", fans jumped ship and decided to stan other groups from other companies.]
🙊A-IDOL(Label: MBC)[Rumor: 36 contestants from 6 different groups (LIGHTSUM, PURPLE KISS, WOOAH, DreamNote, ICHILLIN', CSR) competing for a position in a new group. The contestants are judged by A.I. called "LODIA-I".]
🙊GIRLSET(Label: JYP Entertainment)[Rumor: A rebranded girl group consisting of Former VCHA LEXI, CAMILA, SAVANNA & KENDALL. I don't think I will be reviewing this group because it is most likely a "global" pop group, which many mistaken as "kpop". As you know, each South Korean company are trying to dip their toes in the international markets to create a "global" pop group; it's part of a gigantic initiative in expanding their company world-wide, reaching to all different countries. The only group that has global influence, so far, is Katseye. I think JYP Entertainment are trying to compete with HYBE; however, they had failed earlier with VCHA.]
🙊Nü FEEL.(Label:Girls Theme Park Project)[Rumor: A pre-debut Japanese group rumored to debut on September 15, 2025. I might not review this japanese debut, but I've heard that Rocket Punch Juri will be responsible for the music creation. The group should be promising.]
🙊House of Girls(Label:ENA)[Rumor: House of Girls is a female singer-musician survival show consisting of 10 Contestants. The cast of judges are Kim Yun Ah, Yang Dong Geum, Shin Yong Jae, and Soyou. The broadcast started May 23, 2025 and ends on July 25, 2025. I'm not certain of what the outcome is just yet.]
🙊Bestted(Label:?)[Rumor: Bestted consists of Nizi Project Season 2 And Universe League contestants. This group may be leaning towards a Japanese Debut than a Korean debut. While Universe League was a South Korean survival show, Nizi Project Season 2 is a japanese survival show.]
🙊Everglow(Label:Chxxta Company)[Rumor: This is all speculation for now and it is not 100% true; however, there's a lot of rumors saying that they will continue as a 4 member group. Depressingly, I wanted their group to keep all the members together. I'm not certain when they will re-debut.]
🙊Girl Group(Label: THE L1VE)[Rumor: There are rumors that contestants of Girl's Planet 999 and I-Land 2 will be in this group.]
🙊Alphie(Label:Modhaus)[Rumor:A sub-unit of TripleS.]
🙊Rainbow 18(Label:K-Tigers E&C)[Rumor: This is the third sub-unit of Rainbow. I will not review this group.]
🙊Ettone(Label: O21)[Rumor: Japanese Debut at September 10, 2025. I probably won't be reviewing this.]
🙊MUL(Label: ?)[Rumor: This group disbanded in 2024, but now rekindled the group in 2025. They are promoting in Japan.]
🙊Nebula(Label: Nebula)[Rumor: A Korean-Japanese fictional project girl group for a web drama. I will not review this. Here is one of their songs: Nebula - Shining Star]
🙊uneverm8t(Label:Modhaus)[Rumor: This is a sub-unit of idntt.]
🙊yesw8are (Label:Modhaus)[Rumor: This is a sub-unit of idntt.]
🙊itsnotov8r(Label: Modhaus)[Rumor: This is a sub-unit of idntt.]
🙊idntt(Label: MODHAUS)[Rumor: It is rumored that this boy group will have 24 Members like TripleS.]
🙊I:Z(Label: Play Maker E&M)[Rumor: Currently, a duo; however, there are rumors that other PinkFantasy members could join. This group is focused on queer themes.]
🙊ALPHA DRIVE ONE(Label: WAKEONE)[Rumor:This multi-national project boy group is the by-product of Boys II Planet. They are rumored to debut in 2026.]
🙊Boys II Planet(Label: MNET)[Rumor: 160 Contestants. You'll notice big names on the cast, such as Hyolyn(Sistar), Kim Jae Joong(TVXQ!/JYJ), Xiaoting(Kep1er), and more. Update: There's already controversies surrounding this show; unfortunately, there will be contestants who are going to be kicked out. All for the right reasons, of course. WAKEONE really needs to publicly explain all the contract terminations that are happening...]
🙊ASTEON(Label: MEGAMETA)[Rumor: A 4 member acting/idol boy group.]
🙊ARISE(Label: BY-U Entertainment)[Rumor: 2 member girl group. The other 2 members left.]
🙊CLUEUS(Label: ?)[Rumor: A developing group consisting of Starlight Boys contestants...]
🙊YUHZ(Label: Pinnacle Entertainment)[Rumor: SBS's B:MY BOYZ revealed their name as "YUHZ"(You Hertz). The rumor is that they will debut the beginning of 2026. Survival show premieres June 2025~. Here's the signal song: SBS B:MY BOYZ - Be My Boyz.]
🙊Stellar Sugar(Label: ZZANG Company and House Cultural Media)[Rumor: Airs on Friday, May 9, 2025. They also released this performance video called SSS (Shining Stellar Sugar). The winners were annouced to be Moana, Roa, Unia, Kurana, and Jiin. The last 2 members will be chosen between Yona, Yin, Juney and Rian.]
🙊24kumi(Label:YX LABELS)[Rumor: Official disbanded April 2025.]
🙊THE SSYNDROME(Label: Dreamcatcher Company)[Rumor: I won't be reviewing K-Bands; however, this group should be highly anticipated because they have the "Dreamcatcher" label attached to it. This is Dreamcatcher's company, which was previously named "Happyface Entertainment". It's dedicated solely to Dreamcatcher!]
🙊I.MET.U(Label:PI Corporation)[Rumor: 4 member global girl group. This group is the byproduct of the survival show "Time Turner". From what I remember, this show was based on fan votes. The process of establishing the group was questionable. We'll see what will happen when the debut arrives. Many netizens expressed harsh criticism towards Kelly Kim and Time Turner because she was picked over super talented contestants. Netizens also said the show was rigged. Update News(7/28/2025): It is rumored that they will debut in 2026.]
🙊Be The NEXT: 9 Dreamers(Label: MLD Entertainment and Artsro Entertainment)[Rumor: This filipino survival show already picked 9 winners from Asia(including members from South Korean group "The KingDom"): Yunho(The KingDom), Ivan(The KingDom), Yohan, Tehll, Zor, SmileOne, Francis, Gelo, Dylan. Unfortunately, their debut was recently canceled. Certain K-netizens have told me that MLD Entertainment is nearing bankruptcy. Although this rumor about their bankruptcy sounds legit, we'd have to wait and see. Aren't there still groups under MLD Entertainment? This sounds like a disaster!]
🙊A20 Trainees(Label: A20)[Rumor: Sunny(Girls' Generation) is training A20 rookies in some kind of "Summer Training Camp". Here's the link: A20 Summer Camp. If this group is being trained by one of the legendary members of SNSD, then these kids are most likely going to have a strong debut. I speculate that this group's debut is going to be a massive success, as well as grand exposure in South Korea and the world. Obviously, they are preparing their rookies for something spectacular!]
🙊SMROOKIES(Label: SM Entertainment)[Rumor: SMTR25 is what the rookie project is called. "SM" stands for SM Entertainment. "TR" stands for Trainee. Lastly, "25" is the number of trainees in the project.]
🙊VENUE401 BOYS(Label: VENUE401 Entertainment)[Rumor: 3 Member Boy Group]
🙊Newkies(Label: Dongyo Entertainment)[Rumor: 2 member boy group.]
🙊NAVY or "INTHE X"(Label: iNKODE)[Rumor: "NAVY" stands for New and Vibrant Youth. This is the brother group of Say My Name. So far, there are 4 members. The rumor is that this group will debut in 2026. Update(11/16/2025): There was a rumor that their name changed to "INTHE X"; however, that name could only be temporary for a promo. I'm a bit confused?]
🙊0V__X0(Label: IST ENTERTAINMENT)[Rumor: The former name was "00d00m00y". A rumor stated from a K-netizen had said the boy group will have around 8 Members.]
🙊4IREN(Label: UniqueTunes Records)[Rumor: 4 Member Girl Group]
🙊THE REAL HYPE BOYS(LABEL: ADOR)[Rumor: ?]
🙊AMBITION(Independent)[Rumor: 4 Member Boy Group]
🙊GIRL GROUP(LABEL:ATRP)[Rumor: Former Loona's Chuu is under this label. Is the girl group related to LOONA?]
🙊Boy Group(Label: Attrakt)[Rumor: A little brother group of Fifty Fifty.]
🙊Girl Group(Label: Attrakt)[Rumor: A little sister group of Fifty Fifty.]
🙊AxMxP(Label: FNC Entertainment)[Rumor: A rock band, which I may not review.]
🙊Biscuit Girls(Label: Biscuit Entertainment)[Rumor: There's only one member. Is this group going to continue or disband?]
🙊NAZE(Label:C9 Entertainment)[Rumor: c9rookies is now calling themselves as "NAZE". From what I have heard, C9 Entertainment(subsidiary label) has strict rules in how their k-idols should look like. Any member under their label who doesn't meet their quota could very well be kicked out of their label as well as their contract be terminated. Other groups that belong in C9 Entertainment are CIX and EPEX.]
🙊Choco1(Label: Choco Entertainment)[Rumor: The controversy is that they are too young to debut.]
🙊Choco2(Label: Choco Entertainment)[Rumor: The controversy is that they are too young to debut.]
🙊Chrome Trainees(Label: Chrome Entertainment)[Rumor: There's certain netizens saying that the group has "Fainit" members as trainees.]
🙊XOGEANS(Label: Cube Entertainment)[Rumor: The name is only a rumor. I've heard the trainees are crazy talented.]
🙊NEW GG(Label: Cube Entertainment)[Rumor: The name is only a rumor. I've heard the trainees are crazy talented.]
🙊Legend Entertainment Trainees(Label: Legend Entertainment)[Rumor: unknown]
🙊Midas World Entertainment Trainee Girls(Label: Midas World Entertainment)[Rumor: unknown]
🙊Mile Entertainment Trainee Girls(Label: Mile Entertainment)[Rumor: unknown]
🙊Pink Bling(Label: DSY Entertainment)[Rumor: This group were only a singing and dancing cover group. A group that's been together for 5 years, but they never debuted.]
🙊Pledis Girls(Label: Pledis Entertainment)[Rumor: Pledis has a bad track record of managing their girl groups; take a look at Pristin and fromis_9. Now, they are creating a new girl group. Unfortunately, I have a bad feeling that Pledis is going to squander another girl group.]
🙊Staron Girls(Label: Staron Entertainment)[Rumor: This group consists of contestants of Universe Ticket.]
🙊Sweet Villain(Label: ON1 Entertainment)[Rumor: 4 Member Girl Group]
🙊Girl Group(Label: Source Music)[Rumor: unknown]
🙊XX Entertainment Trainees(Label: XX Entertainment)[Rumor: unknown]
🙊BlockBerry Creative Trainees(Label: BlockBerryCreative)[Rumor: I'm not entirely certain if most people know this, but BlockBerryCreative is closed for good; all the proof that you need is their office building signage are all torn down with no sign of an active business. However, the rumor mill still continues with speculations and conspiracy theories. One rumor is BlockBerryCreative has started a new agency with a brand new name, which is unknown to most. They are heavily investing in their new trainees and pushing for a new era. Although this company has lost their case against LOONA, BlockBerryCreative(with a new agency name) is doubling down on these new groups. Isn't it obvious that they are trying to make a new "LOONA"? I wonder if there is an agenda or even a vendetta against the original LOONA members. Anyway, BlockBerryCreative is rumored to have male trainees, but there is gossip that there are female trainees as well.]
UPDATE: BlockBerry Creative is making a boy group! The conspiracy theories are true! They are forming a group from "Boy of The Month" project! Obviously, something is going on here!
🙊SOE(Some Other Expression)(Label: WE US Entertainment)[Rumor: A 6 member girl group who planned to debut on November 2024. The rumor is that they've quietly disbanded.]
🙊Girl Group(Label: F&F Entertainment)[Rumor: This company is growing bigger. New trainees and more!]
🙊CTDROOKIES(Label: CTDENM)[Rumor: 4 Member Boy Group. The group was formerly called "SuperEight". LOOSSEMBLE was formerly under this label.]
🙊Daydream(Label: PIA Entertainment)[Rumor: A 2022 group that never debuted. I don't know why there's a long wait...]
🙊DDDD 25(Label: INNIT Entertainment)[Rumor: 5 member Girl Group. INNIT Entertainment is a subsidiary of JYP Entertainment. There was a few performances on social media with certain members. They are impressive! Honestly, they can rival BabyMonster if they are given the opportunity! Here's one of the members doing their solo debut: YOUNGBIN - Freak Show.]
🙊DE:VA(Label: Na Entertainment)[Rumor: A multi-national group. If they do a full english debut, then I may not review it.]
🙊Diaz(Label: EZ Entertainment)[Rumor: 4 Member Boy Group.]
🙊EVERMORE MUSE(Label: Evermore Entertainment)[Rumor: A girl group formed in 2021. Only 2 members left in it. 4 members participated in the pre-debut, but they left.]
🙊GLX(Label: Shinwha Entertainment)[Rumor: A multi-national girl group. This may be an english debut, so might not review.]
🙊NEWY(Label: H1GHR Music and AOMG(COLLABORATION))[Rumor: The founder of this label is the famous rapper Jay Park. It is rumored that the company has taken in the eliminated contestants of "I-Land 2". Is this a fully packed rap girl group? They are doing their first appearance in Japan. From what I've heard, there's 4 members: Son Juwon, Kim Chaeeun, Yui, Um Jiwon.]
🙊Half&Half(Label: ICE Entertainment)[6 Member Boy Group. It was said that they did a pre-debut called "Together", but I never heard hints of it back in 2024.]
🙊Harana(Label: Shinwha Entertainment)[Rumor: 4 member multi-national girl group.]
🙊Unchild(Label: High Up Entertainment)[Rumor: The name "UNCHILD" is rumored to be their trademark; their former name was "High Up Baby". A new girl group under the same label as STAYC. Na Haeun(SM Trainee/Choreographer) was transfered to High Up as a Trainee. Park Yeeun from I-Land 2 might debut in this group.]
🙊Hi-Hat Boys(Label: Hi-Hat Entertainment)[Rumor: The rumor is that this boy group will debut after Ifeye.]
🙊JX(Label: iNKODE)[Rumor: Duo Debut of Jaejoong and XIA's(former JYJ and TVXQ!). Since I don't review duos, I will just mention it here.]
🙊Girl Group(Label: JXENM)[2 Members remaining. Will this group continue or disband?]
🙊Girl Group(Label: JYP Entertainment)[Rumor: JYP's girl trainees might be ready to debut...]
🙊LUPITER(Label: Laugh Entertainment)[Rumor: 4 Member Boy Group.]
🙊Lura Lucy(Label: Independent?)[Rumor: 3 Member Girl Group.]
🙊MAXIMUM(Label: Independent?)[Rumor: 3 Member Boy Group created in 2020, but never debuted.]
🙊MEP-C(Label: GBK Entertainment)[Rumor: 8 Member Multi-national Girl Group.]
🙊MissDica Girls(Label: MissDica Entertainment)[Rumor: 3 Member Girl Group under the same label as Pocket Girls.]
🙊My One(Label: Startree Entertainment)[Rumor: 5 Member Boy Group.]
🙊MYTRO(Label: SM Entertainment and YamYam Entertainment)[Rumor: The only trot group debuting this year. This is an easy win for them. Update(6/4/2025): There's a rumor that this group is not debuting anymore. Why??? It was such an easy win for them!]
🙊YG NEXT MONSTER Girl Group(Label: YG Entertainment)
Rumor: Recently, YHS made a public announcement video: YG Announcement.
A member has been revealed: Evelli. Evelli was a bit nervous and shakey; however, that's probably because she's in front of YG and producers. Anyone would be shaken up if they were in front of the "Big Four". Anyway, Evelli already has high potential to be the best rapper in South Korea at the age of 15. Now, the nervousness that she had during her showcase can be improved in due time; she was jittery and backed into the microphone stand, which could have been an embarrassing moment; however, she kept her composure and the incident didn't phase her. Her strong attitude reminds me of CL from 2NE1.
A new YG Next Monster revealed: Chanya. At age 14, Chanya has strong vocals; also, she puts tons of emotions into her singing, which creates a dramatic effect(pulls people's heart-strings). Her breath control while singing is unreal because she decorates her breathing with her voice, almost entirely hiding her breathe. She sounds like she's been singing for 7 years, but it is stated that she was a YG trainee for "2 years and 8 months". She only has a few minor things to work on, which is a bit of restriction at the introduction of her singing. Another minor thing that she needs to work on is to avoid "head voice". Other than those 2 things, she has massive potential in being a vocal powerhouse in South Korea. Remember, she's only 14 years old! Imagine her fixing the minor issues throughout the years!
🙊NEXT MONSTER Boy Group(Label: YG Entertainment)[Rumor: At the rate that YG Entertainment is going, I have a feeling this rookie group will debut around 2026 or 2027. There's a lot of leaked photographs of this group from Saesangs. I don't know how they got them...]
🙊NEXTU(Label: Shinhwa Entertainment)[Rumor: 3 Member Multi-national group that already did an English Debut.]
🙊NXD(Label: RBW and RBW Japan)[Rumor: 3 Member Boy Group who released a Pre-Debut called "Jump".]
🙊Rabbit or Fox(Label: UNITIVE)[Rumor: A developing 6 Member Girl Group...]
🙊Season(Label: Studio Meta-K)[Rumor: AI co-ed group. Part of the group is A.I. The other part is human.]
🙊Seoul Area(Label: COLORVERSE Japan, Bandai Namco)[Rumor: "Seoul Area" is a temporary name.]
🙊Boy Group(Label: TITAN CONTENT)[Rumor: Unknown.]
🙊Girl Group(Label: Troy Entertainment)[Rumor: A 2 member girl group said to have more members. There's a mention of a 2025 debut.]
🙊UNNAME(Label: YM Entertainment)[Rumor: 4 Member Boy Group. I'm not sure if they will keep the name. Unfortunately, I heard a k-netizen on telegram say that this group disbanded. I'm not certain of this, but this k-netizen that I chat with doesn't lie about disbandment news.]
🙊WAYE:Z(Label: ?)[Rumor: This is a 5 Member Girl K-Band. Although I love listening to K-Bands, I will not review it because I lack knowledge of musical instruments and music theory.]
🙊Witchers(Label: Blooming Entertainment)[Rumor: A 5 member girl group that started in 2021. Will they ever debut?]
🙊Girl Group(Label: XGALX)[This is going to be XG's little sister group.]
🙊"Under 15" Rumor: A controversial South Korean show called "Under 15" is going to air. I'd like to repeat this over and over again. I am in support of minors debutting, depending on certain conditions; however, there are no active labor laws/regulations in South Korea to protect and safe-guard minors from abuse, exploitation, harrassment, blackmail, etc. Overall, I do not promote or advocate for children debuting in the industry's current state, either in k-pop or film acting in South Korea; the current state of these industries requires child labor laws/regulations, which aren't properly in place. However, if it is the minor's choice/decision to enroll as a trainee, then I'm not against it. A child must show 100% volition, an act of their own conscious choice and decision, in enrolling as a trainee or as a member of a debuting k-idol group. If there are no signs of a child having any volition in enrolling as a trainee, then I do not support it at all since it is a complete violation of their autonomy. I understand that parents play a pivotal role in this as well; parents could be coercing and exploiting their children into working in these industries, which is down-right dispicable, especially in its current condition. No children should be forced to doing activities that they didn't sign up for in the first place. As for those who are in favor of banning minors from debuting, you might be in for a huge shock. Usually, laws/regulations that outright ban certain activities will only create a black market for the activities, which will make it much worse than it previously was. For example, certain drugs that were banned by the government ended up creating a black market for those certain drugs. It made matters even worse than before. The best course of action is to simply create labor laws/regulations that protect minors in either k-pop and film acting. Anything that violates the child labor law will be penalized or worse, depending on the severity. There's no need to make matters worse by banning minors debuting.
I've heard that "Under 15" was canceled due to the South Korean public and the world marching down with pitchforks to the "Under 15" company and demanded it to be canceled. I don't think this will fix the problem; shows like this are on demand. That's why you see shows like this spring out from the woodwork and into home media.
Despite all the backlash of "Under 15", MBN will still air the survival show sometime this year. I think they are going to be showcasing all 59 contestants; however, I think they are going to edit and remove scenes from the survival show that made netizens angry in the first place.
UPDATE(AUGUST 2025): "Under 15" was canceled again? What netizens need to understand is that there is a growing market for younger idols; however, I do understand the concern that there is abuse, mistreatment, manipulation, blackmail, bribery, et cetera that happens between management and younger idols. I'm well aware of all these negative aspects of minors debuting. South Korea does have labor laws; however, they aren't properly enforced, nor even religiously followed. Yes, the concern is real; however, out-right banning this will eventually create a formation of underground shows and a black market for younger idols. It is better to not create this black market that I speak about; there's a lot more harsher things that can happen within these black markets like human trafficking. There's no need to ban these shows, but what is needed is to strictly regulate them under the law.
UPDATE(September 15, 2025): Apparently, the producer of "UNDER15", Seo Hye Jin, is being sued by two contestants of the show. Since "UNDER15" was canceled, the company Crea Contents Studio(NOT MBN), who is responsible for the creation of "UNDER15", tried to broadcast in Japan with a different name; the new name is called "A Star Is Born". Ultimately, Japan also denied them. As a last ditch effort, they tried to air the show in South East Asia, specifically in Thailand; however, 2 contestants didn't agree to this arrangement since it will interfere with their studies in South Korea, so the two contestants decided to sue the company. Although I'm not against minors debuting as long as labor laws are strictly enforced, we can all see the general sentiment about "Under 15". Everyone doesn't want this aired. It's fairly evident, as of right now, and the producer of the show needs to acknowledge that the general public is against this show. The company needs to call it quits and change their game plan.
Update(11/8/2025): "Under Fifteen" broadcasts in Thailand. The problem with this was that the parents of the contestants did not consent to this broadcast. Like I said before, I'm not against this show as long as children's labor laws are being followed; however, they cross the line when the company didn't even ask the parent's permission. The general public's opinion and sentiment of the show is mostly negative. It looks like "Under Fifteen" is proceeding regardless of all the backlash, lawsuits, controversies, et cetera.
🙊"Shamanistic KPOP Girl Group" Rumor: This one was super scary. The girls looked possessed doing what looks like a blood ritual. Although the footage was frightening, I could tell that they are professional dancers by the way they move. The link is not working anymore, but I have footage of it stored in an external hard-drive. Will I watch it again? My answer: a big "NO". Will I share it? Nope. It doesn't look appropriate at all. Ever since this CGI film craze started, I've been seeing some questionable dance footage from South Koreans. It all started with that CGI film that rhymes with "Lemon Punters".
①I do not review "Re-debut" groups. "Re-debut" groups keep their brand name/group name; however, their members are re-organized by the company because of many different reasons such as internal conflicts or disagreements between members, staff, and/or management. As a result of said conflicts or disagreements, members of the group leave their respective agency and new members are added to the established line-up. An example of a "re-debut" group is Fifty Fifty. There was a conflict between the members and their management, which resulted in 3 members leaving the company Attrakt. The 3 former members of Fifty Fifty and the company Attrakt are legally handling their situation in court.
Also, I review "Rebranded" groups, which may be mistaken as a "Re-debut". A "Re-debut" group keeps their name while a "Re-branded" group doesn't keep their name. If a group rebrands their name, then I would have to consider it as a newly developed group; in short, a rebranded group is a debut; rebranded groups are pretty much starting from scratch, possibly, with a whole new concept, theme, visual direction, etc. A group rebranding their name can negatively affect their established fan base, but may also persuade new people to join their fan base. Rebranding is 100% risky because there is a chance of huge losses in revenue from loyal fans. A rebranded name can repulse loyal fans because it no longer resonates with the original concept, direction, or perceived image.
②I do not review Solo or Duo Debuts. In my opinion, solo or duo debuts are usually for experienced(under-gone years of training) k-artists or k-idols who have an established fan-base. Although I'm not against anyone from initiating a solo or duo debut without prior experience, it is often unsuccessful or doesn't go popular. There are rare cases where rookies attempt a solo or duo and their song/songs hits mass appeal; however, these are usually exceptional cases, where they've garnered a lot of praise from avid music listeners(the public) or were promoted through grass-root movements.
③I do not review K-Bands. As much as I love listening to K-Bands, I don't have a full understanding or grasp of musical instruments; however, I do have experience with playing the piano, drums, violins in front of thousands of people. Although I have certain experiences with these instruments, there's a lot of musical theories or concepts involved that are beyond my comprehension and are difficult to explain. Typically, K-Bands do not have dance choreography because they are focused more on the musical instrument that they're using; there may be light dancing incorporated into their showcases, but it is not a full-fledged dance choreography. Within a K-Band, usually a main vocalist does all the singing while the instrument players can serve side vocals or even rapping. I may explore K-Bands in the future, but for now, I would have to set it apart from K-pop.
④I do not review groups who lack online content, videos, media coverage, discussion/rumors/gossip, and/or information. There are groups that leave out their identities, such as members in "Furry" or costume-oriented groups. I consider these types of groups to lack information.
⑤I do not review Full English Debuts and other *insert language here* Debuts. The term used for this type of music is "Global K-pop", "International K-pop(IK-POP)", "Multi-national K-pop", or "GK-pop". There are other terms like X-pop, which means to transcend pop music's restrictions; the "X" in "X-pop" denotes the removal of the language barrier in music, "Xing", crossing out, or negating the abbreviated language in front of "pop". Often, I find many people lumping, classifying, or adding music under the K-pop category when it clearly isn't K-pop; it may be categorized under "kpop-esque" or just regular pop music. If someone decided to place Spice Girls, Nsync, Backstreet Boys, One Direction, or Michael Jackson's music under K-pop, then everyone would obviously disagree with that and reject it. Clearly, Spice Girls, Nsync, Backstreet Boys, One Direction, or Michael Jackson's music would be under just regular pop or dance-pop music, depending on the song of course. Let's be honest here and stop placing music in the wrong category. There's obviously confusion going on within the K-pop and music community, where everyone seems to be wrongly categorizing and misclassifying music. Either that or there is a secret agenda being rolled out by certain groups to undermine the constitution/foundation of South Korea. Sorry, but I've drawn a line, a deep ditch or trench, between K-Pop and other Pop Music; South Korea has created a distinct landmark in the music industry that is difficult to simply ignore or disregard.
⑥I do not review Artificial Intelligence K-idol groups(A.I. Pop or A.I. DOL or A-IDOL), Virtual Content Creator, or CGI POP(Computer Generated Image Pop Music). Honestly, I love music performed by an actual human being. Although these computer-generated music is creative, I do not find that it cultivates the essence, spirit, or authenticity of South Korea. Currently, I am doubling down on my position on this matter. The agenda of pushing artificial intelligence, virtual reality content creation, and computer generated image pop music has gone mainstream; not only has it gained popularity, but it is disguising itself with the "K-pop" moniker when it clearly isn't K-pop. In my 2024 K-pop blog, I talk about K-pop splitting into two categories: authentic K-pop and A.I./VR/CGI K-pop. This "A.I./VR/CGI K-pop" will entice a huge amount of K-pop fans; however, it will not trick the intelligent K-pop fans to jump on the bandwagon. This craze will probably persuade the masses of people; however, the ones with a working brain will see through this deception and have used their discernment to cut this off immediately. It is really your decision to support this new wave of so-called "K-pop" or so the mainstream has made you believe it is.
⑦I do not review subunits, temporary units, or fictional groups. Subunits are a part of k-idol groups who have already debuted. Temporary units are groups created for a small project; once the small project is completed, the group simply disbands. Temporary units usually last for a season. There may be confusion between "Temporary Units" and long-term Units who have a contract for a year or more. Units with a year contract aren't "temporary"; rather, they are intended to last longer depending on the results of their progress/work. As for "Super groups", I do review them. "Super groups" consists of a member or members from other k-idol groups to form a new group with a whole different name. These groups sometimes last as long as a year, depending on how successful they become. "Super Groups" disband and all members return to their original group. An example of a "Super Group" is the group called "SuperM", where they combined the groups EXO, WayV, NCT 127, and SHINee to form one group.
I never really talk about "fictional groups" because there aren't many examples of this. A "fictional group" is often only put together for a movie or short film. Often, I find online users actually thinking these "fictional groups" are actually a real life k-idol group. People that think "fictional groups" are real is hilarious to me; however, "fictional groups" may come back together after the project to create an actual group under a label. In theory, this can actually happen and I would consider this a debut. Nothing like that has happened just yet...
⑧There are others that I do not review, but for now, these are the main ones. I'm certainly not reviewing k-idol groups, who are debuting with adult content. If you are looking for KAV(Korean Adult Video) actors/actresses, then you are looking in the wrong place; there's an over-saturation of that on the internet. There's no need for me to explain this. In the previous/older generation of K-pop, there were k-idols who became "KBJ", also known as Korean Broadcast Jockey, releasing adult content. These groups also released a lot more explicit material that turned off fans. In my opinion, there's no room in K-pop for such content; I'm not against k-idols expressing their sexuality; however, explicit material, such as nudity, needs to be transferred to the AV industry.
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INTRODUCTION
Mainly, this is my personal way of scoring rookie k-idol groups. It is still in its rough draft/unfinished/infancy stage, but I think it is improving daily. For 2025, my scoring system has left its "Alpha Development". It is now in its beta development, so there is still a lot to work on. So far, I have a lot to learn and understand about the Korean music industry, but I do know a bit more than I previously did. 2024 was definately an eye-opener for me because I never really dived into the inner workings, mechanics, functions, and structure of general K-pop. I started this whole entire blog to better understand the K-pop industry. No better way of understanding something by dismantling the core of it and piecing it back together.
This is a controversial insight that I am going to reveal to the viewer, but you might already subconsciously know it. All entertainment companies in South Korea do a vetting process to filter out "ugly people" from being accepted as a trainee. This is a cruel reality of the entertainment business because attractiveness sells more than talent(and that's a guarantee). In this scoring system that I developed, I will not be rating groups by looks or physical attributes because the entertainment companies/labels in South Korea have already done the screening process and removal of unqualified individuals. They've already done the dirty work of crushing participant's dreams of being a K-pop idol; there is a lot of hatred towards the process of selecting an idol, but the industry only looks for what is profitable versus what is fair.
Generally, I do not know what the results of being rejected by the entertainment industry. I have not attained adequate scientific data, specifically, on individuals who are rejected by the K-pop industry or South Korea, but there are quite a few possibilities of what may happen. One possibility is South Koreans or other ethnicities who are rejected from the entertainment industry just simply accept their fate and move on to other careers or forms of work. A second possibility is a rejected individual could keep trying until they are accepted, or they end up being lucky enough to develop a business connection or a relationship with someone in the upper echelons of the K-pop industry. A third possibility is a rejected K-pop idol participant could develop insecurity about one's own self-image; this leads a person to resort to going "under the knife", also known as plastic surgery; this possibility may make things better or worse depending on if the procedure is successful. The fourth and unlikely result of being rejected from the K-pop industry is simply a person becomes hysterical or emotionally unstable. All these possibilities are on the table and there's plenty more, but for now, these are mainly served as conjecture; I do not claim that these possibilities are true; however, there are many published articles that allude to what I've said to be accurate.
Below are the criteria that I use to judge/critique k-idol rookie groups. Please keep in mind that I've left out a few criterions, such as physical appearance/attributes because k-idol companies have already done the vetting process. There's no need to do it twice. Also, I know there could be sub-criteria that specifically addresses certain aspects of singing and dancing; however, we'll be here forever nit-picking whether a k-idol blinked their eyes properly or twitched their finger at the wrong time. The funny part is that there are hyper-detailed reviews like that on the internet, which are beyond ridiculous. If you are looking for hyper-fixated critique of k-idols, then you are looking in the wrong place.
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SCORING CRITERIA
🞖The cinematography score is mainly based on the quality, production, techniques, and other film-related jargon of their music video.
🞖The "Narrative/Story Score" is determining whether there is a story/narrative in their music video. A presented story/narrative in a music video is either accurate to the concept/theme of the group or random.
🞖Although k-idols are singers and dancers, music videos forces them to take on Acting/Modeling roles. The "Acting/Modeling Score" is determined by how great the k-idol's acting within their music video.
🞖The "Studio Recorded Vocals Score" is mainly dictated by whether the rookie group has hit the musical notes properly. Ad-libs only strengthens their score.
🞖The "Instrumental Score" is determined by the composition or structure of the instrumental.
🞖Are the lyrics written straight-forward, poetically, sarcastically, ironically, or etc.? Is there explicit or hidden message within their lyrics?
🞖Stage Presence Score: Confidence, Charisma, and Conviction. The 3 C's that determine stage presence. Do the rookie group have all 3?
🞖Blank stares and unlively facial expressions do chase away fans, so the proper facial expressions are crucial in attracting fans. They say a picture paints a thousand words and a facial expression paints two: welcome or unwelcome.
🞖The "Objective Movement Score" has to do with timing, execution, accuracy, and rhythm of their movement.
🞖"Choreography Aesthetics Score" has to do with creative moves. Are the moves pleasing or displeasing? Are the moves difficult? Are the moves fun?
🞖The "Live Choreography Score" is for their debut showcase.
🞖The "Live Visual Score" pertains to their modeling during their live showcase.
🞖The Art/Cosmetic/Make-up Score is about immersion, intensity, and accentuation. The k-idol is already handsome/beautiful. Art/Cosmetics/Make-up should amplify that handsomeness/beauty.
🞖The fashion score is dictated by the clothes and accessories that they wear. Simultaneously, K-pop idols are fashion models.
🞖The visual concept is the amalgamation of presentation, art/cosmetic/make-up, and fashion. The k-idol must display a symbiosis with their art, modeling it to the point where the k-idol is one with the art.
🞖Can your K-pop idol sing live or have they been lip-syncing or heavily relying on auto-tune this whole time? A live performance, whether sung or danced, demonstrates to the fan base/audience that the K-pop idol is authentic, the real deal. Live performances are proof of whether the K-pop idol is talented or just selected to only look pretty. Any type of live performance is basically judgment day for K-pop idols; this usually makes or breaks a k-idol group. Also, I'm well aware of k-idols using pre-recordings: MR(Music Recorded), AR(All Recorded), LAR(Live All Recorded), and LMR(Live Music Recorded) during their showcases. Although I'm not totally against groups that use pre-recordings when they are trying to demonstrate their dance choreography, in due time, the audience/fan base will notice the lip-syncing and demand a live vocal performance. You must use your discernment on such technology being used and differentiate between live vocals and pre-recordings. There are many indications that show whether they are singing live or just using a pre-recording. Throughout the internet, you'll find articles and investigations on how to figure out if any k-idol, or any singer, is just lip-syncing. In my blog, I won't be dwelling on this procedure, so it is best for you to read the details for yourself.
⚠NOTE⚠ I do not use "MR content(Music Removed Content)" in my assessment for live vocals at all, never did and never will. Before the beginning of 2024, I found that MR(Music Removal) isn't a reliable way of assessing a group's vocal prowess. The music removal process is tricky because certain parts of a k-idol's voice could be distorted or altered; the final result of music removal content is not accurate at all. Once the software/technology has been perfected, then I might give it a chance; however, at its current state, it is merely experimental.
🞖A live band authenticates their live vocals. Authenticity is important in K-pop because it separates the real from the fake. This really shows whether the rookie group can do live concerts on a local stage or a world tour. Endurance and stamina is important for live concerts.
🞖The discography score is mainly based on quantity of tracks, as well as the quality of their tracks within their album.
🞖Each k-idol rookie group has a concept or concepts, which are their primary focus or direction; basically, there's a general message or idea that is being represented through their debut. The concept score is dictated on whether the group executed their concept. With the "Concept Score", I've also combined it with two other parts: "theme" and "production". "Theme" is not exactly "concept" because "theme" is more of a visual representation while the "concept" is more implicit or explicit, which is only interpreted/understood by the viewer. The "production" is mainly on how materials/resources is conveyed throughout the music video; the "production" is usually the byproduct of the "concept" and "theme". "Big Four" companies usually have a high budget to create visually stunning, especially expensive, productions for their "theme" or "concept" when it comes to their music videos. It is like night and day compared to "nugu" companies; usually, "nugu" companies use their garage as their settings with duck-taped objects in the background. You may find me calling groups or companies cheap because of the production.
🞖The "Personal/Subjective Score" is determined by just how I think and feel about the rookie group. For this score, I use certain intuitive mental faculties to determine the score. As well as using my mentality, I use my resonating spiritual energy to determine the score. I don't think any of my regular viewers or new viewers will understand "resonating spiritual energy", so I will explain it in two words: "Woo Woo".
🞖The Search Accumulation Score is based on popularity. To save time, I've only accumulated the top five viewed videos of each group, both in English and Korean; I rounded the total accumulated score. Within this scoring criterion, I simply ignore groups with thousands of views because that simply won't dent or budge even in the local charts. Videos with millions of views are usually the ones that I consider popular because that budges or moves the domestic or local charts. Videos with around 10 million views budge and move within the global charts, which is the result of international viewers and fans.
Popularity counts as much as talent in K-pop; heck, the "pop" in "K-pop" stands for popular. Popularity is usually determined by luck, fan base response/reaction, and audience/viewer sentiment. For the most part, popularity is uncontrollable; no individual has the power to increase or decrease their popularity; rather, popularity seems to have its own ebb and flow, almost like it has a mind of its own. There are other factors in popularity that we don't truly understand as well, but luck goes a long way in determining a successful debut. Popularity doesn't have anything to do with creative lyrics/vocals/instrumentals, choreography, visuals, or live performances. Mainly, popularity is determined by luck(운). Luck(운) has nothing to do with science or any sort of calculations. K-idols become popular out of happenstance or bestowed by a higher power beyond human comprehension. There's nothing I can say about this topic because luck can't be quantifiable or measurable. Throughout years of looking at k-idol groups, I can tell you that k-idol groups can still be successful without any talent at all. There's a vast amount of examples of these talentless groups or individuals; I won't point them out because they are glaringly obvious. Also, I don't want to step on their "die-hard" fan base's toes because an all out fan war would occur, so I won't utter a single word. Again, I'd like to emphasize the importance of popularity in a k-idol group's success.
As an added note: The Search Accumulation Score will be updated every season.
🞖Comebacks in the same year as their debut shows endurance. Ultimately, any rookie group that does a comeback will receive an extra "Over-Kill" point. Not only that, but their score pretty much doubles if the comeback is successful or great. Endurance is important in K-pop; not many K-pop fans realize how difficult it is to do a comeback in the same year as their debut. For groups that do comebacks, they must possess a huge pool of stamina; it's almost like a superpower. As an added note, an "Overkill" point is given to a comeback that is in Korean; a rookie group that does a comeback with a totally different language besides Korean is considered as a whole new debut. For example, a k-idol group does a Korean debut; however, their comeback is in Japanese. In this particular scenario, the k-idol group did a Japanese debut after their Korean debut. I do not count that as a "comeback", but as a whole new "debut" in a different language. Additionally, I'd like to clarify the amount of "Over-Kill" points that are given to a group that does a "comeback". Usually, a "comeback" represents a release of either a digital single, a mini-album, or a full-fledged album. Each track within a "comeback" roughly equates to a .1 "Over-Kill" point. For example, a group does a comeback with a total of 6 tracks; this is roughly an extra .6 "Over-kill" points given to the rookie group. There are groups that only release a digital single as their comeback, which equates to a .1 "Over-Kill" point. It certainly wouldn't be fair to give a group a whole "Over-Kill" point for only a single track; the fairest way of distributing "Over-Kill" for a comeback is by giving a fraction or decimal per musical track. Recently, I have noticed rookie groups doing remixes of their tracks. I do not count a "remix" as a comeback, nor will I be scoring remixes. The main purpose of a remix is to enhance a track and not to create an entirely new track.
Scoring Criterion Not Included
🞖ALBUM SALES: I do not include album sales numbers within my scoring criteria because this requires "real-time" data from multiple businesses, vendors, retail outlets, downloaded and streaming data from multiple websites, et cetera. There's also the fact that album sales numbers could be manipulated by companies, third parties, scalpers, or multiple computers(also known as "bots") to create a perceived value. I find that including album sales metrics within my scoring criteria wouldn't be accurate because every system of accountability is unreliable or, to the extreme, fraudulent.
Again, I'd like to preface that I believe album sales could be manipulated; however, I am not accusing any particular company at all. Most people do not understand that deals can be made behind closed doors such as chart manipulation, so I won't be delving into this topic any further.
If you are curious about trends/sales figures and would like to investigate mainstream Korean album sales, then the best way to start is through these websites:
Contenders For 🟑2025 K-pop Rookie Group Hall of Fame🟑
Basically, I have main categories:
🟑Best Discography🟑
🟑Best Production/Theme/Concept🟑
🟑Best Dance/Choreography🟑
🟑Best Visuals🟑
🟑Best Live Vocals/Performance🟑
🟑Best Ballad🟑 Note: Ballads are focused more on the emphasis of vocals, such as opera singers. I'd argue that the truest form of a Ballad is a capella, where there is no external musical instruments involved. Originally, a ballad artist would recite poetry, usually sentimental lyrics, on a live stage with no pre-recordings; this is usually done without any sort of background music. There are instances of ballad artists playing a Lute or guitar before and after reciting a stanza. Today's ballads is called "Spoken Word", which focuses more on "word-play" and the aesthetics of recitations. "Word-play" is the live voice intonation and inflection of an artist.
🟑Best Trot🟑
🟑Best R&B🟑 Note: There are many forms of R&B. Most R&B that is created is called "Contemporary R&B", where it is mixed with elements of pop, soul, funk, hip hop, and electronic music. For an example, NewJeans had R&B songs mixed with electronic music; specifically, the type of electronic music that was mixed with their R&B is called "New Jack Swing". This "Contemporary R&B" is also known as "Electronic R&B" or "Electro-R&B". Now, times are changing and R&B has somewhat changed or transformed into "Alternative R&B", "Neo-soul", or "Indie R&B". "Alternative R&B" is an unconventional form of R&B, where it is mixed with musical elements of rock, EDM, et cetera; "Alternative R&B" is not stuck under a tiny umbrella of limited amounts of musical styles such as its counterpart "Contemporary R&B". It is more "open" to experimental music and not stuck to traditional norms within the R&B standards.
🟑Best Rap/Hip Hop🟑
🟑Most Popular🟑
🟑Wild Card🟑 Note: A "Wild Card" are groups that simply have high scores. Groups under this categorey have high potential regardless whether they've been nominated!
As time goes on, I may add new categories; however, I find that this is sufficient. Although I would love to place a "K-Band" category, I simply don't have enough knowledge in this area to even start. I'd have to hold off for a bit on this one. Anyway, in order for a k-idol rookie group to be nominated for Hall of Fame, each group has to do extremely well in a category or exceed beyond the category.
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Contenders For ♛♚2025 K-pop Rookie Group of the Year♛♚
In order for a k-idol group to qualify as a contender for 2025 K-pop Rookie Group of the Year, a group has to do an "Over-Kill" in one of the major categories. An "Over-Kill" is a term that I use to describe a group's domination and extremely well-done performance in a major category, as well as exceeding beyond that category. Rookie Group of the Year is usually dictated by how many accumulated "over-kills" attained in each category. A "comeback" in the same year of their debut is counted as an "Over-Kill". There are rare instances where a debuting K-pop group follows up with a comeback on the same year; a "comeback" is usually an indication that a k-idol group's debut or previous album was successful and has a supportive fan base.
The way I determine "2025 K-pop Rookie Group of the Year" is by multiplying the "Over-Kill Score" with the final score percentage. For example, a k-idol group has a percentage score of 100% and 5 "Over-kill" points. It would be 100 multiplied by 5, which is equal to 500. The "500" points is then added to their original score of 100. The second calculation would be: 100(original score) + 500(total "over-kill") = 600(OVERALL SCORE). As an added note, certain groups may only have a decimal "over-kill" point. The calculation is slightly different in this case. For example, a group has a score of 100% with a .1 "Over-kill". The calculation is 100 x .1 = 10 "Over-kill" score. 100 + 10 = 110. "110" is the original score added to the "Over-kill" score. The overall score of "110" would be compared to other groups overall score. I want to clarify the calculations of the "original score", "over-kill", and "over-all" score without it sounding too vague. In short, "Over-kill" is a multiplier.
In 2024, I chose ♛BabyMonster♛ as 2024 K-pop Rookie Group of the Year. If you have examined their whole debut and comebacks, then you will notice that they racked the most "Over-Kill" in major categories. For 2025, I will continue to look for the amount of "Over-Kill" a rookie group has attained.
List of Late Bloomers
I consider these K-pop rookie groups, who are debuting within 11/21/2025 - 12/31/2025, as "Late Bloomers". Unfortunately, these groups will not be reviewed for 2025 because they did not make it in time for the deadline. The main purpose of this blog is to find K-pop rookie group of the year for 2025, within the year of 2025, and not over that year. As well as looking for K-pop rookie group of the year, I am also searching for groups to be placed in the "Hall of Fame". In 2026, I will be reserving these groups for my next blog/review, possibly for 2026 winter; unfortunately, I'm not entirely certain if I will create a new review/blog.
FIVE O ONE Last Christmas[3 Member Male Idol Group](Comment: These 3 members are from the old group "SS501" from 2005. That's like 20 years ago. They are debuting as "FIVE O ONE". I'm not entirely certain if this is for a Christmas special, or their new start as a 3 member group.)
⚠NOTE⚠ This section of the blog may contain truths that can possibly evoke negative emotions. If you don't like to read anything that may stir unwanted thoughts or feelings, then please skip this section.
🞂12/23/2025: 2025 AUTUMN ROOKIE GROUP NOMINATIONS
This had to be the hardest decisions that I had to make for a long time. The nominations for 2025 autumn were a bunch of close calls, but there were slight, yet noticeable strengths and weaknesses from each group. I love every K-pop rookie group that has debuted; however, I needed to make the tough calls to eliminate groups, or it won't be finished.
For the choreography, I nominated XLOV, Hearts2Hearts, and AHOF. XLOV had the most difficult moves, such as the splits and many advanced moves. Again, Hearts2Hearts came back with extremely synchronized choreography, flawlessly executing moves with no effort at all. As for AHOF, they were simply the most creative with the Pinocchio nose, bird hand moves, conjoining their hands to create a house, domino-like body movements, et cetera; there was a lot more that can be said about what AHOF presented, and I'm certain that I nominated the right candidate for this category.
As for visuals, AllDay Project confidently took this category by storm; each member's outfits were superb, and expensive. I don't think any other group can rock their apparel as well as they did. Not only that, but each member of AllDay Project is memorable; in other words, there's no visual gap, empty space, or hole. Everyone, and the cat down the road, knows who AllDay Project is with only a single glance!
Kiiras took the best live vocal performance. Like I said before, every group looks like they have "vocal training wheels" while Kiiras is on an expert level when it comes to live vocals.
&TEAM's music video must have been super expensive to produce; the budget for &TEAM must be unlimited. As for the theme and concept, this was a no-brainer; I nominated AHOF. There's a lot to unpack with their music video; with an analytical eye, you can find esoteric messages strewn all over AHOF's music video, which may be difficult to comprehend or interpret.
The best discography has to be &Team. It is jam-packed with awesome tracks.
The R&B princes Close Your Eyes made a modern or contemporary twist with their new album "Blackout". They definitely deserve to be nominated as the best for K-pop R&B!
Obviously, AllDay Project took the Rap/Hip Hop category easily. There's no other K-pop rookie group out right now that can match, or defeat AllDay Project in their swag, and execution in terms of vibes.
Popularity was mostly on Hearts2Hearts's court. These girls are undeniably the "IT GIRLS" for the new generation. As for the most viewed music video, AllDay Project's Famous is still gaining traction until now.
🞂12/23/2025: Indications of Long-lasting K-pop Rookie Group
After a year of a K-pop rookie group debuting, there are certain indications to look out for. These indications show that the K-pop rookie group is most likely going to last a long time; however, just like any predictions, these indications do not guarantee that a group will stay together forever. If you looked at every K-pop group for the past decade, you'll notice disbandments, re-debuts, rebrandings, company transfers, scandals, controversies, indefinite hiatuses, deaths, et cetera. Foremost, a K-pop group usually has about 2 to 4 comebacks every year. If a group only has one comeback a year, then that is an indication of something going haywire or wrong within the group or company; it is best to investigate what is going on if there is only 1 comeback. 2 comebacks a year is quite normal for "nugu" or unknown groups; this shows stability, and it is a sign that the group is still active. Usually, "Big 4" companies release 4 comebacks a year for their groups under them; this shows endurance and strength. 4 comebacks a year is somewhat like an "insurance policy" that tells a consumer that the group that they are "stanning" will be here for the long haul. Any K-pop group with merchandise, such as a light stick, is definitely a sign of support, strong foundation, and a growing fan base; a light stick shows confidence that a group isn't going anywhere, and it ensures that fans aren't wasting money on a group that's "here today, gone tomorrow" type of group. Usually, merchandise, such as light sticks, are brought forth within about 3 years of a group staying together; again, this shows a group has a strong foundation to their fan base. The last indication of a strong K-pop group is "World Tours" being sold out, and not being canceled. Cancellation and delays of World Tours may be due to unforeseen situations/circumstances; however, if there are persistent cancellations, then there might low ticket sales/admissions. Unfortunately, groups that stay locally, or within their country is a sign of stagnation. "World Tours" are a sign of a K-pop group's growth, especially if they are sold out. Anyway, there are many more indications of long-lasting groups, such as collaborations with foreign groups/companies; promotional activities such as modeling for clothing, consumer products, devices, or cosmetics, is a sign a group is climbing in popularity. There were K-pop groups that were sponsored or endorsed by famous water bottle companies. I keep forgetting the group that had these sponsorships. Was it NewJeans? I forgot. It was a long time ago. Anyway, if any K-pop group doesn't have any of these indications, then it is probably a good idea to jump ship, or move to another group because it is heart-breaking to invest heavily in any group that will disband just a few weeks later.
🞂12/23/2025: Answering A Question...
There was a question aimed at me on telegram/social media about the possibility of having both a female and a male k-idol rookie group of the year(for 2025). Here's my response: Click Here.
🞂10/24/2025: 2025 SUMMER ROOKIE GROUP NOMINATIONS
Let's first talk about popularity amongst the summer rookie groups of 2025. AHOF's "Rendezvous" is the first Korean music video that I've ever seen hit 30.5 Million views within a season. Not only is this a successful debut, but this amount of views is ridiculous coming from a Korean rookie group; this must mean that there is a loyal fan base streaming and spreading/sharing the music video all around different online communities. A die-hard fan base is somewhat scary, but it also shows that fans are confident in AHOF's abilities within the entertainment industry. There is a lively discussion about AHOF on every social media platform, forums, fan sites, and websites; so far, AHOF are the ones that set the summer ablaze with their hit song.
On the other hand, here is a rookie group called "Cortis", who is the most liked within the K-pop industry. Although I don't find them to be the most talented in certain categories, Cortis is gathering everyone's attention with their western appearance, "rapping" style, and discography. Personally, I found the debut of Cortis to be abhorrent because obviously they are trying to alter the traditional sounds of South Korean pop music. Now, I'm not here to discuss the loathsome entrance of Cortis into the K-pop industry; apparently, the majority of K-pop fans express positive feelings towards this rookie group. For now, I will refrain from spewing any harsh criticism about Cortis unless it becomes necessary to speak about them. They are loved greatly by the K-pop community for a reason that I cannot fathom.
If you take a look at internet data throughout summer, then you'll notice KickFlip is still being searched for. Although I acknowledge KickFlip's successful progress, I have noticed that there seems to be a portion of internet searches to be actually searching for "kickflip" in terms of skateboarding, and not the Korean group themselves. I am not discrediting KickFlip's talent as an upcoming South Korean pop group, but I acknowledge the fact that users might be accidentally or unintentionally clicking KickFlip's videos without knowing that they are a group; rather, they are clicking on Kickflip's videos out of curiosity on the methods of how to do a "kick-flip", which is a skateboard technique or trick. JYP Entertainment is actually genius about naming their group "KickFlip" because it simultaneously attracts the skaters and Korean music lovers.
Masterfully singing live on stage, Son E Ji U is the second group to release a ballad in summer. Definitely, they are most likely going to be the winners of the "Ballad" category unless some group swoops in and takes their thunder, which I highly doubt.
This was a difficult decision that I had to make within my scoring system; however, I had to create this rare and exceptional case within' my nominations. For the "Best Live Vocal Performance", I nominated two groups, splitting the "Over-kill" point in half. In other words, both teams will receive ".5" Overkill points instead of a full point. This was a rare case, where one team had advanced vocal prowess while the other team had a variety of harmonious vocal tones. Both teams were lacking important features of singing live; however, both teams had the best live vocal performance out of the whole summer season. The k-idol groups that I'm talking about is: "In A Minute" and "Close Your Eyes".
As for choreography, "AtHeart" is the best when it comes to advanced difficulty and creative dance moves; no one comes close to how well each member has executed every difficult move with no noticeable mistakes. As for synchronization in choreography, AHOF takes this hands down; they are impressive with each member executing each move with precision, knowing timing windows to perform each move, slowing down and speeding up their moves at the proper time, and et cetera. There definitely one of a kind.
"AtHeart" is the only group wearing matching outfits with stylish boots. While all the summer rookie groups are visually sloppy, here is "AtHeart" actually taking their positions professionally and not trying to take shortcuts in the visual department. To be honest, I'm glad a group is actually dressing to impress; instead of taking the lazy path, "AtHeart" wants to show their audience and fans that they mean serious business!
Cortis has an unlimited budget to create a music video for each track for their album. The production cost of this must be through the roof! BigHit/Hybe must be confident in this group that they basically sold the entire farm, livestock, and tractor to bring this group in the forefront. Whenever BigHit/Hybe envision an idea, they put all theirs chips on the table whether they win or lose; I'm not certain if this strategy will backfire or yield expected outcomes. After all, they are BigHit/Hybe, so I think they know what they are doing by now. We'll just have to wait and see.
The best theme and concept for summer has to be from "Close Your Eyes" with "Snowy Summer". After all, "Close Your Eyes" are R&B princes of the new generation. In my honest opinion, they have the potential to be much bigger in the future; however, that really depends on public support and their company investing big in this group. I'm not here with a crystal ball, who is able to predict the future; however, the indications and signs are there that show that "Close Your Eyes" can possibly be a top group amongst veteran and rookie k-idol groups.
🞂10/16/2025: Rookie Status
Someone on telegram asked me on how long a group stays a rookie. The answer to this isn't as simple because of many factors. Usually, the "rookie" label is removed from a k-idol group that has gone through 4 seasons(spring/summer/autumn/winter) together, which is about a year. Some had said that the rookie status is removed from a group after 4 albums together, which, again, represents 4 seasons together. However, I do understand that certain groups aren't together long periods of time; if this is the case, then it is debatable that after 2 years, a rookie status is then removed. From the accumulation of data throughout the years, I'd say that a group is no longer a rookie after a year from debuting; however, there are exceptions like group hiatuses and such. At maximum, I'd say that after 2 years a group can finally remove the "rookie" status. I'd say that 2 years marks the "advanced novice" status. It's not exactly "rookie" or "expert"; it's a status in between a beginner and an expert. After 3 years, an "advanced novice" becomes an "expert" k-idol. After 4 years, a k-idol becomes a "leader" or "master" within the field. Don't get me wrong though. I've seen "leader" or "master" k-idol groups still make mistakes time to time on stage like voice-cracking, doing the wrong choreography, and looking super awkward, but they usually cover or disguise their mistakes professionally.
🞂9/29/2025: KPOP Social Media Communities with Emotional Predictions
I've noticed that a ton of social media users are predicting 2025 K-pop Rookie Group of the Year based on no data at all; it's mainly these newbie fans who are obsessed with their k-idols. I swear that these fans would go as far as surgically installing their light sticks into their forehead for free, if given the opportunity to. The "gut" feelings that the fandoms express towards their favorite k-idols is somewhat heart-warming; however, most of their judgments are clouded by their emotional biases, which is mainly dictated by their uncontrollable hormonal activity and urges. In other words, they have not provided specific evidence or arguments on why their k-idol group is 2025 K-POP Rookie Group of the Year. Although I understand that they consider that popularity is the main propeller towards rookie group of the year, they haven't collected sufficient or necessary proof of progress that demonstrates that their favorite k-idol group deserves to be rookie of the year. Instead of providing concrete or actual reasons, delusional fans are leaning towards and have accepted preconceived opinions passed around within their friend circles and clubs; these fans have formed tendencies and inclinations to their herd's consensus without looking into the data or actual knowledge. In laymen's terms, popularity counts more to K-pop fans than a group's history/track record; even if presented, hard evidence seems to be ignored by K-pop fans.
🞂8/1/2025: Summer 2025 "Search Accumulation Score" and "Overkill" Points
I've decided to leave the "Search Accumulation Score" out of the scoring until summer is over. You may notice that the score of groups may be substantially lower than before. I intentionally had to keep this out to ensure that the score is as accurate as possible; sometimes, songs do get viral after only a week(shockingly, sometimes, it takes only a day to go viral!), so it is better to wait until a video peaks, plateaus, or declines in views before I gather data. Each group's score in summer season could be a lot higher than it is right now. "Over-kill" points for the main categories will be distributed as soon as summer season ends.
🞂7/30/2025: 2025 SPRING ROOKIE GROUP NOMINATIONS
Hearts2Hearts conquered everyone's hearts in spring 2025. If Hearts2Hearts finish strong at the end of the year, then they are most likely going to be 2025 K-pop Rookie Group of the Year.
I wouldn't rule any group out just yet. There are rumors of NewBeat preparing an all-out album comeback at the end of summer/beginning of autumn, but first they are releasing a digital single called "Cappuccino".
By the way, "AllDay Project" was an unexpected rookie group that can take the world by storm, so I wouldn't rule them out as well. I've heard AllDay Project is going to be backed by a huge financial player in the monetary game; I'm not talking about the rich and wealthy "33 percenters"; I'm talking about the 1%. You didn't hear this from me. Just follow the money and you'll notice the trends. Anyway, I forgot to mention that I chose "AllDay Project" over "VVS" and "Sikkoo". "VVS" offers a wide range of tracks; however, under closer inspection, the lyricism felt disingenuous and insincere. On the other hand, "Sikkoo" was definitely a contender for the best rappers of spring 2025; however, they lacked the choreography and visuals, which is important in K-pop showcases. You may say that choreography and visuals don't matter in Hip Hop stages. I'd have to disagree with this sentiment because the public's enthusiasm skyrockets when they are presented with a focus or emphasis in visuals and choreography; as well as heightened entertainment value, there is a strong sense of professionalism when a group presents more in their showcases.
"Close Your Eyes" is a fan favorite as well. In the future, I expect this group to be loved by the world like how the world loves BTS. The only issue that I see is PocketDol's involvement with 2 members of "Close Your Eyes". Throughout time and memorial, PocketDol Studios has been a hindrance and a nuisance; look at the company's track record. Hopefully, Jeon Min Wook and Kenshin can find a way out of that label as soon as possible.
As an added note, I'm well aware that KickFlip has a high discography score as well; however, the quality of tracks did not beat or even match "Close Your Eyes". Although KickFlip is considered a top tier group, they slightly lost by a hair's length against "Close Your Eyes". Also, "VVS" has a high discography score as well; however, I consider 3 of their tracks as a "transitional" part of the discography. "Intro", "Outro", and "Interludes" are considered transitional tracks to their main tracks.
Since their debut, I debated with myself and others about KIIRAS. This rookie k-idol group has the strongest live vocals for spring 2025; however, it feels like the management in charge of them aren't heavily investing in them. It feels like their progress is stifled. KIIRAS has the potential to be an unstoppable force in K-pop.
I-dle's rebranded debut is a world-wide success. Often, I come across many groups that rebrand and fail; however, i-dle ended up being the most popular group, who has rebranded in 2025.
XLOV, ifeye, NouerA, HITGS, and Baby DONT Cry have been extremely entertaining. These 5 groups have the momentum to become ten times more viral than what they are right now, but I'm not holding my breath. I've discussed with other K-pop fans that these groups can easily "10X" over top rookie and veteran groups.
Anyway, I wish every Korean Rookie Group good luck moving forward. A secret K-netizen, which I will not reveal here, said that there will be a huge surprise in the months ahead. Hopefully, I'm not being tricked into being too optimistic. I'd rather just keep a realistic perspective, a level-head, about future rookie groups.
🞂4/30/2025: 2025 WINTER ROOKIE GROUP NOMINATIONS
NewBeat has been dominating winter 2025. They are pretty much a contender for 2025 K-pop ROOKIE OF THE YEAR; however, the war hasn't been won yet. There are rumors that other groups are making a comeback in the same year as their debut, so I won't count out the rest of the groups. These rookies could very well surprise me by the end of the year.
Hearts2Hearts plans to make a comeback, so I won't count them out from being 2025 K-pop ROOKIE GROUP OF THE YEAR. Enduring through their debut, Hearts2Hearts are going all out.
There are countless groups that could change the trajectory of events and could possibly win the hearts of everyone, so it is best to keep new rookie groups in consideration. Remember, the future isn't set in stone; new events could change the fabric of reality at any given moment. Basically, expect the unexpected. We don't really know what is in store for us with these new rookie groups.
🞂4/18/2025: NOT MANY KPOP ROOKIES THIS YEAR
You may be wondering why the list of K-pop rookie groups isn't as many as last years. It isn't as easy to figure out, but there are certain trends that are happening that can provide a glimpse on why there's only a batch of rookies. Foremost, we have never seen the birthrate in South Korea plummet this low for decades. Currently, within 2025 data, the birth rate or fertility rate in South Korea is .75 according to Wikipedia: List of Countries By Total Fertility Rate. There are other websites and official sources of fertility rates, but basically, the number is fairly the same.
So, if the birthrate is that low, then we'll be seeing less and less K-pop ROOKIE GROUPS next year and the year after that. Although it is unfortunate that we will be seeing fewer rookies, we can't force South Koreans to give birth to more children; the decision of bearing and nurturing a child is a life altering experience for everyone; for the most part, it is financially straining for an average couple to have a child. There's something going on over there that is causing low birthrates. We can only speculate on the factors on why the birthrates have plummeted within the last decade. One factor could very well be financial reasons. It could be that it is way too expensive to live in South Korea, so it is understandable that couples forego procreation. Logically, if the prices of housing, businesses, goods and services skyrocket in price, then it is only wise to remove the prospects of creating a family. Now, I don't claim that I know all prices of goods and services in South Korea, but I've heard that the price of tteokbokki, a famous traditional rice cake, has gone from $2(2,500 won) to $3.50(4,000 won). In South Korean food markets, you can see the prices of food soaring to all-time highs, costing an arm and a leg to most South Korean families. For this example, I'm not saying that the prices of tteokbokki is the reason for low birth rates. It's mainly that all the things in South Korea have become way too expensive and unaffordable for the average citizen. A fraction of the problem is the fact that the average citizen's wages are stagnated while the prices of everything are inflating. South Koreans are trying to outwork inflation, which in the end, doesn't end well. For example, you are being paid $5 an hour for the rest of your life. The price of a loaf of bread is $10, but is increasing in price by $5 every year. No one is able to afford a loaf of bread as time goes on. It is the same in South Korea: stagnate wages and inflated prices of everything.
Another reason for low birth rates in South Korea could very well be that South Koreans are going through an existential crisis or have become increasingly intelligent. South Koreans are observing the raw reality that circumstances aren't in their favor. There is too much on their plate that it has them questioning whether existing in a horrid environment is worth the price. South Koreans have seen the negative aspects of this world first-hand that they simply don't want their children to face the harshness of what is happening. Although this may be related to economic status, South Korean citizens have taken the step away from bearing children because the negatives are outweighing the positives.
Lastly, the reason for low birth rates in South Korea could be easily summed up to the amount of stress in maintaining social status. Social status in South Korea is hyper-competitive. Citizens always want to out-do or out-compete their siblings, neighbor, friend, relatives, co-workers, and the list goes on. This hyper-competitiveness will stress out a lot of citizens because humans aren't made to continuously do mechanical procedures for long periods of time; this could be debatable because people may say that all we need to do is "push through". This "push through" mentality could really stress people out because they are sacrificing their health for a small return on investment or a tiny increase in social validation. It's mainly people realizing the incentives of going through rigmarole is simply not worth the squeeze. We are given a grandiose future shown by the authorities, but none of it is easily achievable; it is like a scam or fairy tale for the most part. South Koreans see the hyper-competitiveness and had opted out of the endeavor to be better than other people. South Koreans have opted out of stress that is associated with having children because of the hyper-competitiveness of daily life.
I don't think South Korea realizes that it has adopted an anarchist philosophy of anti-natal sentiment. When people think of anarchy, often people visualize an individual with a Mo-hawk hairstyle wearing a gas mask, body piercings, and tattoos covering the body from head to toe. The majority of people think that an anarchist throws Molotov cocktails at privately owned buildings and government facilities. Actually, this depiction of an anarchist is entirely wrong. If I told you right now that an average South Korean is an anarchist, then you would be in disbelief at this idea. You may be asking yourself why a blogger is describing South Koreans as anarchists. Let me explain what I mean. In order for the ruling class to continue their tyrannical acts, they need obedient citizens to follow their orders and authority. Without these obedient citizens, their rule would diminish or outright disappear. Whenever an individual makes the conscious decision of not having children, this takes the power away from the ruling class or the powers that be. The mere act of not procreating removes a vital and crucial part from the plans of the elite ruling class. Without cannon fodder or enslaved individuals, the system can no longer function correctly, nor can it run at peak efficiency. Civilization will crumble without actual people in it and the ruling class no longer has their slave class to manipulate and play around with. When you picture an anarchist, it shouldn't be this caricature of outrageously dressed individuals vandalizing buildings; rather, a true anarchist would look like a South Korean who has no children. Unfortunately, the elites obviously do not like how the birth rate looks in South Korea since it is giving off an anti-natal message to the rest of the world. Other countries are now copying the same philosophy of South Korea and this could spread like wildfire. The ruling class must be shaking in their boots as of right now since their power has either diminished or flat-out doesn't work anymore. With that being said, South Koreans are anarchists, who don't realize that they are anarchists. Isn't that funny?
Again, I'd like to emphasize that all of this is just speculation. The future of South Korea could change instantly through different circumstances; however, if the birthrate of South Korea plummets even further, then we might see the first ever societal/civilization collapse that no one has ever seen in our lifetime. It is predicted that South Korea will collapse in 2060 through 2070. In short, we'll be seeing a zombie apocalypse in South Korea. You may think I have a death wish, but if the rates go even lower than .75, I plan to move to South Korea. Personally, I want to see Armageddon or the prophesized apocalypse because it would be interesting for my measly existence. Although there could be casualties within this collapse, I want to observe and document all the events that happen over there; the experiences of being in a dystopia is priceless. It's a once in a lifetime opportunity to experience an actual "SHTF". Heck, if South Korea collapses, then I won't have anything to freakin' blog about, so it is better that I sink with the ship.
By the way, I forgot to add that since K-pop Rookie Groups are dwindling, South Korea has to "outsource" or migrate individuals from other countries to join their rookie groups. There are debates on whether this is legal or illegal since there are different labor laws for other countries. It only makes sense that the K-pop industry reach out to other countries because there aren't any new children in South Korea to debut in these newly created groups. It could be expensive to bring in foreigners, but it is the only way to ensure that the K-pop industry stays afloat. Imagine if they didn't bring in foreigners or immigrants to join these new groups. There simply is no other choice, but to supplement groups with foreigners. The K-pop industry would simply crash if they didn't resort to this strategy. In the future, I predict more groups will have more foreign members from different countries. Countries such as Malaysia, Cambodia, Philippines, Indonesia, Thailand, China, Vietnam, and et cetera will be involved in K-pop groups. There's no doubt about it. We've seen a lot of groups with foreign members in it, so it is inevitable that this change will occur from now on. It is not an "if", but "when". We will see a huge insurgence of this because of the low birth rates in South Korea. You'll see mass immigration from different countries. It is only a matter of time; however, this change might have negative repercussions. We don't know if foreign k-idols will be able to assimilate to South Korea's society. This is just the tip of the iceberg. We might see a lot of negativity before we see the positive sides from all the events that are transpiring. We can only wait and see.
🞂4/17/2025: 2025 KPOP ROOKIE GROUP TIER LIST
I'm trying to fix the bugs/errors/bad coding within my original tier list, but my brain isn't working properly. It doesn't hurt to ask for help, I suppose. Later on today, I will go to certain coding forums to figure out what I'm doing wrong within my programming. For now, I have to take a breath of fresh air and remove the "K-pop Tier List" until it is actually working bug-free and ready...
[Also, Today...] I finally found out what I did wrong. It was a minor and overlooked mistake. As of right now, I can release the K-pop Tier List. It will be in a separate page, so that I can fix it later on. There's still a lot to fix on it.
Finally, it is the start of a new era of K-pop. I wonder which groups will be on my 2025 K-pop HALL OF FAME and, especially, which group will be crowned 2025 K-pop Rookie Of The Year.
Carmen
Jiwoo
Yuha
Stella
Juun
A-na
Ian
Ye-on
Hall of Fame
Hall of Fame
Hall of Fame
Hall of Fame
Hall of Fame
Hall of Fame
Hall of Fame
Hall of Fame